Mon ami, mon amour Matt Haimovitz & Mari Kodama
Subgenre: Chamber Music
Artist: Matt Haimovitz & Mari Kodama
Composer: Gabriel Fauré, Claude Debussy, Maurice Ravel, Nadia Boulanger, Lili Boulanger, Darius Milhaud, Francis Poulenc
Album including Album cover Booklet (PDF)
- Francis Poulenc (1899 - 1963): Cello Sonata, FP 143:
- 1Cello Sonata, FP 143: I. Allegro - Tempo di marcia05:56
- 2Cello Sonata, FP 143: II. Cavatine06:24
- 3Cello Sonata, FP 143: III. Ballabile03:24
- 4Cello Sonata, FP 143: IV. Finale06:44
- Gabriel Fauré (1845 - 1924):
- 5Papillon, Op. 7703:03
- Darius Milhaud (1892 - 1974):
- 6Élégie, Op. 251 (Version for Cello & Piano)04:19
- Lili Boulanger (1893 - 1918): 2 Pieces for Violin & Piano (Arr. M. Haimovitz for Cello & Piano):
- 72 Pieces for Violin & Piano (Arr. M. Haimovitz for Cello & Piano): No. 1, Nocturne02:58
- 82 Pieces for Violin & Piano (Arr. M. Haimovitz for Cello & Piano): No. 2, Cortège01:41
- Nadia Boulanger (1887 - 1979): 3 Pieces for Cello & Piano:
- 93 Pieces for Cello & Piano: No. 1, Moderato02:37
- 103 Pieces for Cello & Piano: No. 2, Sans vitesse et à l’aise01:30
- 113 Pieces for Cello & Piano: No. 3, Vite et nerveusement rythmé02:37
- Maurice Ravel (1875 - 1937):
- 122 Mélodies hébraïques, M. 22a: No. 1, Kaddish (Arr. M. Haimovitz for Cello & Piano)05:48
- Claude Debussy (1862 - 1918): Cello Sonata in D Minor, L 135:
- 13Cello Sonata in D Minor, L 135: I. Prologue. Lent, sostenuto e molto risoluto04:29
- 14Cello Sonata in D Minor, L 135: II. Sérénade. Modérément animé03:35
- 15Cello Sonata in D Minor, L 135: III. Finale. Animé, léger et nerveux03:47
- Gabriel Fauré:
- 16Après un rêve, Op. 7 No. 1 (Arr. for Cello & Piano)03:05
Info for Mon ami, mon amour
The vibrant, expressive musical palette of cellist Matt Haimovitz and the graceful insight of pianist Mari Kodama meld in MON AMI, Mon amour, the new album from the PENTATONE Oxingale Series, available here on November 6, 2020. Haimovitz’s soaring cello and Kodama’s incisive piano flow together in constant, colorful conversation for rarities by sisters Lili and Nadia Boulanger, in the poignant Kaddish by Ravel and the melancholic Élégie by Milhaud, for iconic works by Poulenc and Debussy, and in beloved gems by Fauré. Framed by the 20th century’s two world wars, these French composers overcome profound moments of darkness, never losing sight of their joie de vivre.
An experience with the Poulenc Sonata – a work replete with musical ironies – set in motion the idea for MON AMI, Mon amour. In 2016, while working with a student on this sonata, Haimovitz reached for the score and lost his balance. His priceless 1710 Goffriller cello crashed to the ground, dramatically breaking in two. After the attentions of an expert luthier, the cello emerged 15 months later to new life. The cello and Haimovitz are reunited on this recording.
“Poulenc illuminates the human instinct to connect, to engage, to share life and love with each other,” Haimovitz notes. Recalling the recording sessions, he continues: “It feels like a dream … making music without a care in the world – certainly with no worry of viruses and social distancing. We played the music of French masters to our heart’s content … the memories of friendship, and once again being transported to this pictorial sound world, takes me out of the oppression of this moment.”
MON AMI, Mon amour marks the 20th anniversary of the ground-breaking, Grammy Award-winning OXINGALE RECORDS. Launched the in 2000 by cellist Matt Haimovitz and composer Luna Pearl Woolf, the label embraces both mind and heart, melding genres and boldly navigating between the worlds of classical, new music, Jazz, crossover and opera. Releasing their recording of the Bach cellos suites in 2000, Haimovitz boldly took the music of Bach into then-unimaginable venues for classical music, like punk palace CBGB, sparking what would become the alt-classical genre. This was followed by his 2003 tour of “Anthem” to all 50 US states. Cutting-edge collaborators over two decades have included DJ Olive, David Sanford, John McLaughlin, pianist Christopher O’Riley, the Miró Quartet, and conductor Dennis Russell Davies, among many others. January 2015 marked the debut of the PENTATONE Oxingale Series, a new partnership with the Netherlands-based label, renowned for its discerning artistic quality and superior audiophile technology.
Matt Haimovitz, cello
Mari Kodama, piano
is praised by The New York Times as a “ferociously talented cellist who brings his megawatt sound and uncommon expressive gifts to a vast variety of styles.” Along with his performances around the world, he currently holds positions at the Schulich School of Music in Montreal and as the first John Cage fellow at The New School’s Mannes School of Music. Haimovitz made his debut in 1984, at the age of 13, as soloist with Zubin Mehta and the Israel Philharmonic. At 17 he made his first recording with the Chicago Symphony Orchestra, for Deutsche Grammophon. He has gone on to perform on the world’s most esteemed stages. His honors include the Trailblazer Award from the American Music Center, the Avery Fisher Career Grant, and the Grand Prix du Disque. He studied with Leonard Rose at the Juilliard School and graduated magna cum laude from Harvard University. Haimovitz plays a Venetian cello, made in 1710 by Matteo Gofriller.
Born in Osaka and raised in Germany and Paris, Mari Kodama is consistently praised for her virtuosity across a wide range of repertoire. She studied piano with Germaine Mounier and chamber music with Genevieve Joy- Dutilleux at the Conservatoire National in Paris, in addition to private studies with Tatiana Nikolaeva and Alfred Brendel. Since her Carnegie Hall recital debut at in 1995, Kodama has performed with renowned orchestras and conductors including the London Philharmonic Orchestra, Berliner Philharmoniker, Deutsches Symphonie-Orchester Berlin and Orchestre symphonique de Montréal. In her native Japan, she has played with the NHK Symphony Orchestra in Tokyo and and many others. Kodama has brought infrequently heard gems of the piano repertoire to global audiences, including performances of Stenhammer’s Piano Concerto no. 2 and Alban Berg’s Chamber Concerto for Piano and Violin.