Splendor da ciel La Morra

• Piero Mazzuoli (1386 - 1430):
• 1Donna s'io ò errato04:20
• Anonymous:
• 2Douls m'est amer02:11
• Anonymous:
• 3Soiez liez04:08
• Giovanni Mazzuoli (1350 - 1426):
• 4Dopo ch'i' so02:51
• Paolo da Firenze (1355 - 1436):
• 5Poc' hanno di mirar03:31
• Giovanni Mazzuoli:
• 6A' piè del monte02:22
• Piero Mazzuoli:
• 7Lasso dolente07:32
• Antonio Zacara da Teramo (1360 - 1416):
• 8Dicovi per certança03:18
• Jacopo da Bologna (1340 - 1360):
• 9Sotto l'imperio03:12
• Giovanni Mazzuoli:
• 10Splendor da ciel06:09
• Anonymous:
• 11Le souvenir de vous dame01:57
• Piero Mazzuoli:
• 12A Febo Damn'e05:03
• Hubertus de Salinis (1390 - 1420):
• 13Ihesu salvator / Quo vulneratus01:36
• 14Si nichil actuleris / In pretio pretium02:03
• Giovanni da Cascia (1340 - 1350):
• 15O tu, cara sciença mia, Musica05:28
• Paolo da Firenze:
• 16Uom ch'osa di veder02:43
• 17Amor mi stringe assai05:17
• Total Runtime01:03:41

Info for Splendor da ciel

Wiedergewonnen: Scheinbar verzeichnete das in den Kirchenarchiven von San Lorenzo in Florenz erhaltene Manuskript Campione dei Beni lediglich die einstigen Besitztümer der Kirche, doch bei genauerer Betrachtung handelt es sich um einen echten musikalischen Schatz, um ein ca. 1420 zusammengestelltes Musikmanuskript. Wissenschaftler der Universität Hamburg haben das sogenannte San Lorenzo Palimpsest kürzlich mit neuesten wissenschaftlichen Methoden wieder lesbar gemacht. Die meisten Stücke, darunter auch bislang unbekannte Werke von Giovanni Mazzuoli und seinem Sohn Piero, wurden nunmehr von dem Ensemble La Morra für RAMÉE erstmals eingespielt.

La Morra
Corina Marti, Blockflöte
Michal Gondko, Laute, Künstlerische Leitung

La Morra
formed in 2000 and named after Heinrich Isaac's famous instrumental piece, is among the leading formations specializing in the performance of European music traditionally referred to as 'late Medieval' and / or 'early Renaissance' (roughly c1300-c1500).

A melting pot of national temperaments, the ensemble makes its home in Basle, the cultural capital of Switzerland, where research into the 'early music' and its performance has been practiced for many decades. Under the artistic leadership of Corina Marti and Michal Gondko, La Morra re-defines itself according to the requirements of the projects it undertakes.

La Morra has performed at some of the most prestigious European and North-American Early Music events, including Festival van Vlaanderen (Belgium), Rencontres de Musique Médiévale du Thoronet and Voix et Route Romane (France), Tage alter Musik in Regensburg (Germany), Kilkenny Arts Festival (Ireland), Festival Oude Muziek Utrecht (The Netherlands), Oslo Internasjonale Kirkemusikkfestival (Norway), Misteria Paschalia and Muzyka w Raju (Poland), Festival Internacional de Música da Póvoa de Varzim (Portugal), Freunde alter Musik Basel and Forum Alte Musik Zürich (Switzerland), Houston Early Music, The Da Camera Society of Mount St. Mary's College, The Chamber Music Society of Saint Cloud and the Early Music Guild of Seattle (USA). Concert tours have also taken the ensemble to Cyprus, Estonia, Finland, Italy, Spain and the United Kingdom.

La Morra’s CD releases are enthusiastically received. Among the proofs of this are such distinctions as the Gramophone Award Nomination, Classical Music Awards Nomination, Diapason d’Or, Preis and Jahrespreis der Deutschen Schallplattenkritik and the constantly high ratings in the international music press.

This album contains no booklet.