Rääts, Pärt, Gorecki: Kaleidoscopic Henri Demarquette, Fabrizio Chiovetta & Patrick Messina
- Jaan Rääts (1932- ):
- 1Kaleidoscopic Etudes, Op. 9713:49
- Arvo Pärt (1935- ):
- Henryk Mikolaj Gorecki (1933-2010): Lerchenmusik, Recitatives and Ariosos, Op. 53:
- 3I. Lento - Largo14:18
- 4II. Molto lento - Tranquillo cantabile - Dolce11:12
- 5III. Andante moderato - Tranquillo, cantabile15:13
Info for Rääts, Pärt, Gorecki: Kaleidoscopic
European minimalism: The trio that combines the clarinet with the piano and the cello forms a set with powerful and multiple expressive qualities that has seduced composers of the 20th and 21st centuries.
Composed in the shape of a kaleidoscope, as the first piece suggests, the original program of this disc takes us through a sound gallery riddled with unheard-of objects and where reverie and nostalgia are sifted through modern languages.
The pianist Fabrizio Chiovetta and the clarinettist Patrick Messina leave the Schumannian universe of their previous album to explore with the cellist Henri Demarquette the scores of Arvo Pärt and less known but no less sensitive Jaan Rääts and Henryck Górecki. The first of the three, inspired by one of the most touching works of Mozart (the Adagio of the piano sonata, K.280), proposes here a new arrangement. Replacing the violin with the clarinet, Arvo Pärt colors this delicate conversation with three of the subtle and velvety timbre of the wind instrument."
Patrick Messina, clarinet
Fabrizio Chiovetta, piano
Henri Demarquette, cello
born in 1970, was thirteen when he attended the Conservatoire National Supérieur de Musique in Paris, studying with Philippe Muller and Maurice Gendron. He was unanimously awarded a Premier Prix, and worked with Pierre Fournier and Paul Tortelier before taking lessons from Janos Starker in Bloomington, USA.
Familiar with the stage by the time he was fourteen, Demarquette made his concert debut at seventeen with a recital at the Théâtre du Châtelet in Paris and a recording for France 3 Television with pianist Hélène Grimaud. He caught the attention of Lord Yehudi Menuhin, who invited him to play Dvorák’s Concerto in Prague and Paris with Menuhin conducting.
His career has been international ever since, taking him to many capitals in the company of the greatest French and international orchestras – most recently the Orchestre National de France, the London Philharmonic, the Vienna Chamber Orchestra, the Paris Orchestral Ensemble, the Tokyo Symphony, the Bordeaux Aquitaine National Orchestra, the Symphonia Varsovia, the Neue Philharmonie Westphalen – and he has appeared with his favourite piano-partners Boris Berezovsky, Michel Dalberto, Jean-Bernard Pommier, Fabrizio Chiovetta, Vanessa Benelli-Mosell or Jean-Frédéric Neuburger.
Henri Demarquette also performs an eclectic program from Bach to Galliano, in duo with the French accordionist Richard Galliano. In 2014, the duo created “Contrastes” for accordion, cello and orchestra, a composition by Richard Galliano.
In 2015, he founded a string quartet with Augustin Dumay, Svetlin Roussev, and Miguel da Silva.
Michel Legrand dedicated a concert to H.Demarquette who performs it for the first time with the Orchestre Philarmonique de Radio France conducted by Mikko Franck and recorded by Sony Music.
In 2014, H.Demarquette created Vocello, an original ensemble for cello and choir a capella together with L’Ensemble Vocal Sequenza 9.3. Their program includes Renaissance pieces in relation with contemporary music. Since 2012, number of pieces has been composed for the ensemble.
In 2016, Vocello stayed as artist in residence at Collège des Bernardins.
Since 2012 H.Demarquette is regularly invited by Michel Onfray to take part in the original project called Université Populaire de Caen, together with an essayist, a poet, and a musician Jean-Yves Clément. They give informal talks about different aspects of music.
Curious by nature, Henri Demarquette regularly performs contemporary music compositions and has a penchant for rare pieces. He works closely with the great contemporary composers and has incited compositions by Olivier Greif (the «Durch Adams Fall» Concerto), Pascal Zavaro (Concerto), Eric Tanguy (Nocturne), Florentine Mulsant (Sonata) or Alexandre Gasparov (Nocturne).
His performance of Henri Dutilleux’s Concerto «Tout un monde lointain» with Mannheim’s Akademisches Orchester conducted by Frédéric Chaslin was filmed for France Europe Média with the aid of SACEM.
His open approach to music is reflected in his discography, and numerous recordings by Demarquette have received awards both in France and abroad.
He has also been awarded the «Prix de la Fondation Simone et Cino del Duca» by the Académie des Beaux Arts.
Henri Demarquette plays on "le Vaslin", cello manufactured by Stradivarius in 1725, lent by LVMH/ Moët Henessy. Louis Vuitton with a Persois bow dated 1820.
studied the piano and music theory at the Superior Conservatory of Geneva, his hometown. He obtained piano and writing diplomas in as well as the City of Geneva’s Adolphe Neumann Prize, an award bestowed upon particularly distinguished artists. He pursued his education with Dominique Weber at the Tibor Varga Academy in Sion until he obtained his Soloist Diploma in 2003 with the highest level of distinction. He has regularly worked with John Perry, Marc Durand and Paul Badura-Skoda - notably on the classical Viennese repertoire on original instruments - and has participated in the Master Classes of Gyorgy Sebok, Julian Martin, Yoheved Kaplinsky and Irwin Gage for the Lied. Recipient of the Göhner Foundation scholarship in 1999, he received the Audience Award at the Klaviersommer Festival (Cochem, Germany) in 2001 for his interpretation of Mozart. He has won the New Talents (Genoa, 2002) and the Orpheus (Zurich, 2003) competitions and has received the Honorary Mention Award of the Seventh International Web Concert Hall (USA, 2005). Fabrizio Chiovetta regularly gives concerts across Europe, North America, the Middle East ans Asia both in recitals and chamber music. His performing partners have included Henri Demarquette, Katia Trabé, Roman Trekel, Julian Bliss, Nicolas Gourbeix, Brigitte Fournier and Gérard Wyss. He has notably played under the direction of Gabor Takacs-Nagy and Ovidiu Balan and has accompanied Lady Jeanne’s and Sir James Galway’s Master Classes. His recordings include works from Honegger, Schumann and Schubert. His Schumann recording received the « 5 Diapasons » Award and Fanfare Magazine described his Waldszenen as « one of the best ever silver-disc'd ». A Haydn CD will be released in 2014. Talented in improvisation, he performs with ensemble Piano Seven and with diverse musicians such as Anna Prucnal, Masako Hayashi, Levon and Gregoire Maret.
is well known to orchestras and audiences as one of the leading clarinetists of our times. In 2003 Patrick Messina became Principal Clarinet of the Orchestre National de France under Kurt Masur’s direction.
From 1996 to 2003, Patrick has worked with the Metropolitan Opera in New York under the baton of James Levine, Valery Gergiev, Leonard Slatkin and he is regularly invited as guest Principal clarinetist with some of the best orchestra in the world, like the Royal Concertgebouw Orchestra in Amsterdam and the Chicago Symphony Orchestra under the baton of Kurt Masur, Bernard Haitink and others.
A frequent soloist with major orchestras, Patrick Messina has performed with the Houston Symphony Orchestra, the Orchestre National de France, the Orchestre de Cannes, the “Philharmonie der Nationen”, the Orchestre National d’Ile de France, the Orchestre de Chambre de Toulouse, the Ensemble Orchestral de Paris, the Kioi Sinfonietta (Tokyo) and the National Philharmonic Orchestra of Ukraine under the direction of Riccardo Muti, Trevor Pinnock, Bernard Haitink, Yehudi Menuhin, Tan Dun, Daniele Gatti, Sascha Goetzel, Anton Nanut, Kristjan Jarvi, Jaap Van Zweden, Sascha Goetzel, and John Axelrod.
An avid chamber music player, Messina has made regular international appearances with renowned artist such as Edita Gruberova, Chen Reiss, Daniel Hope, Bruno Giuranna, Ida Bieler, Jean-Yves Thibaudet, Fabrizio Chiovetta, Simone Dinnerstein, Nina Tichman, Katia et Marielle Labeque, Gautier Capuçon, and some of the greatest string quartets, the Philharmonia Quartett Berlin (Berlin Philharmonic), the Vogler, Parker, Diotima, Parisii, Debussy, Elysées and Fine Arts.
He has played in some of the most prestigious Festivals like: Mecklenburg-Vorpommern, Gstaad, Spoleto, Schleswig-Holstein, Savannah, Mitte Europa, Pablo Casals, Istanbul, Menton, Wissembourg, Berlioz.
Patrick Messina is the recipient of numerous prizes and awards. In 1992, he became a laureate of the Yehudi Menuhin Foundation. In 1996 he won 1st Prize of the East and West International Auditions in New York and the Ima Hogg National Competition in Houston. In 1998 he was 1st prize at the Heida Hermanns International Competition.
Aged only 18, he was the first prize winner in both the chamber music and clarinet division at the
Conservatoire National Supérieur de Musique de Paris.
Born in Nice, France, of Sicilian and Spanish parents, Mr. Messina began taking lessons with his father, and continued his studies with Guy Deplus, Michel Arrignon at the Paris Conservatory, Franklin Cohen at the Cleveland Institute of Music and Ricardo Morales in New York’s Mannes College.
In 2010, Patrick Messina premieres the Clarinet Concerto “Autumn Pictures” from the French-Lebanese composer Bechara El Khoury at the Chatelet Theatre with the Ensemble Orchestral de Paris, conducted by Olari Elts (CD Naxos, 2014).
Also in that same year, Patrick Messina was appointed Visiting Professor at the Royal Academy of Music in London. In 2012, Messina released his critically acclaim Mozart CD with Riccardo Muti, the Orchestre National de France and the Philharmonia Quartet Berlin (Harmonia Mundi distr.) described as ” A total success… One of the great performances of the last twenty years” (Concertonet)