The American Concerto, Volume One Jennifer Koh, Oberlin Contemporary Music Ensemble Timothy Weiss

• Vijay Iyer (b. 1971): Trouble:
• 1 Iyer: Trouble 1. Erasure 02:13
• 2 Iyer: Trouble 2. Normale 05:50
• 3 Iyer: Trouble 3. For Vincent Chin 03:48
• 4 Iyer: Trouble 4. Cozening 04:25
• 5 Iyer: Trouble 5. Interlude: Accretion 02:40
• 6 Iyer: Trouble 6. Assembly 12:12
• Courtney Bryan (b. 1982): Syzygy:
• 7 Bryan: Syzygy I. Alma Thomas: The Eclipse 04:59
• 8 Bryan: Syzygy II. Frida Kahlo: Tree of Hope, Keep Firm 06:06
• 9 Bryan: Syzygy III. Maya Ying Lin: Eclipsed Time 07:00
• Total Runtime 49:13

Info for The American Concerto, Volume One

Grammy Award-winning violinist Jennifer Koh’s 16th album on Cedille Records, The American Concerto, Volume One, features Vijay Iyer’s Trouble and the world premiere recording of Courtney Bryan’s Syzygy, performed with the Oberlin Contemporary Music Ensemble conducted by Tim Weiss. The album launches a new recording series showcasing works commissioned through Koh’s The American Concerto project. A “tireless champion of new music” (The New York Times), Koh created The American Concerto, asking composers to reimagine the violin concerto for the 21st century to create works that reflect American experiences, stories, and identities.

Praised as “one of the best in the world at what he does” (Pitchfork), Iyer composed Trouble as a response to discrimination, social struggle, and the immigrant experience. Premiered at the 2017 Ojai Music Festival, the work takes its title from Congressman John Lewis’s reflection on the Montgomery Bus Boycott: “I got in trouble. It was good trouble. It was necessary trouble.” Hailed for its “energy and dazzle” (The Wall Street Journal), Trouble confronts racial violence and anti-Asian prejudice through a journey of birth, realization, collective resistance, and elegy. The concerto’s third movement is dedicated to Vincent Chin, the Chinese American man killed in a racially motivated assault in Detroit in 1982 — an event that deeply affected the Asian American community and resonated with Koh, who was five years old at the time.

“A pianist and composer of panoramic interests” (The New York Times), Courtney Bryan composed Syzygy for Koh, the Chicago Sinfonietta, and conductor Mei-Ann Chen. Following its 2019 premiere, the Chicago Tribune hailed the work as “a triumph for composer, soloist and the Sinfonietta.” Inspired by visual artists Alma Thomas, Frida Kahlo, and Maya Lin, Syzygy celebrates women through three interconnected movements. Its title refers to the alignment of celestial bodies during an eclipse, while the music draws on influences ranging from Prokofiev and jazz to Bryan’s upbringing in the Church. Since launching The American Concerto in 2017, Koh has commissioned additional works for the project from Nina Young, Missy Mazzoli, Tyshawn Sorey, Lisa Bielawa, and Christopher Cerrone.

Jennifer Koh, violin
Oberlin Contemporary Music Ensemble
Timothy Weiss, conductor

Jennifer Koh
Recognized for her intense, commanding performances, delivered with dazzling virtuosity and technical assurance, GRAMMY Award-winning violinist Jennifer Koh is a forward-thinking artist dedicated to exploring a broad and eclectic repertoire. She has expanded the contemporary violin repertoire through a wide range of commissioning projects, premiering more than 100 works written specifically for her. Her quest for the new and unusual, her insatiable curiosity, and her ability to lead and inspire a diverse range of multidisciplinary collaborators distinguish her as one of the most dynamic classical musicians today.

Koh is Artistic Director of the Fortas Chamber Music Concerts at the Kennedy Center where she oversees the full concert season, which emphasizes the evolution of classical music and the commissioning of new works. Since her tenure began, the series has premiered more than 40 new commissions by leading and emerging composers, including Rafiq Bhatia, Anthony Cheung, Inti Figgis-Vizueta, David Ludwig, Vijay Iyer, Angélica Negrón, Carlos Simon, Nina C. Young, and students from the Juilliard School. Now in her third year as Artistic Director, she continues to shape the series with a focus on artistic equity, musical evolution, and bold new work. This season, she curates performances by artists including tenor Nicholas Phan and pianist Myra Huang, the Brentano Quartet with violist Hsin-Yun Huang, the Takács Quartet with violist Jordan Bak, the Viano Quartet with clarinetist Anthony McGill, and yMusic. She also performs a recital from Bridge to Beethoven with longtime collaborator Thomas Sauer, pairing Beethoven’s “Kreutzer” Sonata with Vijay Iyer’s Bridgetower Fantasy.

Koh launches the 2025-26 season in residence at the Yong Siew Toh Conservatory of Music in Singapore. She again performs in recitals with Thomas Sauer that include the West Coast premiere of Tania León’s Para presented by San Francisco Performances and for Music Mondays in New York City. Leading up to Philip Glass’s 90th birthday celebrations in 2027, Koh performs his Violin Concerto No. 1 with both the Vermont Symphony, conducted by Jaime Laredo, and the Atlanta Symphony Orchestra. She also returns to her alma mater, Oberlin College and Conservatory, for an extended residency that culminates with performances from her acclaimed New American Concerto—a multi-season commissioning project that explores the form of the violin concerto through commissions from a diverse collective of composers—with the conservatory’s Contemporary Music Ensemble performing Courtney Bryan’s Syzygy and Vijay Iyer’s Trouble.

To date, Koh has premiered seven concertos in the series: Nina C. Young’s Violin Concerto Traces, premiered with the LA Chamber Orchestra conducted by Jeffrey Kahane in 2023; Missy Mazzoli’s Violin Concerto Procession, premiered with the National Symphony Orchestra conducted by Gemma New in 2021 (Koh has since performed the work with orchestras around the world including the Adelaide Symphony Orchestra, Charlotte Symphony, Cincinnati Symphony, Hawaii Symphony Orchestra, Kansas City Symphony, Lahti Symphony, Philadelphia Orchestra, London’s Philharmonia Orchestra at the BBC Proms, Phoenix Symphony, and Princeton Symphony Orchestra); Tyshawn Sorey’s For Marcos Balter, premiered with the Detroit Symphony Orchestra in 2020; Courtney Bryan’s Syzygy, premiered with the Chicago Sinfonietta in 2020; Lisa Bielawa’s Sanctuary, premiered with the Orlando Philharmonic in 2019 and given its New York premiere with the American Composers Orchestra at Carnegie Hall in 2021; Christopher Cerrone’s Breaks and Breaks, premiered with the Detroit Symphony Orchestra in 2018; and Vijay Iyer’s Trouble premiered with the International Contemporary Ensemble at the 2017 Ojai Music Festival.

Koh’s commissioning projects also include Alone Together, Bach and Beyond, Bridge to Beethoven, Limitless, and Shared Madness. The GRAMMY Award-winning Alone Together —launched in 2020 as a virtual performance series—was developed in response to the coronavirus pandemic and the financial hardship it placed on many in the arts community. The project brought composers together in support of the many freelancers among them, with the more established composers each donating a new micro-work for solo violin, while also recommending a fellow freelance composer to write their own solo violin micro-work on paid commission from Koh’s artist-driven nonprofit ARCO Collaborative. In 2021, Cedille Records released an album of Koh’s Alone Together, featuring 39 world-premiere recordings, including works by Du Yun, George Lewis, Tania Léon, Andrew Norman, Missy Mazzoli, Ellen Reid, Vijay Iyer, Nina C. Young, and Angélica Negrón, and the recording won the GRAMMY Award in the Best Classical Instrumental Solo category. Koh continues to perform works from Alone Together on her recital programs.

In 2022, Koh premiered Everything Rises, an evening-length staged musical work co-created with bass-baritone Davóne Tines. The piece explores family history through the stories of Koh’s mother, Gertrude Soonja Lee Koh, a refugee from North Korea, and Tines’s grandmother, Alma Lee Gibbs Tines, who experienced racial discrimination in the U.S. This intimate and powerful work was presented at UCSB Arts & Lectures, UCLA, and BAM (Brooklyn Academy of Music).

Koh regularly performs a broad range of concertos that reflect the breadth of her musical interests from traditional to contemporary. This season, she plays Brahms’ Violin Concerto in D major with the Shreveport Symphony and Barber’s Violin Concerto with the Boulder Philharmonic, both conducted by Michael Butterman. She recently made her Boston Symphony Orchestra debut performing Bernstein’s Serenade conducted by Andris Nelson. Past orchestral appearances have included performances of Bach’s Violin Concerti with Orpheus Chamber Orchestra; Dvořák’s Violin Concerto with the Pittsburgh Symphony led by Manfred Honeck and RAI National Symphony with James Conlon; Mendelssohn’s Violin Concerto with the Pacific Symphony; Mozart’s Violin Concerto No. 1 with the Los Angeles Philharmonic led by Bramwell Tovey and St. Louis Symphony led by Nicolas McGegan; Tchaikovsky’s Violin Concerto with the Munich Philharmonic led by Lorin Maazel; and Vivaldi’s The Four Seasons with the Detroit Symphony led by Nicolas McGegan.

She has performed 20th-century works including Bartók and Berg concerti with the Milwaukee Symphony led by Edo de Waart; Bernstein’s Serenade with the Minnesota Orchestra led by Juanjo Mena and The Philadelphia Orchestra led by Yannick Nézet-Séguin; Lutosławski’s Chain 2 with the New York Philharmonic led by Lorin Maazel and the Philharmonia Orchestra with Esa-Pekka Salonen; Scelsi’s Anahit with the Los Angeles Philharmonic led by Gustavo Dudamel; and Sibelius’s Violin Concerto with the New Jersey Symphony led by Xian Zhang, the São Paulo Symphonies with Marin Alsop, and the Columbus Symphony led by Rossen Milanov. An advocate for music from our current millennium, she has performed Anna Clyne’s The Seamstress with the BBC Symphony led by Sakari Oramo, the Chicago Symphony led by Ludovic Morlot, and Cincinnati Symphony conducted by Louis Langrée; Esa-Pekka Salonen’s Violin Concerto with the Houston Symphony led by Christoph Eschenbach, Nashville Symphony conducted by Giancarlo Guerrero, and Cincinnati and Gothenburg Symphonies conducted by Santtu-Matias Rouvali; and Steven Mackey’s Beautiful Passing with the Baltimore Symphony under Marin Alsop.

Koh played the role of Einstein in the revival of Philip Glass and Robert Wilson’s Einstein on the Beach from 2012 to 2014. She also performed with St. Vincent (Annie Clark) and S. Epatha Merkerson at the 2018 Kennedy Center Honors in a tribute to Glass. In 2021, nearly a decade after collaborating in the revival performances of Philip Glass’s Einstein on the Beach, Koh reunited with director Robert Wilson and choreographer Lucinda Childs for a new work, Six Solo, that brings to life Bach’s sonatas and partitas with theatrical elements and dance. Conceived by Koh and Wilson, the new work has Koh performing all six of Bach’s Partitas and Sonatas—typically performed alone on stage—with dancers and Childs. Six Solo premiered at the Chapelle Saint-Louis de la Salpêtrière as part of the Festival d’Automne à Paris. Koh also performed live improvisation as part of a world premiere dance, Breath of the Beast, part 1, by acclaimed American choreographer Stephen Petronio, celebrating his company’s 40th anniversary.

Koh brings the same sense of adventure and brilliant musicianship to her recordings as she does to her live performances. She has recorded more than a dozen albums with Chicago-based Cedille Records, including her GRAMMY Award-winning Alone Together album. Her Bach & Beyond recording series, originally released by Cedille Records in three installments (2012, 2015, and 2020), was released as a three-disc box set in September 2021. These recordings explore the history of the solo violin repertoire from Bach’s Six Sonatas and Partitas to the music of 20th- and 21st-century composers, including new commissions from Missy Mazzoli (Dissolve, O My Heart) and John Harbison (For Violin Alone). The collection also includes the world-premiere recording of Kaija Saariaho’s Frises, as well as works by Berio, Bartók, and Ysaÿe. Koh first launched Bach & Beyond as a three-part recital series in 2009 and she continues to perform these programs regularly. The Bach & Beyond recordings have received widespread critical acclaim, with the Chicago Tribune describing them as an “epic traversal of solo violin repertoire” and “a monumental achievement.”

Other recordings for the label in recent years include 2019’s Limitless, on which leading composer-performers—including Lisa Bielawa, Vijay Iyer, Missy Mazzoli, Qasim Naqvi, Tyshawn Sorey, Wang Lu, Nina C. Young, and Du Yun—perform duo compositions with Koh that explore the artistic relationship between composer and performer, and a 2018 collection of works by Kaija Saariaho, whose music she has long championed and with whom she has closely collaborated. Titled Saariaho X Koh, the album includes the chamber version of the violin concerto Graal Théâtre with the Curtis Chamber Orchestra; Cloud Trio with violist Hsin-Yun Huang and cellist Wilhelmina Smith; Tocar with pianist Nicolas Hodges; Aure with cellist Anssi Karttunen, with whom she premiered the violin and cello version in 2015; and Light and Matter with both Hodges and Karttunen, with whom she performed the French premiere in 2017.

Her discography on Cedille Records also includes Tchaikovsky: Complete Works for Violin and Orchestra with the Odense Symphony Orchestra conducted by Alexander Vedernikov; Two x Four in collaboration with her former teacher, violinist Jaime Laredo, and featuring double violin concerti by Bach, Philip Glass, and new commissions from Anna Clyne and David Ludwig; Signs, Games + Messages, a recording of violin and piano works by Janáček, Bartók, and Kurtág with Shai Wosner; Rhapsodic Musings: 21st Century Works for Solo Violin; the GRAMMY-nominated String Poetic, featuring the world premiere of Jennifer Higdon’s eponymous work, performed with pianist Reiko Uchida; Schumann’s complete violin sonatas, also with Ms. Uchida; Portraits with the Grant Park Orchestra under conductor Carlos Kalmar with concerti by Szymanowski, Martinů, and Bartók; Violin Fantasies, fantasies for violin and piano by Schubert, Schumann, Schoenberg, and saxophonist Ornette Coleman, again with Uchida; and Koh’s first Cedille album, from 2002, Solo Chaconnes, an earlier reading of Bach’s Second Partita coupled with chaconnes by Richard Barth and Max Reger. She is also the featured soloist on a recording of Higdon’s The Singing Rooms with the Atlanta Symphony led by Robert Spano for Telarc.

Koh is not only active in the concert hall and recording studio, but also as a lecturer, teacher, and curator. She has been on faculty at the Mannes School of Music since 2018 and previously held residencies at Brown, Cornell, Cleveland Institute of Music, where she received an honorary doctorate in 2022, and Dartmouth, Duke, Harvard and Tulane Universities, as well as at the Curtis Institute of Music, Oberlin Conservatory and College, and at the University of California, Santa Barbara. She was the keynote speaker for the Royal College of Music’s 2020 “Orchestrating Isolation” conference and the League of American Orchestras’ 2018 annual conference.

Koh is the Founder and Artistic Director of ARCO Collaborative, an artist-driven nonprofit that commissions, develops, and produces new musical works that highlight artists of color and women composers in collaborations that bring forth stories previously unheard in Western art forms. She is also a member of Composers Now’s Distinguished Mentors Council and the board of the League of American Orchestras.

Born in Chicago of Korean parents, Koh began playing the violin by chance, choosing the instrument in a Suzuki-method program only because spaces for cello and piano had been filled. She made her debut with the Chicago Symphony Orchestra at age 11. She was Musical America’s 2016 Instrumentalist of the Year and has also been recently recognized as a Virtuoso Award honoree by Concert Artists Guild in 2020 and “A Force of Nature” by the American Composers Orchestra in 2019. She performed for former First Lady of the United States Michelle Obama and former First Lady of South Korea Kim Yoon-ok in 2011. She was a top prize winner at Moscow’s International Tchaikovsky Competition, winner of the Concert Artists Guild Competition, and a recipient of an Avery Fisher Career Grant. She has a Bachelor of Arts degree in English literature from Oberlin College and studied at the Curtis Institute, where she worked extensively with Jaime Laredo and Felix Galimir.

This album contains no booklet.