Debussy: Préludes du 2e Livre, La Mer Alexander Melnikov

Cover Debussy: Préludes du 2e Livre, La Mer

Album info

Album-Release:
2018

HRA-Release:
25.06.2018

Label: Harmonia Mundi

Genre: Classical

Subgenre: Instrumental

Artist: Alexander Melnikov

Composer: Claude Debussy (1862-1918)

Album including Album cover Booklet (PDF)

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  • Claude Debussy (1862 - 1918): Préludes, Livre 2, L. 123:
  • 1I. Brouillards. Modéré03:11
  • 2II. Feuilles mortes. Lent et mélancolique03:17
  • 3III. La Puerta del vino. Mouvement de “Habanera”03:16
  • 4IV. Les fées sont d’exquises danseuses. Rapide et léger02:55
  • 5V. Bruyères. Calme02:47
  • 6VI. General Lavine”- excentric. Dans le style et le mouvement d’un Cake-Walk02:48
  • 7VII. La terrasse des audiences du clair de lune. Lent05:01
  • 8VIII. Ondine. Scherzando03:07
  • 9IX. Hommage à S. Pickwick Esq. P.P.M.P.C. Grave02:36
  • 10X. Canope. Très calme et doucement triste03:17
  • 11XI. Les tierces alternées. Modérément animé02:31
  • 12XII. Feux d’artifice. Modérément animé04:29
  • La Mer, L. 109:
  • 13I. De l’aube à midi sur la mer (Transcribed for four-hand piano)08:09
  • 14II. Jeux de vagues (Transcribed for four-hand piano)07:22
  • 15III. Dialogue du vent et de la mer (Transcribed for four-hand piano)08:37
  • Total Runtime01:03:23

Info for Debussy: Préludes du 2e Livre, La Mer



A century after his death on 25 March 1918, many harmonia mundi artists are eager to pay tribute to Claude Debussy, the magician of melody and timbre, the great ‘colourist’ and father of modern music. Alexander Melnikov is among those pianists increasingly committed to playing the works of the past on the instruments on which they came into being (or could have done so). And so it is on a ‘period’ piano (an Érard piano ) that he breathes new life into Book II of the Préludes, but also – with the help of Olga Pashchenko – the extraordinary transcription of La Mer by the composer himself.

Alexander Melnikov, piano
Olga Pashchenko, piano


Alexander Melnikov
graduated from the Moscow Conservatory under Lev Naumov. His most formative musical moments in Moscow include his early encounter with Svjatoslav Richter, who thereafter regularly invited him to festivals in Russia and France. He was awarded important prizes at such eminent competitions as the International Robert Schumann Competition in Zwickau (1989) and the Concours Musical Reine Elisabeth in Brussels (1991).

Known for his often-unusual musical and programmatic decisions, Alexander Melnikov discovered a career-long interest in historical performance practice at an early age. His major influences in this field include Andreas Staier and Alexei Lubimov, with whom he collaborated on numerous projects. Melnikov performs regularly with such distinguished period ensembles as Concerto Köln and the Akademie für Alte Musik Berlin.

Together with Andreas Staier, Alexander Melnikov developed a programme that sets excerpts from Bach's Well-Tempered Clavier (Andreas Staier – harpsichord) in musical dialogue with Shostakovich's 24 Preludes and Fugues (Alexander Melnikov – piano). Intensive chamber music collaborations with partners including cellists Alexander Rudin and Jean-Guihen Queyras, as well as the baritone Georg Nigl, also form an essential part of his work.

Melnikov’s association wth the label harmonia mundi arose through his regular recital partner, violinist Isabelle Faust, and in 2010 their complete recording of the Beethoven sonatas for violin and piano won both a Gramophone Award and Germany’s ECHO Klassik Prize. This CD, which has become a touchstone recording for these works, was also nominated for a Grammy. Their latest CD, featuring chamber works of Weber, was released in January 2013.

Alexander Melnikov’s recording of the complete Preludes and Fugues by Shostakovich was awarded the BBC Music Magazine Award, Choc de classica and the Jahrespreis der Deutschen Schallplattenkritik. In 2011, it was also named by the BBC Music Magazine as one of the “50 Greatest Recordings of All Time.” Additionally, Melnikov’s discography features works by Brahms, Rachmaninoff and Scriabin; his recording of the Shostakovich piano concertos with the Mahler Chamber Orchestra and Teodor Currentzis was also met with critical acclaim.

As a soloist, Alexander Melnikov has performed with orchestras such as the Royal Concertgebouw Orchestra, Gewandhausorchester Leipzig, Philadelphia Orchestra, NDR Sinfonieorchester, HR-Sinfonieorchester, Russian National Orchestra, Munich Philharmonic, Rotterdam Philharmonic, BBC Philharmonic and the NHK Symphony, under conductors such as Mikhail Pletnev, Teodor Currentzis, Charles Dutoit, Paavo Järvi and Valery Gergiev.

Alexander Melnikov is the 2013/14 Artist-in-Residence at the Muziekgebouw in Amsterdam. This season begins with Melnikov’s debut at the BBC Proms with the Warsaw Philharmonic under Antoni Wit, followed by performances in the season-opening concerts of the Czech Philharmonic under Jiří Bělohlávek. Further musical partners of the season include the Mahler Chamber Orchestra, Freiburger Barockorchester, Amsterdam Sinfonietta, Seattle Symphony, Utah Symphony and New Zealand Symphony. Melnikov’s solo engagements will take him to such venues as the Maison symphonique de Montreal, Wigmore Hall in London, De Singel in Antwerp and the Mozarteum Salzburg, as well as to concert halls in Osaka, Nagoya and Tokyo.

Booklet for Debussy: Préludes du 2e Livre, La Mer

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