Overseas Nguyên Lê

Cover Overseas

Album info



Label: ACT Music

Genre: Jazz

Subgenre: Crossover Jazz

Artist: Nguyên Lê

Album including Album cover Booklet (PDF)


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FLAC 88.2 $ 13.50
  • 1Noon Moon05:36
  • 2People of the Waterfalls05:42
  • 3The Offering05:48
  • 4Tribal Symmetry03:34
  • 5Overseas Suite (Origin)02:57
  • 6Overseas Suite (The Quest)02:31
  • 7Overseas Suite (Square Earth)03:40
  • 8Overseas Suite (Âu Co, the Mountain Fairy)03:15
  • 9Overseas Suite (Beat Rice Box)03:35
  • 10Overseas Suite (In the Warm Rain)03:30
  • 11Overseas Suite (Year of the Dog)02:34
  • 12Mother Goddess (Yellow Earth)03:57
  • 13Mother Goddess (Red Sky)03:48
  • Total Runtime50:27

Info for Overseas

"Overseas" stems from an interdisciplinary performance project combining dance, acrobatics and music by the “Cirque-Nouveau”. Nguyên Lê has written the music, a mix of jazz, traditional Vietnamese music and hip-hop; "Overseas", from ACT is the soundtrack for this compelling vision of change and flux.

Nguyên Lê’s "Overseas" – the great guitarist brings jazz, traditional Vietnamese music and hip-hop to the music for “Cirque-Nouveau”.

"Overseas" stems from an interdisciplinary performance project combining dance, acrobatics and music. “Cirque-Nouveau”, conceived and directed by Tuan Le, whose other credits include work as lead choreographer for Cirque du Soleil, is an artistic reflection on the current zeitgeist of Vietnam, a country in which traditional lifestyles become disoriented through rapid modernisation, especially in the big cities. Nguyên Lê has written the music for it, a mix of jazz, traditional Vietnamese music and hip-hop; "Overseas", from ACT is the soundtrack for this compelling vision of change and flux.

It is not just guitarist Nguyên Lê’s peerless command of technique that makes him a truly unique musician. Throughout his life he has also had the role of a go-between combining very different cultures. "I was born in France as the son of Vietnamese parents,” says Lê. “As an artist, I began to build my own identity with the culture of my parents and the country I lived in. And I am far from alone in this. Many other people have this experience too, so it is something which can be shared all over the world, and not just by Vietnamese people.” And a distinctive feature of all his creative work, whether in the company of illustrious American colleagues, or in the E_L_B trio with Peter Erskine and Michel Benita, or on albums with the fine Vietnamese singer Huong Thanh, or indeed in numerous projects of his own, is that he has engaged with the theme of reconnection with the culture of his homeland. Jazz has been the medium for him to combine the Vietnamese musical tradition with a wide variety styles, from flamenco to the music of the Middle East and beyond. And his interpretations of Led Zeppelin, Janis Joplin and above all his groundbreaking Jimi Hendrix project are testimony to this, as they deal with the outstanding artists who emerged in the protest movement against the Vietnam War. 22 years after his programmatic album "Tales from Viet-Nam", "Overseas" represents a new chapter of his search for the Vietnamese soul through the prism of jazz, and one which is unprecedented both in its diversity and in its use of multimedia.

It is important to note that over time the questions that Lê has been asking himself have changed markedly: "Today it is no longer: 'Am I Vietnamese?’” he explains. “Because just as Vietnam itself has changed, so have I. Today I am Vietnamese and a citizen of the world. In my music that is what I want to express, so this project aims to bring out the creativity of the country as it is today. And that is why the show has been shaped by so many talents." And yet it is not strictly necessary to witness the incredible feats the performers and artists performing “Overseas” visually. One can be completely captivated by Lê's music, an inspiration in itself. Just as artists from several countries have brought together circus cultures from Paris, Lyon, Copenhagen, Seattle, Montreal, Hanoi and Ho Chi Minh City, so Lê brings together jazz, traditional folk music, rock, hip hop, reggae and electronica to create a blend which is surprisingly homogenous. And as regards the influences that have moulded his fellow musicians, Lê explains: "It begins with the diaspora of the Vietnamese artists, who create something of their own by distancing themselves from their roots, but which is nevertheless related to the culture of their past. And from this we develop the dream of universal communication."

An impressive crew of musicians has come together for this project. Lê's basic band for this undertaking consists of two kindred spirits who have worked with him in several previous bands: drummer and percussionist Alex Tran and French vibraphonist Illya Amar. Then there are two young band-members who have been brought in more recently: neo-traditionalist young singer and multi-instrumentalist Ngô Hông Quang, and US-based beatboxer Trung Bao. In addition to the zither player LêThi Van Mai, the flutist Nguyên Hoàng Anh and the percussionist Minh Dàn Môi, Lê also has American star trumpeter Cuong Vu (born in Saigon), who became known above all as a Grammy-winning member of the Pat-Metheny band, plus Danish bassist Chris Minh Doky who has been a permanent fixture in the New York jazz scene since 1989. What all of them deliver could not possibly be described as merely illustrative music. From the very first note of the introductory "Noon Moon" through the seven-part "Overseas Suite" to the final evocation of "Mother Goddess", the listener is immersed in a totally refreshing mix of musical styles, always carried by limpid melodies and compelling rhythms.

"Overseas" is genuinely impressive and affecting because Nguyên Lê has taken the topical theme of migration and also achieved the things that define every great work of art: it is deeply personal and very much of our time – but also universal and timeless.

Nguyên Lê, electric & bass guitars, electronics
Ngô Hồng Quang, vocals dàn nhi fiddle, dàn môi jaws harp, dàn bâu monocorde & dàn tính lute
Illya Amar, vibraphone, MalletKAT, T’rung bamboo xylophone
Trung Bao, beatbox
Alex Tran, percussion & drums
Lê Thi Van Mai, dàn tranh zither
Nguyên Hoàng Anh, bamboo sáo flute
Minh Dàn Môi, dàn do bamboo percussion
Cuong Vu, trumpet
Chris Minh Doky, acoustic bass

Born in Paris from Vietnamese parents, he began to play drums at the age of 15, then took up guitar & electric bass. After graduating in Visual Arts, he majored in Philosophy, writing a thesis on Exoticism. Then he devoted to music, creating "ULTRAMARINE" (1983), a multi-ethnic band whose CD "DÉ" has been considered "1989's best World Music album" Philippe Conrath, Libération.

Nguyên LE is a self-taught musician, with a wide scope of interests: Rock & Funk (Jim Cuomo, Madagascar tour 84), Jazz standards & contemporary Jazz (bass player with Marc Ducret, guitar player with Eric Barret), Improvised Music (Yves Robert), Singers (Ray Charles),Contemporary Music (André Almuro, Tona Scherchen, Marius Constant, Mauricio Kagel), Ethnic Music: African & Caribbean with ULTRAMARINE, Algerian with Safy Boutella & Cheb Mami, Indian with Kakoli, Turkish with Kudsi Erguner, Vietnamese with his "Dan Bau" (traditional one-stringed instrument) teacher Truong Tang.

In sept. 87 he was chosen by director Antoine Hervé to play with the O. N. J. (French National Jazz Orchestra). Within this big band, he played with such musicians as Johnny Griffin, Louis Sclavis, Didier Lockwood, Carla Bley, Steve Swallow, Randy Brecker, Toots Thielemans, Courtney Pine, Steve Lacy, Dee Dee Bridgewater, Gil Evans, Quincy Jones. Nguyên LE' s work also deals with programming synthetizers, effects & computers as well as writing orchestral pieces : "PROCESSOR" composed, arranged & recorded on CD "O.N.J. 87" & "LUNIK II" co-arranged with Dominique Borker & performed by the O.N.J. 1989.

In sept. 89 he records ULTRAMARINE's 2nd album "DÉ" &, in may 90, his first album as a leader : "MIRACLES" recorded in the U.S.A. with Art LANDE, Marc JOHNSON & Peter ERSKINE. At the same time he works with such musicians as Michel Portal, Miroslav Vitous, Trilok Gurtu, J. F. Jenny Clarke, Aldo Romano, Daniel Humair, Dewey Redman, Andy Emler, Jon Christensen, Nana Vasconcelos, Glenn Ferris, Christof Lauer, Paolo Fresu, Kenny Wheeler, John Taylor ...

In may 92, after a month tour with Paul McCANDLESS on winds, Art Lande (p), Dean Johnson (b) & Joël Allouche (d), he records his 2nd album ZANZIBAR, which gets the « ffff » award by Télérama. In Jan. 93 he records "INIT", a trio with André Ceccarelli, François Moutin & guest Bob Berg, while setting up a new band on the music of Jimi Hendrix, w/ Corin Curschellas (voc), Steve Argüelles (d), Richard Bona (b). Since Jan. 93 he's been a frequent guest soloist of Köln's WDR Big band, especially with composer/director Vince MENDOZA. Nguyên Lê plays on three of his projects: "Jazzpaña", "Sketches" w/ Dave LIEBMAN, Charlie MARIANO, Peter Erskine, & "Downtown", w/ Russell Ferrante. In April 94 he’s the guest soloist of "The New Yorker", a suite by Bob BROOKMEYER, with Dieter Ilg (b) & Danny Gottlieb (d). With these two musicians he set his first trio, & recorded "MILLION WAVES" in dec. 94. About this CD, Télérama writes : "This trio brings him to some musical spaces which he had not even imagined, & which are pure poetry". In the meantime, he's playing in trio with Michel Benita(b) & Peter Erskine, recording on Michel Portal's new album with Ralph TOWNER (g), & working with Ornette COLEMAN on one of his contemporary music pieces, "Freedom Statue". In June 95 he's invited by WDR BigBand in "Azure Moon", with the YELLOWJACKETS & Vince Mendoza. In July 95, in Stuttgart Festival, he's one of the guest guitar players to celebrate the "Universe of Jimi Hendrix", besides Trilok Gurtu, Terry BOZZIO, Cassandra WILSON, Jack BRUCE, Vernon REID, David TORN, Victor BAILEY, Pharoah SANDERS... Recently he has been playing with John McLaughlin, Michel Petrucianni, Markus Stockhausen, Enrico Rava, Ray Anderson, Kenny Wheeler, John Taylor, Dave Douglas, Wolfgang Pushnig, Uri Caine, Tigran Hamasyan, Herbie Hancock...

In April 96, Nguyên Lê creates "Tales from Viêt-Nam", a project on Vietnamese music, with a 8-piece band blending jazz & traditional musicians. With stage director P. J. San Bartolomé, he starts " Of the Moon & the Wind ", a complete show where traditional & contemporary vietnamese dancers are integrated to the "Tales from Viêt-Nam" orchestra. The CD has received a great welcoming from international critics : Diapason d'Or, Choc du Monde de la Musique, Choc of Year 1996 Jazzman, 2nd best CD 96 for JAZZTHING (Germany), Best CD 96 on radio TRS 2 (CH), "a minor masterpiece" JAZZTIMES (USA).

On 4/97 Nguyên Lê releases his 5th CD, " 3 Trios", with Marc Johnson/ Peter Erskine, Dieter Ilg/ Danny Gottlieb & Renaud Garçia Fons/ Mino Cinelu. JAZZIZ Magazine USA says : « At times, jazz guitar can sound staid - but not in the case of N. Lê. He’s forever breaking boundaries for our benefit ». He has recorded 2 Cds with Paolo Fresu’s quartet : « Angel » (2/98) & « Metamorfosi » (4/99). On 5/98, 6th N. Lê record : « Maghreb & Friends », an exploration of Maghreb musical traditions & a deep collaboration with Algerian musicians. « Far from a false world music, N. Lê simply touches, with force & intensity, to universality » F. Medioni. N. Lê produced the 1rst CD of Huong Thanh, « Moon & Wind », entirely done in his home studio. He also has been nominated for the « Victoires de la Musique 1999 » award. His last CD, « BAKIDA », based on his regular trio with Renaud Garçia Fons (b) & Tino di Geraldo (perc, dr) plus guests from all over the world like Kudsi Erguner, Chris Potter, Carlos Benavent... This CD has been voted "best jazz album of the year" by "CD Compact" (Spain). ELB, a new trio CD has just been recorded in Rainbow studios, Oslo, with Peter Erskine & Michel Benita. He's touring with Terri Lyne Carrington's band, with Geri Allen, Matt Garrison & Gary Thomas & plays with Maria Schneider.

Sept 2002 : 2nd CD of Huong Thanh « Dragonfly ». In june 2002 he's invited by the Metropole Orchestra (NL) to play his music arranged by Vince Mendoza. « Purple », an album celebrating Jimi Hendrix is released in sept 2002. In sept 2002 it's n° 1 on the charts of UK magazine "Jazzwise". Today it's N. Lê's most successful album, with 20 500 CD sales & non stop touring all over the world. "Mangustao", Huong Thanh's 3rd album, released in jan. 2004, is awarded as "Choc de la Musique" by french magazine "Le Monde de la Musique". In March 2005 release of "Walking on the Tiger's Tail", new album with his great friends Art Lande, Paul McCandless & Jamey Haddad “A universe where the alliance between acoustic and electric, improvisation and writing, inner delicacy and virtuosic expressivity reach the ideal balance.”(Le Monde).

Several projects were built in 2006 : the score writing of "Le Sheitan", a movie by Kim Chapiron with Vincent Cassel, & « Homescape », a very electronic, improvised & mystical recording in duo with Paolo Fresu & Dhafer Youssef, all done at home, #1 in « Jazzwise » april 2006 charts; the score for the Vietnamese movie "Saigon Eclipse" by Othello Khanh; the recording of "Mozart" last Uri Caine's album; a 13-gig tour in USA with "Tiger's Tail" quartet, thanks to a CMA/FACE grant; two "classical" compositions commissioned by the Ahn Trio & the Laguna Beach Fest in LA. Nguyên Lê was unanimously awarded as the guitar "Django d'Or" 2006.

In 2007, after tours in US & China, he releases "Fragile Beauty", the 4th album with Huong Thanh «Simply an album that captures the heart from the first note and leaves it hungering for more as the last one fades» (All That Jazz). In 2008 he records "The Othello Syndrome" for Uri Caine, "Blauklang" for Vince Mendoza's & also « Dream Flight » a new ELB album, with guest Stéphane Guillaume on sax. A new album comes out in oct 2009: SAIYUKI, an asian trio with Mieko Miyazaki (koto) & Prabhu Edouard (tablas) & special guest Hariprasad Chaurasia (flute). He’s the mixing engineer & co-producer of Dhafer’s Youssef «Abu Nawas Rhapsody», Céline Bonacina’s «Way of Life» & Mario Canonge «Mitan». «Signature Edition», a double-CD album showing 20 years of music creation has been released by ACT in march 2010. AllAboutJazz will say: «the ample evidence of an artist whose voice has been his own from the very beginning». He’s guest soloist on Erkki Sven Tüür’s 5th symphony with Bremen Philarmonic. For the 2nd time Nguyên Lê is the recipient of the CMA/FACE grant which helps the «Saiyuki inviting Rudresh Mahanthappa» project to tour in US in the fall 2010. In 2011 he is awarded by the rank of «Chevalier de l’ordre des Arts & des Lettres» by French Cultural minister & receives the Django Reinhardt prize by French Academie du Jazz. «Ting Ning», excerpt from «Tales from Viet-Nam» (1996) is selected between only 4 european artists in the 6-CD compendium «Jazz: the Simthsonian Anthology».

The new album «Songs of Freedom», released in april 2011, is an exotic & eccentric reading of Pop hits from the 70’s with Illya Amar, Linley Marthe, St. Galland & guests Youn Sun Nah, David Linx, Dhafer Youssef, a.o. It has received a fantastic welcoming from international press («Record of the Year» & cover story in Jazzmagazine/Jazzman) & was on top jazz charts of Itunes & Amazon. N. Lê is part of «Nights on Earth», Vince Mendoza’s last album. He took part of the 1rst International Jazz Day celebration at Unesco with Herbie Hancock.

Booklet for Overseas

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