Un Niño nos es nasçido - A Child for Us Is Born Joel Frederiksen & Ensemble Phoenix Munich
Label: deutsche harmonia mundi
Composer: Antonio de Cabezón (1510-1566), Diego Ortiz (1510-1570), Luys de Narváez (1505-1549), Mateo Flecha el Viejo (1481-1553)
Album including Album cover Booklet (PDF)
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- Antonio de Cabezón (1510 - 1566):
- 1Fabordones del cuarto tono, IAC 1404:02
- Tomás Luis de Victoria (1548 - 1611):
- 2O magnum mysterium, ITV 10103:01
- Mateo Flecha el Viejo (1481 - 1553):
- 3Ríu Ríu Chíu02:48
- Alonso Mudarra (1510 - 1580):
- 4Fantasia X, IAM 202:16
- Juan del Enzina (1468 - 1529):
- 5Oh Reyes Magos benditos!05:26
- Cristóbal de Morales (1500 - 1553):
- 6Ad tantae Nativitatis, ICM 101:15
- Diego Ortiz (1510 - 1570):
- 7Recercada tercera sobre tenores Italianos, IDO 27, "Passamezzo moderno"02:13
- Francisco Guerrero (1528 - 1599):
- 8Niño Dios d'amor herido, IFG 1103:31
- 9Los reyes siguen la estrella, IFG 802:39
- Luis de Narváez (1505 - 1549):
- 10Diferencias sobre Guárdame las Vacas, ILN 101:03
- 11Cancionero de Uppsala: Yo me soy la Morenica01:59
- 12Cancionero de Uppsala: Dadme albricias01:21
- 13Cancionero de Uppsala: Un niño nos es nasçido01:18
- Gaspar Fernandes (1566 - 1629):
- 14Vaya la princesa, vaya03:03
- 15Diferencias de las Folías: La Folia02:24
- Bartolomé Càrceres (1550 - ?):
- 16La Trulla24:00
- Lucas Ruiz de Ribayaz (1626 - ?):
- José de Cascante (1640 - 1702):
- 18Oiga niño mio de mi corazón03:35
- Juan de Araujo (1646 - 1712):
- 19Ay andar, andar02:57
Info for Un Niño nos es nasçido - A Child for Us Is Born
Ensemble Phoenix Munich invites you on a musical voyage leading from Spain to Latin America. Under the direction of bass singer and vihuela player Joel Frederiksen, Christmas motets, instrumental works, and “Ensaladas”, a special form mixing textures and even languages in a sort of musical “salad”, come to vivid life.
Joel Frederiksen, bass, vihuela, direction
Maria Andrea Parias, soprano
Petra Noskaiová, mezzosoprano
Andrés Silva, tenor
Manuel Warwitz, tenor
Paul Kieffer, vihuela, baroque guitar
Andreas Haas, flute
Johanna Seitz, Spanish harp
Domen Marinčič, viola da gamba
Bruno Caillat, percussion
is a bass singer and lutenist living in Munich, Gemany. He has performed with leaders in the early music world including Emma Kirkby, Jordi Savall, Paul O’Dette and Stephen Stubbs, and with the ensembles Musica fiata, Freiburger Barockorchester, Josquin Capella, Ensemble Gilles Binchois and Huelgas Ensemble. Joel studied voice and lute in New York and Michigan, where he received his master’s degree, working closely with early music specialist Dr. Lyle Nordstrom. From 1990 to 1999 he was a member of two distinguished ensembles for early music in the United States, The Waverly Consort and the Boston Camerata. As a singer who plays the lute and archlute, Joel Frederiksen is a leading interpreter of music by the English lutenist songwriters and of early Italian Baroque music. His wide-ranging basso profundo voice and expressive performances have earned him worldwide acclaim.
For many years Joel Frederiksen has dedicated himself intensively to his speciality, the self-accompanied lute song. After moving to Germany, he established Ensemble Phoenix Munich for the 2003 recording of the CD Orpheus, I am, a program of Renaissance and early Baroque music from England, Italy and France. In 2007 Joel Frederiksen and Ensemble Phoenix Munich founded the early music series „Between Mars and Venus“ in the Bavarian National Museum in Munich. Their programs are known for their originality and quality, and have received glowing reviews from the press and generous support from the public. In four concerts a season they have explored English, Italian, French and German repertoires from the Renaissance and Baroque. Excursions into the early music of Joel Frederiksen's home country, The United States of America, resulted in the highly praised harmonia mundi CD, Rose of Sharon (Billboard Top Ten, 2011 release), and the programs 1621: Music of the Mayflowerand Wondrous Free. Music of Central and South America was presented in Canciones de Navidad. In the interest of expanding the repertoire, pieces have been commissioned for early instruments and voice. The core of the ensemble is made up of well-known experts in the field of early music, but the personell varies according to the project. Distinguished guests over the past 9 seasons include Dame Emma Kirkby, Prof. Kammersänger Michael Schopper, Dr. Vladimir Ivanoff, Stephan van Dyke, Dr. Lyle Nordstrom, and Prof. Michael Eberth.
Ensemble Phoenix Munich’s debut CD for harmonia mundi France, The Elfin Knight, was released in August 2007, and in January of 2008 Joel Frederiksen was awarded the title, Classical Music’s „Star of the Year", by Munich’s Evening News (Abendzeitung--Stern des Jahres). In November 2008 he received the German Record Critics' Prize for his second harmonia mundi release, O felice morire. The French Critics awarded Joel Frederiksen the Orphée d'Or in May 2011 for his singing on a CD of solos and duets with soprano, Dame Emma Kirkby. EPMs harmonia mundi CD, Requiem for a Pink Moon (May 2012), received Best of Year nominations and the German Echo Prize in October of 2013. With soprano Sabine Lutzenberger and tenor Bernd Oliver Fröhlich, Joel Frederiksen made a CD of music of German Minnesänger, Oswald von Wolkenstein, newly interpreted (Reflections; SONY/DHM 2013). His alma mater, Oakland University, honored him as one of the Distinguished Alumni in a ceremony held in the Fall of 2012. In 2015 he recorded a CD of John Dowland with lutes and Renaissance viols (Tell me, true love; planned release 2016), and in February of 2016 he made his debut as Seneca in Monteverdi’s L’incoronazione di Poppea“ in Germany to exceptional reviews.