Larmes de Résurrection (Collection château de Versailles) La Tempête & Simon-Pierre Bestion

• Heinrich Schütz (1585 - 1672): Historia der Auferstehung Jesu Christi, Op. 3, SWV 50:
• 1Introitus01:54
• Johann Hermann Schein (1586 - 1630): Israelis Brünnlein:
• 2"Da Jakob vollendet hatte"04:14
• Heinrich Schütz (1585 - 1672): Historia der Auferstehung Jesu Christi, Op. 3, SWV 50:
• 3Der Ostermorgen, Pt. 106:28
• Johann Hermann Schein (1586 - 1630): Israelis Brünnlein:
• 4"Ist nicht Ephraim mein teurer Sohn"03:26
• Heinrich Schütz (1585 - 1672): Historia der Auferstehung Jesu Christi, Op. 3, SWV 50:
• 5Der Ostermorgen, Pt. 202:55
• Johann Hermann Schein (1586 - 1630): Israelis Brünnlein:
• 6"O Herr, ich bin dein Knecht"03:24
• Heinrich Schütz (1585 - 1672): Historia der Auferstehung Jesu Christi, Op. 3, SWV 50:
• 7Jesus erscheint der Maria Magdalena07:37
• Johann Hermann Schein (1586 - 1630): Israelis Brünnlein:
• 8"Herr, laß meine Klage"02:53
• Heinrich Schütz (1585 - 1672): Historia der Auferstehung Jesu Christi, Op. 3, SWV 50:
• 9Der Jüngling im Grabe04:05
• Johann Hermann Schein (1586 - 1630): Israelis Brünnlein:
• 10"Freue dich des Weibes deiner Jugend"04:16
• Heinrich Schütz (1585 - 1672): Historia der Auferstehung Jesu Christi, Op. 3, SWV 50:
• 11Rat der Hohenpriester01:47
• Johann Hermann Schein (1586 - 1630): Israelis Brünnlein:
• 12"Lieblich und schöne sein ist nichts"02:26
• Heinrich Schütz (1585 - 1672): Historia der Auferstehung Jesu Christi, Op. 3, SWV 50:
• 13Jesus erscheint den Emmausjüngern, Pt. 106:19
• Johann Hermann Schein (1586 - 1630): Israelis Brünnlein:
• 14"Wende dich, Herr, und sei mir gnädig"03:25
• Heinrich Schütz (1585 - 1672): Historia der Auferstehung Jesu Christi, Op. 3, SWV 50:
• 15Jesus erscheint den Emmausjüngern, Pt. 203:39
• Johann Hermann Schein (1586 - 1630): Israelis Brünnlein:
• 16"Die mit Tränen säen"02:55
• Heinrich Schütz (1585 - 1672): Historia der Auferstehung Jesu Christi, Op. 3, SWV 50:
• 17Jesus erscheint den Emmausjüngern, Pt. 301:31
• 18Jesus erscheint den elf Jüngern06:13
• Johann Hermann Schein (1586 - 1630): Israelis Brünnlein:
• 19"Zion spricht, Der Herr hat mich verlassen"04:09
• Heinrich Schütz (1585 - 1672): Historia der Auferstehung Jesu Christi, Op. 3, SWV 50:
• 20Der Sendungsbefehl02:00
• 21Conclusio01:40
• Total Runtime01:17:16

Info for Larmes de Résurrection (Collection château de Versailles)

In 1623, when the Thirty Years War was raging, Europe was torn apart by the confrontation between Protestant and Catholic peoples. Schütz and Schein, close friends with a deep-rooted Lutheran faith, were thoroughly in accordance with the spirit of their time when they wrote these works imbued with frugality, humility, even austerity. Yet these two great minds were still driven by a burning passion, paradoxically very attached to Italianate style, which is very evident here. With his ensemble La Tempête, Simon-Pierre Bestion has now become established as one of the most creative interpreters on today’s musical scene, revisiting the repertory, juxtaposing works in varying styles and from different periods, as he demonstrated in his first two recordings for Alpha (The Tempest – Diapason d’Or – and Azahar – Choc de Classica). At the head of an exceptional group of performers, equally at home in medieval and contemporary music, he presents here a ‘rewrite’ for a large and colourful orchestra, featuring a Lebanese singer specialising in Byzantine chant in the role of the Evangelist: a radical new take on the ardent mysticism buried in this music, bringing it unexpected vitality and warmth.

La Tempete
Simon-Pierre Bestion, conductor

Louis-Noël Bestion de Camboulas
studied the organ, the harpsichord, chamber music and conducting at the Paris and Lyon Conservatoires (CNSMD). Among his teachers were Louis Robilliard, Jan Willem Jansen, Michel Bourcier, Nicolas Brochot, François Espinasse, Yves Rechsteiner, Olivier Baumont and Blandine Rannou. He has won prizes at several international organ competitions: the Grand Prix d’Orgue Jean-Louis Florentz of the Académie des Beaux-Arts, First Prize by unanimous decision of the judges at the Gottfried Silbermann Organ Competition in Freiberg (Germany), Second Prize at the Saint-Maurice Competition (Switzerland) and First Prize at the prestigious Xavier Darasse Competition in Toulouse. In 2013 he received the title of Young Echo Organist of the Year.

Louis-Noël Bestion de Camboulas has given organ recitals in France – Paris (church of La Madeleine, Auditorium de Radio France), Toulouse (Festival Toulouse les Orgues) – and elsewhere in Europe, including Germany (Berlin Cathedral), the Netherlands (Alkmaar), Switzerland, Italy and Monaco (International Organ Festival). He has also worked with such conductors as Hervé Niquet, Arie Van Beek and Roberto Forés Veses. His research on the composers François Rebel and François Francœur was recognised by the award of the Déclics Jeunes scholarship of the Fondation de France.

Louis-Noël Bestion de Camboulas is also director of Les Surprises, an ensemble specialising in the vocal and instrumental repertory of the seventeenth and eighteenth centuries, with which he has already appeared in several European countries, Canada and Palestine.

He is currently completing his residency at the Fondation Royaumont as organist of the Abbey’s Cavaillé-Coll instrument.

This album contains no booklet.