Songs of Freedom Nguyên Lê

• 1Eleanor Rigby07:04
• 2I Wish05:48
• 3Ben Zeppelin00:51
• 4Black Dog06:22
• 5Pastime Paradise08:03
• 6Uncle Hoís Benz00:40
• 7Mercedes Benz06:25
• 8Over The Rainforest00:36
• 9Move Over07:01
• 10Whole Lotta Love05:18
• 11Redemption Song05:29
• 12Sunshine of your Love04:46
• 13In A Gadda da Vida05:25
• 14Topkapi00:43
• 15Come Together05:47
• Total Runtime01:10:18

Info for Songs of Freedom

A collection of his favourite songs of freedom: Bob Marley’s “Redemption Song” sits alongside hits from Led Zeppelin, Janis Joplin, Stevie Wonder, Eric Clapton and the Beatles, whose “Eleanor Rigby” and “Come Together” frame the album.

The French-Vietnamese guitarist Nguyên Lê proves, like no other musician, that globalisation doesn’t always have to mean cultural homogenisation but that it can also create something new with its own quality. Since he became the first exclusive ACT artist in 1993, after “Jazzpana”, he has developed, fully in the sense of the equally cosmopolitan thinking label founder Siggi Loch, to become a great ‘music ethnologist’ in jazz. There is hardly any music region with its styles, characteristics and exceptional representatives which has not awakened his interest and which he hasn’t transformed into one of his ever self-enclosed cultural puzzles. Particularly on the four ACT albums released so far with the enchanting singer Huong Thanh, he has dedicated himself to Vietnamese stories as well as Far Eastern sounds (“Saiyuki”, ACT 9483-2) and the Maghreb (“Maghreb & Friends”, ACT 9261-2) and, in the pioneering Trio E_L_B with Peter Erskine and Michel Benita, he reinterpreted the classic trio format in jazz.

His probably most successful ‘field research’, celebrated by all the critics, was his 2002 album “Purple - Celebrating Jimi Hendrix” (ACT 9410-2) which approached the American guitar myth, admired by him for many years, from a universal jazz perspective. Lê’s new project, possibly his most ambitious to date, continues with, “this work about a part of Afro American culture”, as he described the pioneering Hendrix homage. “Songs of Freedom” (ACT 9506-2) is, in his words, “A tribute to the musicians who, in the seventies, established pop culture with their mythical songs. So mythical that they now belong to everyone on this planet and so global that they have become world music in the sense of a music which the world listens to.”

Nguyên Lê takes the title of his latest album from one of his favourite songs of freedom: Bob Marley’s “Redemption Song” sits alongside hits from Led Zeppelin, Janis Joplin, Stevie Wonder, Eric Clapton and the Beatles, whose “Eleanor Rigby” and “Come Together” frame the album - credit where credit’s due, these artists wrote some of the finest songs in recent memory. But Lê takes the liberty to unearth these icons of pop and rock history from their dust (or gold) covered depths and brings them to the present day and to the global village, with the help of his own formidable musical prowess as well as many exceptional guests from all over the world who provide support in his band.

Together with Lê, Illya Amar (marimba, vibraphone and electronics), Linley Marthe (electric bass) and Stéphane Galland (drums) form the dynamic basic framework of these transformations, continually pushing forwards rhythmically but remaining easy going and light. The singers Youn Sun Nah, Dhafer Youssef, David Linx, Ousman Danedjo, Himiko Paganotti, Julia Sarr and the percussionists Karim Ziad, Stephane and Prabhu Edouard, Hamid El Kasri and Keyvan Chemirani and the saxophonists David Binney and Chris Speed give each song their own personal stamp. Lê brilliantly arranges these musicians, placing them in suitable yet always surprising situations. On several occasions he converses with his guests, so to speak, with brief self-composed intros which offer the perfect introduction. As a result, this isn’t an album featuring standard cover versions. Instead, familiar melodies are introduced with great respect to pulsating new sound streams from all over the world. “Music is like a bird. Once it has been released it will fly in any sky. The earth becomes rounder and rounder and invites all cultures to an exchange and to immerse themselves in one another. This leads to the freedom to make these songs one’s own: to still lovingly play the original melodies yet with the boldness of our own arrangements which celebrate the realm of imaginative power and fantasy,” says Nguyên Lê.

These poetic words are not too far-fetched, and this is undoubtedly proven on the album. Here we can hear how the soul of Stevie Wonder’s “I Wish” immerses totally harmoniously in Caribbean-Asiatic sound worlds, and how Janis Joplin’s “Mercedes Benz” rolls along not only Californian but also Indian, Japanese and French paths. Led Zeppelin’s “Whole Lotta Love” is also transformed in to a rousing whirlwind, with the band being led by the eternally and indisputably precise Youn Sun Nah who is here surprisingly rocky and irresistibly intense.

“Come Together” is therefore not simply the last track of the album, but represents what the album is about. With these 15 songs of freedom, Nguyên Lê impressively brings together a wide and previously unheard range of individuals and sounds from various different origins - West merges with East, North with South, great vocals with instrumental virtuosity and the melodic legacy of the past with the sound of the future.

Nguyên Lê, guitars & computers
Illya Amar, vibraphone, marimba, electronics
Linley Marthe, electric bass & vocals
Stéphane Galland, drums Guests: Youn Sun Nah Dhafer Youssef, David Linx David Binney, Chris Speed Prabhu Edouard, Karim Ziad

Produced, arranged, recorded & mixed by Nguyên Lê at Louxor studios, Paris Barbès, July to October 2010
Live tracks recorded at studios 7e ciel, Issy les Moulineaux, August 2010 by Jean Maurice Hayano
Track 2 Indian rhythmic arrangement written, performed & recorded by Prabhu Edouard
Track 5 vocal arrangement & recording by Ousman Danedjo
Chris Speed recorded in his NYC apartment by N. Lê, December 2008
Julia Sarr recorded by Fred Soul, studio Malakaa, Paris
Mastered by Bruno Gruel, Elektra Mastering

Born in Paris from Vietnamese parents, he began to play drums at the age of 15, then took up guitar & electric bass. After graduating in Visual Arts, he majored in Philosophy, writing a thesis on Exoticism. Then he devoted to music, creating "ULTRAMARINE" (1983), a multi-ethnic band whose CD "DÉ" has been considered "1989's best World Music album" Philippe Conrath, Libération.

Nguyên LE is a self-taught musician, with a wide scope of interests: Rock & Funk (Jim Cuomo, Madagascar tour 84), Jazz standards & contemporary Jazz (bass player with Marc Ducret, guitar player with Eric Barret), Improvised Music (Yves Robert), Singers (Ray Charles),Contemporary Music (André Almuro, Tona Scherchen, Marius Constant, Mauricio Kagel), Ethnic Music: African & Caribbean with ULTRAMARINE, Algerian with Safy Boutella & Cheb Mami, Indian with Kakoli, Turkish with Kudsi Erguner, Vietnamese with his "Dan Bau" (traditional one-stringed instrument) teacher Truong Tang.

In sept. 87 he was chosen by director Antoine Hervé to play with the O. N. J. (French National Jazz Orchestra). Within this big band, he played with such musicians as Johnny Griffin, Louis Sclavis, Didier Lockwood, Carla Bley, Steve Swallow, Randy Brecker, Toots Thielemans, Courtney Pine, Steve Lacy, Dee Dee Bridgewater, Gil Evans, Quincy Jones. Nguyên LE' s work also deals with programming synthetizers, effects & computers as well as writing orchestral pieces : "PROCESSOR" composed, arranged & recorded on CD "O.N.J. 87" & "LUNIK II" co-arranged with Dominique Borker & performed by the O.N.J. 1989.

In sept. 89 he records ULTRAMARINE's 2nd album "DÉ" &, in may 90, his first album as a leader : "MIRACLES" recorded in the U.S.A. with Art LANDE, Marc JOHNSON & Peter ERSKINE. At the same time he works with such musicians as Michel Portal, Miroslav Vitous, Trilok Gurtu, J. F. Jenny Clarke, Aldo Romano, Daniel Humair, Dewey Redman, Andy Emler, Jon Christensen, Nana Vasconcelos, Glenn Ferris, Christof Lauer, Paolo Fresu, Kenny Wheeler, John Taylor ...

In may 92, after a month tour with Paul McCANDLESS on winds, Art Lande (p), Dean Johnson (b) & Joël Allouche (d), he records his 2nd album ZANZIBAR, which gets the « ffff » award by Télérama. In Jan. 93 he records "INIT", a trio with André Ceccarelli, François Moutin & guest Bob Berg, while setting up a new band on the music of Jimi Hendrix, w/ Corin Curschellas (voc), Steve Argüelles (d), Richard Bona (b). Since Jan. 93 he's been a frequent guest soloist of Köln's WDR Big band, especially with composer/director Vince MENDOZA. Nguyên Lê plays on three of his projects: "Jazzpaña", "Sketches" w/ Dave LIEBMAN, Charlie MARIANO, Peter Erskine, & "Downtown", w/ Russell Ferrante. In April 94 he’s the guest soloist of "The New Yorker", a suite by Bob BROOKMEYER, with Dieter Ilg (b) & Danny Gottlieb (d). With these two musicians he set his first trio, & recorded "MILLION WAVES" in dec. 94. About this CD, Télérama writes : "This trio brings him to some musical spaces which he had not even imagined, & which are pure poetry". In the meantime, he's playing in trio with Michel Benita(b) & Peter Erskine, recording on Michel Portal's new album with Ralph TOWNER (g), & working with Ornette COLEMAN on one of his contemporary music pieces, "Freedom Statue". In June 95 he's invited by WDR BigBand in "Azure Moon", with the YELLOWJACKETS & Vince Mendoza. In July 95, in Stuttgart Festival, he's one of the guest guitar players to celebrate the "Universe of Jimi Hendrix", besides Trilok Gurtu, Terry BOZZIO, Cassandra WILSON, Jack BRUCE, Vernon REID, David TORN, Victor BAILEY, Pharoah SANDERS... Recently he has been playing with John McLaughlin, Michel Petrucianni, Markus Stockhausen, Enrico Rava, Ray Anderson, Kenny Wheeler, John Taylor, Dave Douglas, Wolfgang Pushnig, Uri Caine, Tigran Hamasyan, Herbie Hancock...

In April 96, Nguyên Lê creates "Tales from Viêt-Nam", a project on Vietnamese music, with a 8-piece band blending jazz & traditional musicians. With stage director P. J. San Bartolomé, he starts " Of the Moon & the Wind ", a complete show where traditional & contemporary vietnamese dancers are integrated to the "Tales from Viêt-Nam" orchestra. The CD has received a great welcoming from international critics : Diapason d'Or, Choc du Monde de la Musique, Choc of Year 1996 Jazzman, 2nd best CD 96 for JAZZTHING (Germany), Best CD 96 on radio TRS 2 (CH), "a minor masterpiece" JAZZTIMES (USA).

On 4/97 Nguyên Lê releases his 5th CD, " 3 Trios", with Marc Johnson/ Peter Erskine, Dieter Ilg/ Danny Gottlieb & Renaud Garçia Fons/ Mino Cinelu. JAZZIZ Magazine USA says : « At times, jazz guitar can sound staid - but not in the case of N. Lê. He’s forever breaking boundaries for our benefit ». He has recorded 2 Cds with Paolo Fresu’s quartet : « Angel » (2/98) & « Metamorfosi » (4/99). On 5/98, 6th N. Lê record : « Maghreb & Friends », an exploration of Maghreb musical traditions & a deep collaboration with Algerian musicians. « Far from a false world music, N. Lê simply touches, with force & intensity, to universality » F. Medioni. N. Lê produced the 1rst CD of Huong Thanh, « Moon & Wind », entirely done in his home studio. He also has been nominated for the « Victoires de la Musique 1999 » award. His last CD, « BAKIDA », based on his regular trio with Renaud Garçia Fons (b) & Tino di Geraldo (perc, dr) plus guests from all over the world like Kudsi Erguner, Chris Potter, Carlos Benavent... This CD has been voted "best jazz album of the year" by "CD Compact" (Spain). ELB, a new trio CD has just been recorded in Rainbow studios, Oslo, with Peter Erskine & Michel Benita. He's touring with Terri Lyne Carrington's band, with Geri Allen, Matt Garrison & Gary Thomas & plays with Maria Schneider.

Sept 2002 : 2nd CD of Huong Thanh « Dragonfly ». In june 2002 he's invited by the Metropole Orchestra (NL) to play his music arranged by Vince Mendoza. « Purple », an album celebrating Jimi Hendrix is released in sept 2002. In sept 2002 it's n° 1 on the charts of UK magazine "Jazzwise". Today it's N. Lê's most successful album, with 20 500 CD sales & non stop touring all over the world. "Mangustao", Huong Thanh's 3rd album, released in jan. 2004, is awarded as "Choc de la Musique" by french magazine "Le Monde de la Musique". In March 2005 release of "Walking on the Tiger's Tail", new album with his great friends Art Lande, Paul McCandless & Jamey Haddad “A universe where the alliance between acoustic and electric, improvisation and writing, inner delicacy and virtuosic expressivity reach the ideal balance.”(Le Monde).

Several projects were built in 2006 : the score writing of "Le Sheitan", a movie by Kim Chapiron with Vincent Cassel, & « Homescape », a very electronic, improvised & mystical recording in duo with Paolo Fresu & Dhafer Youssef, all done at home, #1 in « Jazzwise » april 2006 charts; the score for the Vietnamese movie "Saigon Eclipse" by Othello Khanh; the recording of "Mozart" last Uri Caine's album; a 13-gig tour in USA with "Tiger's Tail" quartet, thanks to a CMA/FACE grant; two "classical" compositions commissioned by the Ahn Trio & the Laguna Beach Fest in LA. Nguyên Lê was unanimously awarded as the guitar "Django d'Or" 2006.

In 2007, after tours in US & China, he releases "Fragile Beauty", the 4th album with Huong Thanh «Simply an album that captures the heart from the first note and leaves it hungering for more as the last one fades» (All That Jazz). In 2008 he records "The Othello Syndrome" for Uri Caine, "Blauklang" for Vince Mendoza's & also « Dream Flight » a new ELB album, with guest Stéphane Guillaume on sax. A new album comes out in oct 2009: SAIYUKI, an asian trio with Mieko Miyazaki (koto) & Prabhu Edouard (tablas) & special guest Hariprasad Chaurasia (flute). He’s the mixing engineer & co-producer of Dhafer’s Youssef «Abu Nawas Rhapsody», Céline Bonacina’s «Way of Life» & Mario Canonge «Mitan». «Signature Edition», a double-CD album showing 20 years of music creation has been released by ACT in march 2010. AllAboutJazz will say: «the ample evidence of an artist whose voice has been his own from the very beginning». He’s guest soloist on Erkki Sven Tüür’s 5th symphony with Bremen Philarmonic. For the 2nd time Nguyên Lê is the recipient of the CMA/FACE grant which helps the «Saiyuki inviting Rudresh Mahanthappa» project to tour in US in the fall 2010. In 2011 he is awarded by the rank of «Chevalier de l’ordre des Arts & des Lettres» by French Cultural minister & receives the Django Reinhardt prize by French Academie du Jazz. «Ting Ning», excerpt from «Tales from Viet-Nam» (1996) is selected between only 4 european artists in the 6-CD compendium «Jazz: the Simthsonian Anthology».

The new album «Songs of Freedom», released in april 2011, is an exotic & eccentric reading of Pop hits from the 70’s with Illya Amar, Linley Marthe, St. Galland & guests Youn Sun Nah, David Linx, Dhafer Youssef, a.o. It has received a fantastic welcoming from international press («Record of the Year» & cover story in Jazzmagazine/Jazzman) & was on top jazz charts of Itunes & Amazon. N. Lê is part of «Nights on Earth», Vince Mendoza’s last album. He took part of the 1rst International Jazz Day celebration at Unesco with Herbie Hancock.

Booklet for Songs of Freedom