The Dynospectrum (20 Year Anniversary Remaster) The Dynospectrum
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- 1You Can Lose Your Mind [Remastered]04:59
- 2Introspectrum [Remastered]02:07
- 3Headphone Static [Remastered]03:56
- 4Permanent On Surfaces [Remastered]05:06
- 5Breath Of Fresh [Remastered]04:51
- 6The Winter Moon [Remastered]05:29
- 7Brief Interlude [Remastered]00:40
- 8Appearing Live [Remastered]05:34
- 9Southside Myth [Remastered]04:48
- 10Traction [Remastered]04:06
- 11Decompression Chamber [Remastered]04:43
- 12Evidence Of Things Not Seen [Remastered]04:24
- 13Superior Friends [Remastered]03:56
- 14I Wouldn't Want You To Die Uninformed [Remastered]03:05
- 15Tenfold [Remastered]05:08
- 16Anything Is Everything [Remastered]04:53
- 17Armor [Remastered]06:43
- 18Mass Exodus (Bonus Track) [Remastered]04:54
- 19He Who Dies With The Most Toys (Bonus Track) [Remastered]03:53
- 20Obstacles (Bonus Track) [Remastered]05:27
Info for The Dynospectrum (20 Year Anniversary Remaster)
Available on HighResAudio for the first time ever! As Rhymesayers was transitioning from a local Twin Cities crew, who were known for explosive and engaging live shows at coffee shops, raves, and venues around town, into a full-fledged independent label, some of the most integral players in the crew decided to form a supergroup, and thus began the legend of The Dynospectrum.
The group’s formula was largely centered on the four MCs, Slug of Atmosphere, I Self Devine of The Micranots, Beyond (better known as Musab), and Mr. Gene Poole of Phull Surkle. Each of them had already made a notable impression on the Twin Cities scene, so the idea of them coming together was easy to view as a force to be reckoned with. However, an essential element of The Dynospectrum was its production, as Ant (of Atmosphere) was digging deep into his explorations of painting sound with dark and moody strokes. Yet another signature aspect to this album was its iconic artwork, provided courtesy of the Headshots resident artist, Aaron “Abuse” Horkey, who has also provided some new work for this special vinyl edition. Horkey’s uniquely exquisite graffiti stylings give the album a comic book-like essence while maintaining an air of elegance and fine art. Lastly, in order to take all this creative energy and shape it into something real, label CEO, Siddiq Sayers, acted as the sound engineer at the time for the newly formed Rhymesayers studios, and took the lead on distribution and management for the project.
All of this resulted in The Dynospectrum being a landmark release in the Rhymesayers catalog, regarded to this day as a cult classic, which makes it long overdue that we finally get to see this full release available on vinyl for the very first time. This upcoming special vinyl edition, just like our recent Overcast! 20th Anniversary vinyl release, has been completely re-mixed from the original reel-to-reel tapes and remastered, complete with bonus unreleased material from those same recording sessions. All the original music and lyrics have been left completely intact, only enhancing the listening experience, so that this breakthrough album sounds better than ever!
Produced by Solomon Grundy
By 1996, a year after its inception, the Twin Cities supercrew known as the Headshots had already begun splintering. In the midst of this transition, the Rhymesayers brand was preparing to position itself as an official record label. This process involved several aspects of growth, one of which was the evolution from recording their own 4-track tapes to professionally recorded albums, beginning with Beyond’s debut album, Comparison. Although Atmosphere’s Overcast! followed as the label’s second officially released album, another project was actually recorded directly before it. Furthermore, that project essentially serves as a benchmark for the label’s ongoing progression in virtually all aspects. Enter the Dynospectrum…
The forming of this supergroup is mysterious, much like Ant’s (often) darkly musical soundscapes and the four MC’s esoteric and inventive lyricism. Initially, the Dynospectrum seed was planted by Beyond while recording his aforementioned Comparison album. On a quest to create a unique word to define the music he made, he settled on “Dynospectrum” and, satisfied with that definition, he used it as the title for a solo song on Comparison. In the interim, Beyond and Slug were on a rampage at that time, tag-teaming on live shows, ciphers, basement freestyle sessions and MC battles in the Twin Cities area. The two were pushing each other creatively, and sharpening their skill sets in the process. As a result, Beyond suggested they form a group. Slug agreed and they began piecing together the concept.
Meanwhile, I Self Devine found himself back in the Twin Cities after being away in Atlanta for some time. His return took place right around the time the Headshots were making their name known on the scene. Previous to the forming of Headshots, I Self Devine had been a pivotal pioneer and inspiration on the Twin Cities scene, through the impressive work from his group The Micranots, and their extended crew, U.V.S (Universal Vibe Squad). Not long after his return to the Twin Cities, I Self saw Atmosphere perform at the Mighty Fine Café, with the song “God’s Bathroom Floor” particularly catching his attention. That night, he made a mental note that connecting with Atmosphere and the Headshots collective was a logical step in continuing to be a driving force on the scene. As it turned out, I Self ended up connecting with both Beyond and Slug independently of one another, and each of those developing relationships led to the idea of making music together.
Unfortunately, this all finally manifested under tragic circumstances when the original Headshots members reunited to record the Headshots tape, History, to honor fellow crew founder, Sess, who had recently passed away. I Self Devine wound up being the only additional artist on the tape who wasn’t an original Headshots member, providing a verse on “Revival” alongside Slug, Spawn and Beyond. Additionally, History was also the home of the first official Dynospectrum offering, “The Struggle Song”.
However, to get to that point, we need to take one step back. I Self Devine remembers one night, likely in the spring of 1996, while riding with some of the Headshots crew in Siddiq’s jeep, when he was asked to join this group that Slug and Beyond were putting together. In fact, on this drive, I Self was playing them a tape of early demos for the upcoming Micranots album, Return Of The Travellahs, and that was what prompted Beyond to extend the offer. As history has revealed, I Self accepted that invitation and they immediately starting converging in Ant’s infamous basement studio, dubbed The Factory, to begin crafting songs. They were only a few songs into their adventure when they realized there was still something missing from this formula. The missing element was found in Swift The 90 Degree Angle, an MC from the group Phull Surkle, who was also an original Headshots member. It’s worth noting that adding the Gene Poole process to the mixture wasn’t merely an afterthought. Phull Surkle, while teamed up with live band Casino Royale, were critical in building opportunities for local Hip Hop artists due to their explosive performances at any local venue in town that was booking Hip Hop at the time. Furthermore, at the dawn of Dynospectrum’s formation, Swift’s hunger had increased notably, and his writing and vocal intensity were both aggressively reaching for a new pinnacle, a reality thoroughly proven by his performances on the Dynospectrum album. In terms of how Dynospectrum actually became the name of the crew, there is a bit of debate on whether it was decided by Beyond or Slug, with each thinking it was the other’s decision, but I Self Devine does recall that name was already attached when he was asked to join. In an effort to create a uniquely conceptual project that acted as much as a departure as it was an extension from all of their previous work, each member in the crew took on a Dyno name; Beyond was General Woundwart, Slug was Sep Sev, I Self Devine was Pat Juba, Swift became Mr. Gene Poole (a name he would go on to maintain ever since), Siddiq was Dr. Moreau, and Ant became Solomon Grundy. Adding to all the mystery surrounding the album, there’s been a bit of uncertainty on determining the album’s actual release date. However, based on some old press articles, it seems likely the album released on, or around, October 13th, 1998, making the fall of 2018 the 20-year anniversary for this monumental release.
As for the album itself, the music is filled with the lofty and often enigmatic ideas of four imaginative lyricists, all bent on showcasing a mastery of language, plus an entrepreneur with an acute ear, actively figuring out the intricacies of sound and engineering on a whim. Perhaps the most essential element though, was an aloof yet assured soundsmith, flourishing in his explorations of painting sound with dark and moody strokes. Lastly, and undoubtedly, a signature aspect to this album was its iconic artwork, provided courtesy of the Headshots resident artist, Aaron “Abuse” Horkey, whose uniquely exquisite graffiti stylings gave the album a comic book-like essence while maintaining an air of elegance and fine art.
The Dynospectrum is a landmark release in the Rhymesayers catalog, regarded to this day as a cult classic, which makes it long overdue that we finally get to see this full release available on vinyl for the very first time. This upcoming special vinyl edition, just like our recent Overcast! 20th Anniversary vinyl release, has been completely re-mixed from the original reel to reel tapes and remastered, complete with some bonus unreleased material from those same recording sessions. All the original music and lyrics have been left completely intact, only enhancing the listening experience, so that this breakthrough album sounds better than ever! The Southside Myth returns so if you have yet to take a listen, now is the time, as I wouldn’t want you to die uninformed…
This album contains no booklet.