Tcherepnin: Piano Concertos Nos. 2 and 4 Noriko Ogawa
- Alexander Tcherepnin (1899-1977):
- 1Symphonic Prayer, Op. 93 (Maestoso)06:51
- 2Piano Concerto No. 2, Op. 26 (Vivo)17:38
- 3Magna mater, Op. 41 (Moderato tranquillo)09:01
- 4Piano Concerto No. 4, Op. 78, "Fantaisie": I. Eastern Chamber Dream (Moderato)16:06
- 5Piano Concerto No. 4, Op. 78, "Fantaisie": II. Yan Kuei Fei's Love Sacrifice (Sostenuto - Animato)08:13
- 6Piano Concerto No. 4, Op. 78, "Fantaisie": III. Road to Yunnan (Allegretto)04:32
Info for Tcherepnin: Piano Concertos Nos. 2 and 4
In 1918 the Tcherepnin family fled from the revolutionary unrest in St. Petersburg to ITiflis (nowadays Tbilisi), where the famous composer and conductor Nikolai Tcherepnin (1873-1945) assumed the direction of the conservatory of music. This, however, was to prove to be only a temporary solution; three years later, in 1921, the Tcherepnins emigrated to Paris, the Mecca of neo-classical modernity. Here the young Alexander Tcherepnin – who continued his studies under Paul Vidal and Isidore Philipp – assimilated a series of formative influences; at the same time, important elements of his musical language – among them the six- and nine-note scales that were among its essential features – were already clearly defined. The influence of such figures as Maurice Ravel, Igor Stravinsky, Arthur Honegger and Bohuslav Martinů (the last two of whom belonged to the ‘École de Paris’ group of composers, which Tcherepnin himself would soon join) reinforced his own striving for reduction and constructive procedures as well as his anti-Wagnerian and anti-Impressionist inclination. Tcherepnin’s Concerto No. 2 for Piano and Orchestra, Op. 26, which was composed in 1922/23 and dedicated to the French pianist Jeanne-Marie Darré, provides eloquent evidence of this. It is a wonderfully untroubled and masterfully scored work, based essentially on a vigorous theme with a leap of a fourth, presented initially by the trumpets above martial percussion rolls and piano trills. Only later does the piano come into its own and, even then, for only a short time: the clearly shaped theme is especially well suited to wandering through the orchestra in various guises. A dreamy passage for solo piano (Moderato) takes up a second theme that demonstrates the major/minor ambivalence so typical of Tcherepnin (G minor with a major third, B natural); the two themes are woven together in a development section with mechanical, motoric rhythms that eventually subside and lead to magical piano chords. Introduced by the expressive solo cello, an extended set of variations now begins (so that we do not perceive the entire concerto as a set of variations), the theme of which – a slightly modified variant of the opening theme – is presented in a variety of different forms, bringing forth great gestures only to sweep them merrily aside again, and almost bursting with original technical, contrapuntal and rhythmic finesses.
Noriko Ogawa, piano (tracks 2, 4-6)
Singapore Symphony Orchestra
Lan Shui, conductor
has achieved considerable renown throughout the world since her success at the Leeds International Piano Competition. Noriko’s “ravishingly poetic playing” (Telegraph) sets her apart from her contemporaries and acclaim for her complete Debussy series with BIS Records (“If you like your Debussy to sound like the musical equivalent of a chilled white wine, Noriko Ogawa is the pianist for you” Roger Vignoles, BBC Radio 3, CD Review), confirms her as a fine Debussy specialist, and her Images Book I and II were chosen as the top recommendation ‘exquisite delicacy’ by Stephen Walsh, BBC Radio 3’s CD Review, January 2014. Noriko’s next recording for BIS records is of solo piano music by Eric Satie.
Noriko appears with all the major European, Japanese and US orchestras including recent and forthcoming performances with the Polish National Radio Symphony Orchestra, Tchaikovsky Symphony Orchestra of Moscow Radio, BBC Philharmonic Orchestra, Czech National Symphony Orchestra and the Nagoya Philharmonic Orchestra, as well as the BBC Symphony Orchestra for the world premiere of Richard Dubugnon’s Piano Concerto. Noriko made her BBC Proms debut in August 2013 with the BBC Concert Orchestra (conducted by Barry Wordsworth) and appeared again in 2014 with the Endymion Ensemble. She has been appointed Vice President of the St Cecilia Orchestra in Ripon, Honorary Patron of the Ipswich Orchestral Society and, from January to June 2012, was the Artistic Director for the Reflections on Debussy Festival, hosted by BBC Philharmonic and Bridgewater Hall. In 2015 she continued her relationship with the Bridgewater Hall as Associate Artist for Ravel and Rachmaninov Festival alongside Peter Donohoe.
Noriko is also renowned as a recitalist and chamber musician. Notable chamber projects include a tour of Japan with the Berlin Philharmonic Wind Ensemble and the leader of the Vienna Philharmonic, Rainer Honeck. With her piano duet partner Kathryn Stott, Noriko has performed Malcolm Arnold’s Concerto for Two Pianos (Three Hands) at the 2013 BBC Proms, has toured in Japan and given premieres of Graham Fitkin’s double piano concerto Circuit. Noriko has also collaborated with Steven Isserlis, Isabelle van Keulen, Martin Roscoe, Michael Collins and Peter Donohoe.
As an advocate of commissioning, Noriko has been involved in numerous premieres including works by Richard Dubugnon, Takemitsu, Graham Fitkin and Dai Fujikura, as well as ‘Le Tombeau de Rachmaninov’, specially written for Noriko by eight composers and premiered at Manchester’s Bridgewater Hall. In addition to recording and performing, Noriko is a sought-after presenter, both on the radio and on television, recently appearing as a piano expert on the BBC3 coverage of the Leeds Piano Competition, and on BBC Worldwide in ‘Visionaries’ as an advocate for Takemitsu and in programmes for NHK and Nippon Television. As an adjudicator, she regularly judges the BBC Young Musician of the Year Competition, Munich International Piano Competition, Honens International Piano Competition and the Scottish International Piano Competition. Noriko has been appointed as Chairperson of the Jury for Japan’s prestigious 10th Hamamatsu International Piano Competition in 2018.
In Japan, Noriko acts as artistic advisor to the MUZA Kawasaki Symphony Hall in her hometown. In 1999, the Japanese Ministry of Education awarded her their Art Prize in recognition of her outstanding contribution to the cultural profile of Japan throughout the world and she has also been awarded the Okura Prize for her outstanding contribution to music in Japan. As a writer, Noriko has completed her first book (published in Japan) and her Japanese translation of Susan Tomes’s book Out of Silence – a pianist’s yearbook has been reprinted due to popular demand, with the Japanese music magazine Ongaku no tomo saying “Ogawa translates Tomes’ elegant composition into very beautiful Japanese with deep empathy and affection” (August 2012).
Noriko is passionate about charity work, particularly after the earthquake and tsunami which devastated Japan in early 2011. Since the earthquake she has raised over £40,000 for the British Red Cross Japan Tsunami Fund and is keen to keep fundraising. Noriko also founded Jamie’s Concerts a series for autistic children and parents and is a Cultural Ambassador for the National Autistic Society.
Noriko lives with her partner Philip and their cat Sox. When not practising she enjoys writing and cooking for friends.