R. Strauss: Eine Alpensinfonie & Tod und Verklärung (Live) Symphonieorchester des Bayerischen Rundfunks & Mariss Jansons

• Richard Strauss (1864-1949): Eine Alpensinfonie, Op. 64, TrV 233:
• 1Nacht (Night) -02:52
• 2Sonnenaufgang (Sunrise) -01:25
• 3Der Anstieg (The Ascent) -02:27
• 4Eintritt in den Wald (Entry into the Wood) -05:06
• 5Wanderung neben dem Bache (Wandering by the brook) -00:47
• 6Am Wasserfall (At the Waterfall) -00:16
• 7Erscheinung (Apparition) -00:53
• 8Auf blumigen Wiesen (On Flowering Meadows) -01:01
• 9Auf der Alm (On the Alpine Pasture) -02:22
• 10Durch Dickicht und Gestrüpp auf Irrwegen (Straying through Thicket and Undergrowth) -01:42
• 11Auf dem Gletscher (On the Glacier) -01:15
• 12Gefahrvolle Augenblicke (Dangerous Moments) -01:34
• 13Auf dem Gipfel (On the Summit) -04:56
• 14Vision -03:36
• 15Nebel steigen auf (Mists rise) -00:20
• 16Die Sonne verdüstert sich allmählich (The Sun gradually darkens) -00:52
• 17Elegie -01:48
• 18Stille vor dem Sturm (Calm before the Storm) -02:54
• 19Gewitter und Sturm, Abstieg (Thunder and Storm, Descent) -04:22
• 20Sonnenuntergang (Sunset) -02:23
• 21Ausklang (Final Sounds) -06:06
• 22Nacht (Night)02:02
• Tod und Verklärung, Op. 24, TrV 158:
• 23Tod und Verklärung (Death and Transfiguration), Op. 24, TrV 15824:10
• Total Runtime01:15:09

Info for R. Strauss: Eine Alpensinfonie & Tod und Verklärung (Live)

At the age of just fifteen, the budding composer Richard Strauss (1864-1949) lost his way during a summer hike on the Heimgarten in the Bavarian Alps, and ended up in a thunderstorm. The next day, he fantasized about the experience on the piano. - Twenty years later, that memory had matured into a concept describing a one-day hike in the form of a symphonic poem, and in 1915 – a further fifteen years later – Strauss finally completed his masterpiece. The hike begins in the darkness before dawn, and after sunrise the ascent goes through a forest, past a stream and a waterfall, through meadows and pastures, and up to a glacier. The hiker then loses his way, and after several risky moments arrives at the summit, where he also experiences a vision. The weather then suddenly worsens, and the descent is accompanied by heavy rain and fierce thunderstorms. The eventful day - summarized in just sixty minutes of music - ends with a sunset, and darkness returns.

"An Alpine Symphony" is probably Strauss' most famous symphonic poem. Its content is easily understandable, and the work became especially well-known for its gigantic orchestra. The music is far from heavy-handed, however, with many of the passages orchestrated like chamber music. Like a kind of greeting from the Bavarian Alps, as it were, the Symphonieorchester des Bayerischen Rundfunks and its chief conductor Mariss Jansons have placed this masterpiece, and the music of Richard Strauss in general, on the programme of their forthcoming tour of Asia in late 2016. The live recording of “Alpine Symphony” concerts planned for October 2016 in Munich’s Philharmonie im Gasteig is enhanced on this latest CD from BR-KLASSIK by the addition of Strauss’ symphonic poem "Death and Transfiguration", first performed in 1890; the recording here is of concerts performed in Munich in February 2014. – We thus have two very recent interpretations of two of this great German composer’s most important tone poems on one CD.

Symphonieorchester des Bayerischen Rundfunks
Mariss Jansons, direction

Live-Recording Munich, Philharmonie im Gasteig 10.2016 (Alpine Symphony); 02.2014 (Death and Tr.)

Mariss Jansons
son of conductor Arvıds Jansons, was born in Riga in 1943. He studied violin, piano, and conducting at the Leningrad Conservatory, completing his education as a student of Hans Swarowsky in Vienna and of Herbert von Karajan in Salzburg. In 1971 he became a laureate of the Karajan Competition in Berlin and began his close partnership with the St. Petersburg Philharmonic, first as an assistant to Yevgeny Mravinsky and then as a permanent conductor. From 1979 to 2000 Jansons served as Music Director of the Oslo Philharmonic Orchestra. Under his tenure, the orchestra earned international acclaim and undertook tours to leading concert halls around the world. Between 1997 and 2004 he was Principal Conductor of the Pittsburgh Symphony Orchestra, and in the 2003–2004 season he took over leadership of the Bavarian Radio Symphony Orchestra, where he is extending his contract until 202; he began his tenure as head of the Royal Concertgebouw Orchestra in the 2004–2005 season, and ended it in 2015. Jansons is guest conductor of the Berlin and Vienna Philharmonic Orchestras (in Vienna in 2016 he will be conducting the New Year’s concerts for a third time); he has additionally conducted the leading orchestras in the U.S. and Europe. His discography comprises many prizewinning recordings, including a Grammy for his account of Shostakovich’s 13th Symphony. Mariss Jansons is an honorary member of the Society of Friends of Music in Vienna and of the Royal Academy of Music in London; the Berlin Philharmonic has honoured him with the Hans-von-Bülow Medal, the City of Vienna with the Golden Medal of Honour, and the State of Austria with the Honorary Cross for Science and Arts. In 2006 Cannes MIDEM named him Artist of the Year, and he received the ECHO Klassik Award in 2007 and 2008. In June 2013, for his life’s work as a conductor, he was awarded the prestigious Ernst von Siemens Music Prize, and on 4 October 2013, he was awarded the Federal Cross of Merit 1st Class by German Federal President Joachim Gauck in Berlin. In France in 2015, the Ministry of Culture named Mariss Jansons “Commandeur des Arts et des Lettres“.

Symphonieorchester des Bayerischen Rundfunks
Not long after it was established in 1949, the Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) developed into an internationally renowned orchestra. The performance of new music enjoys an especially long tradition, and right from the be- ginning, appearances in the musica viva series, created by composer Karl Amadeus Hartmann in 1945, have ranked among the orchestra’s core activities. On extensive concert tours to virtually every country in Europe, to Asia as well as to North and South America, the Symphonieorchester des Bayerischen Rundfunks continually con rms its position in the first rank of top international orchestras. The history of the Symphonieorchester is closely linked with the names of its previous Chief Conductors: Eugen Jochum (1949–1960), Rafael Kubelík (1961– 1979), Sir Colin Davis (1983– 1992) and Lorin Maazel (1993–2002). In 2003, Mariss Jansons assumed his post as new Chief Conductor. With a number of CD releases, among others a series of live recordings of concerts in Munich, Mariss Jansons continues the orchestra’s extensive discography. Maestro Jansons, the Chor and Symphonieorchester des Bayerischen Rundfunks were honoured for their recording of the 13th Symphony of Shostakovich when they were awarded a Grammy in February of 2006 in the “Best Orchestral Performance” category. In December, 2008, a survey conducted by the British music magazine Gramophone listed the Symphonieorchester des Bayerischen Rundfunks among the ten best orchestras in the world. In 2010, Mariss Jansons and the Symphonieorchester des Bayerischen Rundfunks received an ECHO Klassik Award in the category “Orchestra/Ensemble of the Year” for their recording of Bruckner’s 7th Symphony on BR-KLASSIK. The complete Beethoven symphonies, performed by the Symphonieorchester under Mariss Jansons in Tokyo in the autumn of 2012, were voted by the Music Pen Club Japan – the organisation of Japanese music journalists – as the best concerts by foreign artists in Japan in 2012.

Booklet for R. Strauss: Eine Alpensinfonie & Tod und Verklärung (Live)