Mozart: La clemenza di Tito (Live) Rolando Villazón
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- Wolfgang Amadeus Mozart (1756 - 1791): La clemenza di Tito, K. 621 / Act 1:
- 1La clemenza di Tito, K. 621 / Act 1: Overture (Live)04:52
- 2La clemenza di Tito, K. 621 / Act 1: "Ma che? sempre l'istesso" (Live)03:42
- 3La clemenza di Tito, K. 621 / Act 1: "Come ti piace imponi" (Live)02:34
- 4La clemenza di Tito, K. 621 / Act 1: "Amico, il passo affretta" (Live)02:13
- 5La clemenza di Tito, K. 621 / Act 1: "Deh se piacer mi vuoi" (Live)05:15
- 6La clemenza di Tito, K. 621 / Act 1: "Amico, ecco il momento" (Live)00:39
- 7La clemenza di Tito, K. 621 / Act 1: "Deh prendi un dolce amplesso" (Live)01:00
- 8La clemenza di Tito, K. 621 / Act 1: Marcia (Live)01:42
- 9La clemenza di Tito, K. 621 / Act 1: "Serbate, oh Dei custodi" (Live)01:42
- 10La clemenza di Tito, K. 621 / Act 1: "Te della patria il Padre" - "Basta, basta, oh miei fidi" (Live)02:39
- 11La clemenza di Tito, K. 621 / Act 1: Marcia Reprise (Live)00:59
- 12La clemenza di Tito, K. 621 / Act 1: "Adesso, oh Sesto, parla per me" (Live)03:31
- 13La clemenza di Tito, K. 621 / Act 1: "Del più sublime" (Live)03:20
- 14La clemenza di Tito, K. 621 / Act 1: "Non ci pentiam" (Live)01:52
- 15La clemenza di Tito, K. 621 / Act 1: "Ah perdona al primo affetto" (Live)03:08
- 16La clemenza di Tito, K. 621 / Act 1: "Che mi rechi in quel foglio?" (Live)00:54
- 17La clemenza di Tito, K. 621 / Act 1: "Di Tito al piè" (Live)02:32
- 18La clemenza di Tito, K. 621 / Act 1: "Ah, se fosse intorno al trono" (Live)02:17
- 19La clemenza di Tito, K. 621 / Act 1: "Felice me!" - "Ancora mi schernisce?" (Live)04:43
- 20La clemenza di Tito, K. 621 / Act 1: "Parto, ma tu ben mio" (Live)06:39
- 21La clemenza di Tito, K. 621 / Act 1: "Vedrai, Tito, vedrai" (Live)00:47
- 22La clemenza di Tito, K. 621 / Act 1: "Vengo... aspettate... Sesto!..." (Live)02:12
- 23La clemenza di Tito, K. 621 / Act 1: "Oh Dei, che smania è questa" (Live)03:23
- 24La clemenza di Tito, K. 621 / Act 1: "Deh conservate, oh Dei" - "Sesto!" (Live)02:51
- 25La clemenza di Tito, K. 621 / Act 1: "Sesto!" - Andante (Live)03:43
- La clemenza di Tito, K. 621 / Act 2:
- 26La clemenza di Tito, K. 621 / Act 2: "Sesto, come tu credi" (Live)02:04
- 27La clemenza di Tito, K. 621 / Act 2: "Torna di Tito" (Live)02:27
- 28La clemenza di Tito, K. 621 / Act 2: "Partir deggio, o restar?" (Live)00:51
- 29La clemenza di Tito, K. 621 / Act 2: "Sesto! - Che chiedi?" (Live)00:58
- 30La clemenza di Tito, K. 621 / Act 2: "Se al volto mai ti senti" (Live)04:55
- 31La clemenza di Tito, K. 621 / Act 2: "Ah, grazie si rendano" - "È tutto colà d'intorno" (Live)03:19
- 32La clemenza di Tito, K. 621 / Act 2: "Già de' pubblici giuochi" (Live)02:03
- 33La clemenza di Tito, K. 621 / Act 2: "Tardi s'avvede" (Live)01:32
- 34La clemenza di Tito, K. 621 / Act 2: "No, così scellerato" (Live)00:32
- 35La clemenza di Tito, K. 621 / Act 2: "Cesare, nol diss'io" (Live)00:56
- 36La clemenza di Tito, K. 621 / Act 2: "Tu fosti tradito" (Live)03:08
- 37La clemenza di Tito, K. 621 / Act 2: "Che orror! che tradimento!" - "Ingrato!" (Live)02:42
- 38La clemenza di Tito, K. 621 / Act 2: "Quello di Tito è il volto!" - "Odimi, oh Sesto" (Live)03:18
- 39La clemenza di Tito, K. 621 / Act 2: "Eppur mi fa pietà" (Live)05:42
- 40La clemenza di Tito, K. 621 / Act 2: "Deh per questo istante solo" (Live)06:52
- 41La clemenza di Tito, K. 621 / Act 2: "Ove s'intese mai" (Live)01:59
- 42La clemenza di Tito, K. 621 / Act 2: "Se all'impero" (Live)04:54
- 43La clemenza di Tito, K. 621 / Act 2: "Publio, ascolta!" (Live)00:30
- 44La clemenza di Tito, K. 621 / Act 2: "Ah, Vitellia" (Live)01:40
- 45La clemenza di Tito, K. 621 / Act 2: "S'altro che lagrime" (Live)02:15
- 46La clemenza di Tito, K. 621 / Act 2: "Ecco il punto, oh Vitellia" (Live)02:10
- 47La clemenza di Tito, K. 621 / Act 2: "Non più di fiori" (Live)07:07
- 48La clemenza di Tito, K. 621 / Act 2: "Che del ciel, che degli Dei" (Live)01:36
- 49La clemenza di Tito, K. 621 / Act 2: "Sesto, de' tuoi delitti" (Live)01:53
- 50La clemenza di Tito, K. 621 / Act 2: "Ma che giorno è mai questo?" (Live)01:46
- 51La clemenza di Tito, K. 621 / Act 2: "Tu, è ver, m'assolvi, Augusto" (Live)04:22
Info for Mozart: La clemenza di Tito (Live)
This is the fifth instalment of DG’s series of seven Mozart operas conducted by Yannick Nézet-Séguin, and initiated by Rolando Villazón, in collaboration with Festspielhaus Baden Baden and with the generous support of ROLEX For La Clemenza di Tito, Mozart’s last opera about the benevolent Emperor Titus who pardons an attempt on his own life, Rolando and Yannick – new music director of the MET – are joined by outstanding partners: A stellar cast in every role and specialist handpicked orchestra playing at their best in the stunning venue of Festspielhaus Baden-Baden Rolando adds yet another intriguing Mozart role to his already large discography. This time it is his role debut as Tito, reinforcing again his love for Mozart: “No composer has spoken to as directly as Mozart. I feel like I have a soul mate in him.”
In addition Rolando has been named Artistic Director of the Salzburg Mozart Week Previous productions in this series are: Don Giovanni, Così fan tutte, Die Entführung aus dem Serail (Grammy Award Nomination) and Le Nozze di Figaro (Grammy Award Nomination & Echo Klassik Award).
Rolando Villazón, tenor (Tito)
Marina Rebeka, soprano (Vitellia)
Joyce DiDonato, mezzo-soprano (Sesto)
Tara Erraught, mezzo-soprano (Annio)
Regula Mühlemann, soprano (Servilia)
Adam Plachetka, bass-baritone (Publio)
Chamber Orchestra of Europe
Yannick Nézet-Séguin, conductor
Through his uniquely compelling performances with leading opera houses and orchestras around the world, Rolando Villazón has firmly established himself as one of the music world’s most critically acclaimed and beloved stars and as one of the leading tenors of our day. The Times wrote of a recent performance in London “he’s simply Villazón: back again with his trademark exuberance, ringing tenor, and frightening ability to act a part.” His portrayal of Massenet’s Des Grieux prompted one critic to write: “The moment he, one of the tenors of the century, appears on stage, his expressivity captures [the audience] completely. He explores the character’s inner life like no other.”
It was as the winner of several prizes at Plácido Domingo’s “Operalia” Competition in 1999 (including the audience award and the Zarzuela prize) that Rolando Villazón first burst on the international music scene. He made his European debut that same year as Des Grieux in Massenet’s Manon in Genoa, swiftly followed by further debuts at what would become two of his future artistic homes: the Opéra de Paris as Alfredo in La traviata; and the Deutsche Staatsoper Berlin as Macduff in Verdi’s Macbeth.
He went on to become one of the most sought-after performers of his generation, as highlighted by a string of highly successful debuts with Europe’s leading opera houses such as the Bayerische Staatsoper in Munich as Rodolfo in La bohème and the Vienna Staatsoper as Gounod’s Roméo. The tenor has since returned to Vienna for performances as Massenet’s Werther, Nemorino in L’elisir d’amore, Des Grieux, the title role in Les contes d’Hoffmann and the Duke in Rigoletto. Munich audiences have seen Rolando Villazón perform the title role in Gounod’s Faust, Alfredo, and Roméo with the Bayerische Staatsoper in addition to concert performances of La bohème at the Gasteig. Rolando Villazón made his Salzburg Festival debut in 2005 with triumphant performances as Alfredo in a new production of La traviata alongside Anna Netrebko and Thomas Hampson. Deutsche Grammophon released both CD and DVD recordings of the production in 2005. In 2008, he returned for a new production of Roméo et Juliette which was broadcast live on television and recorded by Deutsche Grammophon for DVD release in 2009. Further acclaimed European festival appearances include Bregenz, Glyndebourne and Orange.
Since his debut, Rolando Villazón frequently appears with the Deutsche Staatsoper Berlin, often collaborating with Daniel Barenboim to great popular and critical acclaim. Highlights include his role debut as Don José in a new production of Carmen, as well as new productions of La traviata, Manon and Eugen Onegin. He is equally present at the Opéra de Paris where audiences have seen him in performances of Faust, La traviata, Les contes d’Hoffmann and Werther. The role of Hoffmann was also the vehicle for his triumphant debut at the Royal Opera, Covent Garden where he has since returned for performances of Lenski, the Duke and the title role in a new production of Don Carlo led by Antonio Pappano. Rolando Villazón has furthermore appeared with the Théâtre de la Monnaie in Brussels as Rodolfo and made his role debut as Verdi’s Don Carlo in a new production with Amsterdam Opera conducted by Riccardo Chailly. He made his debut at the Gran Teatre del Liceu in Barcelona as Nemorino and returned for a new production of Manon alongside Natalie Dessay. Both Manon and Don Carlo have also been released on DVD.
Since his acclaimed debut with the Metropolitan Opera New York as Alfredo, he has returned to star in performances as Verdi’s Duke, Rodolfo, Edgardo and in a sold-out Metropolitan Opera Pension Fund Gala Performance in April 2007. A favorite with Los Angeles Opera since his debut in La traviata, the tenor has since appeared in productions of Gianni Schicci, Roméo et Juliette and Manon.
An acclaimed and popular concert artist and recitalist, Rolando Villazón has appeared with leading orchestras and conductors on concert stages all over the world, including appearances at London’s Barbican Hall, the Théâtre des Champs-Elysées in Paris, Berlin and Cologne Philharmonie, Festspielhaus Baden-Baden, Gewandhaus Leipzig, Academy of Santa Cecilia as well as sold-out concerts in amongst others New York, Miami, Vancouver, Tokyo, Toulouse, Monte Carlo, Moscow, St. Petersburg, Prague, Zurich, Rome, Athens, Istanbul, Madrid, and Copenhagen. In 2007, he gave his German recital debut performing Schumann’s Dichterliebe accompanied by Daniel Barenboim, a success repeated the following year also at Deutsche Staatsoper Berlin. His outdoor concerts with Plácido Domingo and Anna Netrebko at Berlin’s Waldbühne on the eve of the 2006 World Cup Final and at Vienna’s Schönbrunn Palace in advance of the 2008 Euro Championship Final were both televised live and watched by millions of people around the world.
Rolando Villazón’s vast discography includes a recital of Italian arias, a recital of arias by Gounod and Massenet, as well as an “Opera Recital”, all for EMI/Virgin Classics. The same label has also released recordings of Monteverdi’s Il combattimento di Tancredi and I Lamenti conducted by Emmanuelle Haim as well as a Zarzuela CD entitled “Gitano” led by Plácido Domingo. All recordings have won unanimous critical praise. DVD releases for EMI/Virgin Classics also include the Vienna State Opera production of L’elisir d’amore, and for Decca the Los Angeles Opera production of La traviata opposite Renée Fleming. A future release on EMI/Virgin Classics is planned for Verdi’s Requiem with the Academy of Santa Cecilia, conducted by Antonio Pappano.
In 2007, Rolando Villazón became an exclusive recording artist with Deutsche Grammophon. His releases on the yellow label include a CD of operatic duets with soprano Anna Netrebko as well as both CD and DVD recordings of La traviata, recorded live at the Salzburg Festival. In 2006, La traviata garnered a Grammy nomination and both La Traviata and “Duets” were awarded Klassik Echo Awards as Germany’s best-selling albums in 2006 and 2008 respectively. The tenor received a further Klassik Echo Award in 2007 for the DVD of the 2006 Waldbühne concert. 2008 saw his highly acclaimed first solo release with Deutsche Grammophon, an album of rare Italian arias entitle “Cielo e mar” in addition to the release of a complete recording of Puccini’s La bohème. In 2009, he released a highly acclaimed album of Handel arias in collaboration with renowned specialists Paul McCreesh and his Gabrieli Players. To date, all of his albums have been best-sellers, earning gold and platinum status in Germany and Austria. His recording “Duets” claimed the top spot on the Billboard classical chart shortly after its release in the U.S., and in Europe set a record for the best debut ever for a classical album, climbing to the top of the pop charts in several countries.
Rolando Villazón has been profiled in numerous international newspapers and magazines and featured on television shows such Germany’s Wetten, dass..? and Musical Showstar; documentaries on him have been televised in Austria, Germany, and France. In the fall of 2008 and throughout 2009, he stars in a feature film release of Puccini’s La bohème, directed by Oscar- and Emmy-nominated director Robert Dornhelm.
Born in Mexico City, he began his musical studies at the National Conservatory of Music before entering young artist programmes in Pittsburgh and at San Francisco Opera. A recipient of many prestigious awards, Rolando Villazón has been named a Chévalier de l’Ordre des Arts et des Lettres, one of the highest awards in the fields of arts and literature in France, his permanent base.