Aesthetic Apparatus: Clarinet Chamber Music of Helmut Lachenmann Gregory Oakes
- Helmut Lachenmann (1935- ):
- 1Dal niente (Intérieur III)11:46
- 2Trio fluido16:27
- 3Allegro sostenuto31:53
Info for Aesthetic Apparatus: Clarinet Chamber Music of Helmut Lachenmann
Listening to the music of Helmut Lachenmann, one hears instruments creating sounds that may not exist in the sound palette of any other composer. That’s because Lachenmann created many of these sounds and techniques specifically for the pieces in which they appear. This practice, which he calls “Musique Concrète Instrumentale,” takes as a given the idea that finding musical sounds may well go beyond standard instrumental techniques. This term is an expansion on an earlier development, “Musique concrète,” in which composers recorded found sounds from the environment and assembled them into compositions. In discovering sounds on existing instruments, Lachenmann has taken the tools of traditional musical instruments and used them in ways that yield unexpected found sounds, similar to a composer creating music from the sounds of ordinary life.
The “aesthetic apparatus” with which Lachenmann has a “permanent dialogue” is the system of expectations of how we conceptualize and create music in our culture. Whether it’s notation, musical instruments, or the audience members themselves, each component is a part of the whole that determines the way people interface with music.
Gregory Oakes, clarinet
is an exciting and energetic clarinetist and a passionate champion of the music of our time. From his Carnegie Hall debut with members of Ensemble Intercontemporain and Pierre Boulez to his performances as a member of the Colorado Symphony Orchestra, Mr. Oakes has been praised by critics for his “outstanding performance” (New York Times) and “jazzy flourishes”(Denver Post). American Record Guide says “Oakes is the rare player who has both excellent classical training and a mastery of the otherworldly procedures demanded by non-traditional repertoire,” and Fanfare Magazine lauds the “formidable technical armamentarium at his command.”
A flexible and versatile musician, Mr. Oakes has performed with notable musicians in prestigious venues around the world. He has been a concerto soloist with the Colorado Symphony Orchestra and the Denver Brass, performed with Grammy® Award-winner Terence Blanchard at the Telluride Jazz Festival, and appeared at the Chicago Arts Club. His recordings have been released on Bridge, Centaur, CRI, Karnatic Lab Records, and Naxos and broadcast on National Public Radio. His recent CD, Aesthetic Apparatus: Clarinet Chamber Music of Helmut Lachenmann, will be released on the New Focus Recordings label in December.
As a soloist, Mr. Oakes has performed at multiple International Clarinet Association ClarinetFests, the University of Oklahoma Clarinet Symposium, the International Computer Music Conference, the Crested Butte Chamber Music Festival, Boulder’s Modern Music Festival (M2F), Colorado Music Festival’s Young Artist Series, and the Pendulum New Music Series. An international artist, Mr. Oakes has performed frequently in the Netherlands at Amsterdam’s venerable new music hall De IJsbreker, the Gaudeamus Music Week, Concerten Tot en Met, the Karnatic Lab concert series, De Badcuyp, STEIM, and Utrecht’s Theatre Kikker. He has been a featured soloist at the prestigious MaerzMusik festival in Berlin. He has also toured Brazil—performing in Brasília, Rio de Janeiro, and Campinas—and conducted masterclasses at notable Brazilian universities UnB, UNIRIO, and UNICAMP. He was in residence as a guest artist at the MUPA Festival of Contemporary Music in Bangsaen, Thailand. In the summer, Mr. Oakes is on the faculty of The Cortona Sessions festival for new music in Tuscany, Italy.
Mr. Oakes has been a member of several orchestras including the Colorado Symphony Orchestra, Mississippi Symphony Orchestra, Colorado Ballet, Central City Opera, and the Colorado Music Festival. He is currently the principal clarinet of the Des Moines Symphony Orchestra. He is also an active chamber musician. As a founding member of the new music and creative arts ensemble Non Sequitur, he has been in residence at Princeton, Harvard, Dartmouth, and the Aspen Music Festival. Oakes has also performed as a member of the woodwind quintet Category 5 and the award-winning clarinet quartet Ensemble Syzygy.
Mr. Oakes holds a bachelor’s degree from Michigan State University, a master’s degree from DePaul University, and a doctorate from the University of Colorado. His teachers include Bil Jackson, Elsa Ludewig-Verdehr, and John Bruce Yeh. He has been honored as an Aspen Music Festival Fellow, a Tanglewood Music Festival Fellow, and a Fulbright Scholar Finalist. Mr. Oakes has presented masterclasses at numerous institutions including the University of Michigan, University of California Berkeley, Peabody Conservatory, the Amsterdam Conservatory, and the Aspen Music Festival. He has previously taught at the University of Southern Mississippi (Hattiesburg, MS) and Bemidji State University (Bemidji, MN). Mr. Oakes is on the faculty of Iowa State University (Ames, IA).
Gregory Oakes is a Buffet Group USA and a Vandoren Performing Artist.