Cover Schwartz & Broadstock: Orchestral Works

Album info

Album-Release:
2018

HRA-Release:
16.03.2018

Label: Divine Art

Genre: Classical

Subgenre: Orchestral

Album including Album cover Booklet (PDF)

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Formats & Prices

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FLAC 88.2 $ 15.00
  • Nan Schwartz (1950 -):
  • 1Aspirations11:25
  • 2Perspectives09:38
  • 3Romanza04:50
  • 4Angels Among Us15:47
  • Brenton Broadstock (1952 - ): Made in Heaven (Version for Orchestra):
  • 5I. So What05:09
  • 6II. Flamenco Sketches08:45
  • 7III. Blue in Green05:19
  • 8IV. All Blues06:04
  • Total Runtime01:06:57

Info for Schwartz & Broadstock: Orchestral Works

Grammy winner, 5-time Grammy nominee and seven-time Emmy nominee Nan Schwartz, is unquestionably America’s most renowned woman composer except for one notable exception – her own symphonic works for the concert stage had, until now, previously never been recorded. This remarkable omission from the classical music-recording catalogue has finally been rectified with this extraordinary album, conducted by the eminent New York-based Australian conductor, Kevin Purcell.

This much anticipated and extraordinary record will be released by Divine Art Records in the spring in both CD and digital formats. Kevin Purcell conducts The Synchron Stage Orchestra, Wien and the Bratislava Studio Symphony Orchestra.

Friends for many years, it was only by chance that when Nan sent Kevin her symphonic tone-poem for Trumpet and Orchestra (Angels Among Us) to review did the Australian maestro casually enquire, “Nan, what else have you composed for the concert stage that no-one knows about?” And the answer to that question gave birth to 2018’s most highly anticipated classical album. Taking two years to produce, across three continents, the 83-piece orchestra Vienna sessions are augmented by the crème-de-la-crème of New York’s finest Jazz musicians and two brilliant Australian soloists combining to create the orchestral masterpieces Aspirations and Perspectives.

The four works by Nan Schwartz on this album are ingeniously coupled with the premiere recording of Australian composer Brenton Broadstock’s evocative Concerto For Orchestra: an homage to the iconic Miles Davis album ‘Kind of Blue’.

Bratislava Studio Symphony Orchestra
Kevin Purcell, conductor
Synchron Stage Orchestra (Vienna)




Kevin Purcell
is one of Australia’s most distinguished conductors & musical directors. He has conducted orchestras, Opera and Musical Theatre around the world in a career spanning more than 30 years.

A recipient of a scholarship to study conducting at the Moscow Conservatory (1992) and subsequently awarded the Willem van Otterloo Scholarship and Bellhouse Conducting Prize (1993) to study at Opera Australia with ex-Glyndebourne Music Director, Myer Fredman, Kevin then moved to the UK in 1994. Whilst in London, he was mentored by and assisted Sir Charles Mackerras for several years during which time he also received the Australian Music Foundation in London ‘Sir Charles Mackerras Prize’ (1995) and the Tait Memorial Trust Award (1996).

Kevin subsequently commenced graduate conducting studies at the prestigious Janácek Academy of Music (JAMU) in the Czech Republic with Dr. Otakar Trhlík and for several years in the USA with distinguished American conducting pedagogue, Harold Farberman at Bard College.

He has conducted, in addition to numerous other ensembles, the Synchron Stage Orchestra (Wien), Ensemble Intercontemporain, Bratislava Studio Symphony Orchestra, Hradec Králové Filharmonie, Beethoven Chamber Orchestra, Königsgrätz Philharmonic, West Bohemia Symphony Orchestra, Georgian State Television and Radio Orchestra and Dinu Lipatti Philharmonic.

Kevin has been Music Director of the Australian Discovery Orchestra (ADO) since June 2015. The orchestra’s purpose is to afford professional-level orchestral musicians, not employed full-time with Australian orchestras, the opportunity to perform together in repertoire both familiar and new, as well as showcasing the works of the new generation of Australian composers. The ADO is one of the world’s most innovative orchestral initiatives. Its concerts are streamed in high-definition with each event providing unique immersive and interactive opportunities for a global audience.

Kevin’s introduction to West End theatre musical direction came courtesy of Cameron Mackintosh and the Really Useful Group, when invited to take over direction of the long-running production of Cats at the New London Theatre in the mid-90s. In July 2003, Kevin renewed his association with RUG, as musical director for the South Korean premiere of this show. More recently, Kevin has conducted Wicked at London’s Apollo Victoria Theatre and was the originating musical director for the first national UK/Eire tour (2013).

He is also an award-winning musical theatre composer and an arranger much sought after for his American Songbook orchestrations. His arrangements have been performed by leading orchestras including the National Symphony Orchestra (Kennedy Center for the Performing Arts), New York City Opera, New York Pops, Boston Pops and by artists including, Marvin Hamlisch, Stephen Schwartz, Kristin Chenoweth, Liz and Ann Hampton Callaway, Raúl Esparza, Victor Garber, Stephen Flaherty and Lynn Ahrens, and numerous other A-list Broadway artists.

His own musical, The Stranger from Seville (www.strangerfromseville.com) with book and lyrics by British screenwriter Victor Kazan, received rave reviews in its first limited season Off-Broadway production in July 2014. He is currently collaborating on the first-ever musical stage adaptation of the novel Castle Gillian (www.castlegillian.com) a love-story by revered Irish storyteller, Maurice Walsh (author of ‘The Quiet Man’) with Victor Kazan (Lyrics), and Australian multi award-winning writer, performer, producer, broadcaster and lawyer, Steve Vizard (Book & Lyrics).



Booklet for Schwartz & Broadstock: Orchestral Works

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