Divine Machines Demob Happy

• 1Token Appreciation Society03:30
• 2Voodoo Science03:08
• 3Earth Mover03:26
• 4Tear It Down05:03
• 5Muscular Reflex04:58
• 6Are You Thinking?00:20
• 7Super-Fluid04:00
• 8She's As Happy As A Man Can Be05:46
• 9God's Coffee00:40
• 10Run Baby Run03:49
• 11I Have A Problem (I Ignore)02:47
• 12Divine Machines01:02
• 13Hades, Baby04:05
• Total Runtime42:34

Info for Divine Machines

From ‘OK Computer’ to ‘Screamadelica’, history has shown that a band’s third album is when shit starts to get real. When, after an introductory debut and a second that tests new waters, the particular alchemy of a group stamps its personality in ways that no other configuration of individuals can do; when the outside voices have been tempered and all that’s left is a perfect cocktail of confidence, skill and momentum. It’s a theory that’s been proven time and time again, and one that Newcastle trio Demob Happy are underlining with ‘Divine Machines’: a third album that harnesses their delicate tightrope of heaviness and melody, sweetness and riffs, and rides it up to the stratosphere.

“You need almost insane levels of resilience and belief to be an artist, but we’ve gone out and put in the work over the years,” begins drummer Tom Armstrong as frontman and bassist Matthew Marcantonio affirms: “This isn’t music for pubs or bars anymore, they’re grand songs for grand venues. It’s backwards engineering.”

Indeed, since forming more than a decade ago back in hometown Newcastle, Demob Happy have earned every increasingly exciting career milestone through a combination of hard graft and gritty determination that would KO most bands. They’ve gigged incessantly, building on the slowly-escalating interest from 2015 debut ‘Dream Soda’ and 2018’s ‘Holy Doom’, and transforming it into a second album campaign that saw them tour the USA four times alongside a UK support tour with Jack White and an EU stint with Royal Blood. In between all that, they’ve continued to meticulously hone the inner workings of their practice, with Matthew fine-tuning his production chops to the point where they can take everything in-house.

Having played Reading and Leeds Festival’s main stage and joined White on stage for an impromptu collaboration, it had all steered Demob Happy to the start of 2020, when work for LP3 would begin in Wales following the busiest, most objectively successful period of their careers to date. “The plan was to go and write, get some really quality demos, spruce them up in the studio in May and release the album in August 2020,” explains guitarist Adam Godfrey. The world, of course, had other ideas in mind. However, rather than merely postponing the record, the vast expanse of time afforded to the band would become the making of ‘Divine Machines’ - an album whose intricacies and experiments come as the result of hours upon hours of a lockdown labour of love.

“To keep myself busy and sane I started reworking what we demo'd in wales. The world was in chaos and I didn't know where it would take me or what I was even making at first, but from having so much time and going a bit fucking nuts, they became incredible and way more advanced than demos we’d ever made before,” Matthew explains. “There are always these flashes and moments of magic that are sacrificed between the demos and the album, but the extra time I had meant nothing was lost, and they became the foundation of the album. This is why The Beatles were The Beatles, because they were four lads having a laugh, but they were inside Abbey Road - the most sophisticated studio in the world. That cocktail of having fun and taking the piss and having it captured expertly: that’s where there’s absolute magic.”

From the opening bars of ‘Token Appreciation Society’, that rev into gear on synthetic wobbles before finding their groove in a ‘70s sci-fi bass stomp flecked with falsetto backing vocal harmonies, ‘Divine Machines’ feels like the album Demob Happy have always been destined to make. The cornerstone influences - a sprinkle of Queens of the Stone Age swagger; a splash of glam; a Lennon-like knack for melody - remain present, but utilised in ways that rely wholly on Matthew, Adam and Tom’s specific magic as a unit: one that values a “janky guitar solo” as much as it does a beautifully-crafted, unexpected love song.

Though, aesthetically, ‘Divine Machines’ embraces a Bladerunner-esque sci-fi leaning, lyrically it finds the band swerving from the political corruption and modern world dystopias that they’ve previously detailed and yearning for something more hopeful, that starts from within. “I really see what’s happening to the human race as a moment in a hero’s journey. We’re at the point in the James Bond film where the villains reveal themselves and tell us the plan. We’ve got Elon Musk and Jeff Bezos, these absolute supervillains with their rockets doing whatever the fuck they want, and software guru Bill Gates buying vast swathes of farmland for who knows what. They’re all revealing their plans to humanity and we’re all still going, ‘I hope they’re the good guys!’” begins the vocalist.

“What we need is inspiration to change because we only win this war if the change starts with us. There’s huge ripples of that in society, and it’s distorted through social media, but you can see people becoming more self-aware. That’s what I wanted to write about - inspiring that change.” These grand clarion calls for empathy form the true heart of Demob’s newest. From the gargantuan, rumbling slow build of ‘Earth Mover’ - “a rallying cry for the human race to get up off its knees” - to the fizzing, irrepressible rock behemoth of ‘Voodoo Science’ that reclaims the term from dogmatic Western understanding, it’s an album that truly believes in the power of people. The almost AC/DC-ish ‘Tear It Down’ is about “ripping down the lies that society has told us and reprogramming ourselves to not see things in this binary way”, while closing track ‘Hades Baby’ - recorded with an orchestra at the actual Abbey Road (in Studio Two, no less) - glimmers with both widescreen ambition and a delicious slap of irony. “Ironically, it’s a big fuck you to billionaires, and we played it for an Amazon session. Bezos paid for that,” Adam chuckles.

Elsewhere, ‘Divine Machines’ features some of the most emotionally soft songs the trio have penned to date. Multi-part harmonies cocoon the gnarly riff of ‘Muscular Reflex’ - “a beautiful, earnest love song to yourself and to the world” - while ‘She’s As Happy As A Man Can Be’, states Matthew, is a song that’s taken him years to arrive at. “It took a long time for me to shake off what I felt was this Northern idea that it has to be hard, it has to have an edge all the time” he says. “I’m still dealing with this childhood conflict of being tender and emotional and being made to feel small and soft for being that way. I buried that side away in my songwriting and it took a long time to be vulnerable enough to write a ballad like ‘She’s As Happy…’”

Really, however, ‘Divine Machines’ as a whole is a record that Demob Happy had to build towards. It’s the product not just of a strange extended period of work - both on the album and on themselves - but of an entire career spent putting in the hours, believing tirelessly in what they’re doing and, slowly but surely, watching the world start to believe in it too. As Matthew affirms: “We’ve never chased the dragon of success, even though we’ve been encouraged to, but we're not interested in doing it like that. We’ve always done what we wanted, but now it seems like it might align with what other people want as well.”

"Yes, ‘Divine Machines’ is an album that instantly breeds a sense of the supermassive. Be it the thumping bass, solid rhythm, elegant guitar work or transcendent vocals, everything about this album exudes a band elevated to a higher level. Each song is packed with mesmerisingly delicious psychedelic grooves and leaves an indelible mark on the conscious of the listener. Yes, the likes of ‘Voodoo Science’, ‘Super-Fluid’ and ‘Run Baby Run’, will be stuck in your head for days after absorbing this record. In short, this third album is very good indeed and if all is right with the world will be the album that pushes Demob Happy further up the echelons of the musical hierarchy." (fullpeltmusic.com)

Demob Happy

Demob Happy
are an English alternative rock band, formed in 2008 in Newcastle upon Tyne and now based in Brighton. The band is composed of singer-bassist Matthew Marcantonio, drummer Thomas Armstrong and guitarist Adam Godfrey.

Originally a four piece, the band's original lead guitarist Mathew Renforth left the band in mid-late 2016.

The band toured locally around their native Newcastle, before relocating south to Brighton a couple of years later as "there’s not enough of a music scene in Newcastle, so bands don’t get a lot of attention, although it’s a musical city". The band released their digital-only debut EP You Shook the Soul in May 2011 and follow up single Rattlesnake in February 2012.

They released their first physical release in the form of the 7" single Succubus in November 2014 via their own label Milk Parlour Records. In April 2015 the band released their first EP for new record label So Recordings in the form of the limited edition Record Store Day release Young & Numb EP on 10" vinyl. The band released their debut album Dream Soda in October 2015. The band co-own the Nowhere Man cafe in Brighton which is run by Marcantonio's brother Andrew where they also rehearse in the basement.

In October 2016, the band embarked on a co-headline tour with fellow-Brighton based band Tigercub as a three piece. Lead guitarist Mathew Renforth's absence was not mentioned prior to or during the tour. The band officially confirmed their status as a 3 piece via Facebook when they uploaded a new press photo without Renforth present. The band released their new Tom Dalgety-produced single Dead Dreamers on 5 May 2017 via Atlantic Records imprint Taste & Tone.

On 23 March 2018, the band released their second album Holy Doom, which was preceded by the singles Be Your Man and Loosen It.

The band supported Jack White on the UK leg of his Boarding House Reach world tour in October 2018.

This album contains no booklet.