Joni Mitchell Archives, Vol. 3: The Asylum Years (1972-1975) (Remastered) Joni Mitchell

Album info

Album-Release:
2023

HRA-Release:
06.10.2023

Label: Rhino/Elektra

Genre: Pop

Subgenre: Adult Contemporary

Artist: Joni Mitchell

Album including Album cover

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  • Graham Nash David Crosby Session:
  • 1Cold Blue Steel and Sweet Fire (Graham Nash David Crosby Session)03:58
  • 2For the Roses (Graham Nash David Crosby Session)04:03
  • For the Roses Demos:
  • 3Banquet (For the Roses Demo)03:13
  • 4Lesson in Survival (For the Roses Demo)03:14
  • 5Like Veils Said Lorriane (For the Roses Demo)02:15
  • 6See You Sometime (For the Roses Demo)03:04
  • Live at Carnegie Hall, New York, NY, 2/23/1972:
  • 7This Flight Tonight (Live at Carnegie Hall, New York, NY, 2/23/1972)03:30
  • 8Electricity (Live at Carnegie Hall, New York, NY, 2/23/1972)03:25
  • 9Cold Blue and Sweet Fire (Live at Carnegie Hall, New York, NY, 2/23/1972)05:21
  • 10Big Yellow Taxi (Live at Carnegie Hall, New York, NY, 2/23/1972)03:15
  • 11Blue (Live at Carnegie Hall, New York, NY, 2/23/1972)02:37
  • 12For Free (Live at Carnegie Hall, New York, NY, 2/23/1972)04:36
  • 13Banquet (Live at Carnegie Hall, New York, NY, 2/23/1972)03:19
  • 14All I Want (Live at Carnegie Hall, New York, NY, 2/23/1972)03:37
  • 15Intro to A Case of You (Live at Carnegie Hall, New York, NY, 2/23/1972)00:38
  • 16A Case of You (Live at Carnegie Hall, New York, NY, 2/23/1972)04:40
  • 17Intro to Carey (Live at Carnegie Hall, New York, NY, 2/23/1972)01:28
  • 18Carey (Live at Carnegie Hall, New York, NY, 2/23/1972)03:18
  • 19Lesson in Survival (Live at Carnegie Hall, New York, NY, 2/23/1972)03:17
  • 20Woodstock (Live at Carnegie Hall, New York, NY, 2/23/1972)04:05
  • 21Intro to You Turn Me On I'm a Radio (Live at Carnegie Hall, New York, NY, 2/23/1972)00:29
  • 22You Turn Me On I'm a Radio (Live at Carnegie Hall, New York, NY, 2/23/1972)02:54
  • 23Intro to For the Roses (Live at Carnegie Hall, New York, NY, 2/23/1972)00:37
  • 24For the Roses (Live at Carnegie Hall, New York, NY, 2/23/1972)03:52
  • 25Both Sides Now (Live at Carnegie Hall, New York, NY, 2/23/1972)05:41
  • 26My Old Man (Live at Carnegie Hall, New York, NY, 2/23/1972)03:53
  • 27Intro to The Circle Game (Live at Carnegie Hall, New York, NY, 2/23/1972)01:49
  • 28The Circle Game (Live at Carnegie Hall, New York, NY, 2/23/1972)05:56
  • For the Roses Early Sessions:
  • 29Medley: Bony Moronie/Summertime Blues/You Never Can Tell (with James Taylor) [For the Roses Early Sessions]03:58
  • 30Electricity (with James Taylor) [For the Roses Early Sessions]03:32
  • 31You Turn Me On I'm a Radio (with Neil Young & The Stray Gators) [For the Roses Early Sessions]03:25
  • 32See You Sometime (Early Version with Bass and Drums) [For the Roses Early Sessions]03:10
  • 33You Turn Me On I'm a Radio (Early Version with Bass and Drums) [For the Roses Early Sessions]02:57
  • Live at Royal Festival Hall, London, England, 5/5/1972:
  • 34Intro to Judgement of the Moon and Stars (Ludwig's Tune) [Live at Royal Festival Hall, London, England, 5/5/1972]00:45
  • 35Judgement of the Moon and Stars (Ludwig's Tune) [Live at Royal Festival Hall, London, England, 5/5/1972]05:48
  • For the Roses Sessions:
  • 36Blonde in the Bleachers (Alternate Guitar Mix) [For the Roses Sessions]02:42
  • 37Let the Wind Carry Me (Piano/Vocal Mix) [For the Roses Sessions]03:59
  • 38Barangrill (Guitar/Vocal Mix) [For the Roses Sessions]02:51
  • 39Cold Blue Steel and Sweet Fire (Sax Guide Vocal) [For the Roses Sessions]04:17
  • 40Sunrise Raga (For the Roses Sessions)03:41
  • 41Twisted (Early Alternate Version) [For the Roses Sessions]02:00
  • Live at Paul Sauvé Arena, Montreal, Quebec, Canada, 4/15/1973:
  • 42Intro to Big Yellow Taxi (Live at Paul Sauvé Arena, Montreal, Quebec, Canada, 4/15/1973)00:58
  • 43Big Yellow Taxi (Live at Paul Sauvé Arena, Montreal, Quebec, Canada, 4/15/1973)02:40
  • Court and Spark Demos:
  • 44Piano Suite: Down to You / Court and Spark / Car on a Hill / Down to You (Court and Spark Demo)12:33
  • 45People's Parties (Court and Spark Demo)03:02
  • 46Help Me (Court and Spark Demo)03:31
  • 47Just Like This Train (Court and Spark Demo)03:48
  • 48Raised on Robbery (Court and Spark Demo)02:54
  • 49Trouble Child03:53
  • 50Raised On Robbery (Early Working Version) [Wild Tales Session]03:09
  • 51Raised On Robbery (with Neil Young & The Santa Monica Flyers) [Tonight's the Night Session]03:35
  • 52People's Parties (Early Alternate Take) [Court and Spark Sessions]02:49
  • 53Trouble Child (Early Alternate Take) [Court and Spark Sessions]03:40
  • 54Car on a Hill (Early Alternate Take) [Court and Spark Sessions]02:37
  • 55Down to You (Early Alternate Take) [Court and Spark Sessions]05:36
  • 56The Same Situation (Alt Vocal/Piano Mix) [Court and Spark Sessions]03:08
  • 57Bonderia (Court and Spark Sessions)03:20
  • Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974:
  • 58Introduction (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974)00:38
  • Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974:
  • 59This Flight Tonight (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974]03:38
  • 60You Turn Me On I'm a Radio (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974]04:23
  • 61Free Man in Paris (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974]03:14
  • 62The Same Situation (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974]03:35
  • 63Just Like This Train (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974]04:17
  • 64Rainy Night House (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974]04:16
  • 65Woodstock (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974]05:04
  • 66Cactus Tree (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974)05:29
  • 67Big Yellow Taxi (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974)03:15
  • 68Intro to People's Parties (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974)06:06
  • 69People's Parties (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974)03:01
  • 70All I Want (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974)03:49
  • 71A Case of You (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974)05:03
  • 72Intro to For the Roses (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974)07:52
  • 73For the Roses (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974)04:14
  • 74Cold Blue Steel and Sweet Fire (feat. Tom Scott) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974]05:30
  • 75Blue (Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974)02:48
  • 76For Free (with Tom Scott) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974]04:39
  • 77Trouble Child (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974]04:10
  • 78Help Me (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974]03:57
  • 79Car on a Hill (with Tom Scott & The L.A. Express) [Live at Dorothy Chandler Pavilion, Los Angeles, CA, 3/3/1974]02:52
  • Live at New Victoria Theatre, London, England, 4/22/1974:
  • 80Intro to Jericho (Live at New Victoria Theatre, London, England, 4/22/1974)00:29
  • 81Jericho (Live at New Victoria Theatre, London, England, 4/22/1974)03:16
  • Live at Wembley Stadium, London, England, 9/14/1974:
  • 82Woman of Heart and Mind (Live at Wembley Stadium, London, England, 9/14/1974)03:34
  • Demos:
  • 83In France They Kiss On Main Street (Demo)03:05
  • 84Edith and the Kingpin (Demo)03:32
  • 85Don't Interrupt the Sorrow (Demo)02:27
  • 86Shades of Scarlet Conquering (Demo)04:52
  • 87The Boho Dance (Demo)03:53
  • 88Harry's House (Demo)04:01
  • 89Dreamland (Demo)04:07
  • The Hissing of Summer Lawns Sessions:
  • 90In France They Kiss On Main Street (Alternate Version) [The Hissing of Summer Lawns Sessions]03:25
  • 91The Jungle Line (Guitar/Alternate Vocal) [The Hissing of Summer Lawns Sessions]04:36
  • 92Edith and the Kingpin (Alternate Version) [The Hissing of Summer Lawns Sessions]03:35
  • 93Don't Interrupt the Sorrow (Alternate Version) [The Hissing of Summer Lawns Sessions]04:13
  • 94Shades of Scarlet Conquering (Alternate Version) [The Hissing of Summer Lawns Sessions]05:41
  • 95The Boho Dance (Alternate Version) [The Hissing of Summer Lawns Sessions]03:54
  • 96Dreamland (Early Alternate Band Version) [The Hissing of Summer Lawns Sessions]04:43
  • Total Runtime05:51:35

Info for Joni Mitchell Archives, Vol. 3: The Asylum Years (1972-1975) (Remastered)

"Joni Mitchell Archives": Die Grammy-ausgezeichnete Reihe geht in die dritte Runde und beleuchtet die Jahre 1972-1975.

Es warten u. a. nie zuvor gehörte Demos, frühe und alternative Versionen von Klassikersongs, historische Performances und ein 40-seitiges Buch mit Fotos und Gesprächen mit Joni & Cameron Crowe, außerdem Sessions mit James Taylor, Neil Young & Tom Scott & the L.A. Express.

Wir schreiben das Jahr 1972. Joni Mitchell hatte jüngst „Ladies of the Canyon” (1970) und Blue (1971) veröffentlicht, zwei Alben, die beide Platin-Status erlangten und ihr einzigartiges Talent als Songwriterin ebenso untermauerten wie eine seltene poetische Begabung. Es waren Alben, deren Kunstfertigkeit und Wahrhaftigkeit Generationen von Songwriter:innen beeinflussen und inspirieren sollten. Doch Joni Mitchell hatte in diesem Moment ganz andere Sorgen: Egal, was sie tat, ständig wurde es in den Medien plattgewalzt. Von der Wahl ihres Stils bis zu ihren Liebesbeziehungen, war ihr Lebensstil Thema in den Klatschspalten und das nach ihrem Gefühl wesentlich öfter als ihre männlichen Kollegen.

Mitchell wurde immer argwöhnischer und hatte bereits 1970 ihren vorzeitigen Abschied von der Bühne angekündigt. In der Folge zog sie in die ruhigen Weiten der Sunshine Coast von British Columbia in Kanada. Es war ein fruchtbarer Tapetenwechsel. Inspiriert von der Nähe zur Natur und erfrischt von der friedlichen Abgeschiedenheit, begann sie mit der Arbeit an den Songs, die zu „For The Roses“ werden sollten, ihr im November 1972 veröffentlichtes Album. Und nicht nur das: die Auszeit schien in Mitchell neue kreative Schleusen zu öffnen, die in der Folge weitere Alben hervorbrachte, neben „For The Roses“ außerdem „Court And Spark“ (1974) und „The Hissing Of Summer Lawns“ (1975), die ihren musikalischen Wirkungsbereich gleichzeitig erweitern und verfeinern sollten. Die waghalsigen, komplizierten Arrangements und ihre immer größere Wirkmacht als Bandleaderin sorgten dafür, dass diese Songs genau wussten, wo sie hinwollten. Sie waren kraftvoll und voller Aufbruchsstimmung – eine der aufregendsten Phasen in einer nahezu unvergleichlichen Karriere.

Diese Ära rückt auf „Joni Mitchell Archives, Vol. 3: The Asylum Years (1972-1975)“ noch stärker in den Fokus, das am 6. Oktober 2023 bei Rhino Records erscheint. Es ist die jüngste Ausgabe von Rhinos fortlaufender, Grammy-gekrönter Reihe, die Licht in das Dunkel der riesigen, unerschlossenen Archive seltener Joni-Mitchell-Aufnahmen bringt, auf eindringliche Weise geprägt von Mitchells eigener Vision und persönlicher Note.

Joni Mitchell

Digitally remastered



Joni Mitchell began as the archetype of the folkie female singer-songwriter, an heir to Joan Baez. But she quickly moved forward, incorporating influences from jazz and the blues. 'Joni Mitchell heard Billie Holiday sing 'Solitude' when she was about nine years old — and she hasn't been the same since,' says Herbie Hancock. Those lessons of emotional vulnerability are evident in her delicate soprano trill, as well as in the undisguised wear of the sultry voice of her later work, punctuated by her jazzy syncopation. 'Joni's got a strange sense of rhythm that's all her own,' Bob Dylan told Rolling Stone. Above all, Mitchell won't be boxed in. 'The way she phrases always serves the lyrics perfectly, and yet her phrasing can be different every time,' Hancock says. 'She's a fighter for freedom.' (Source: Rolling Stone Magazine)

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