Frescobaldi: Toccate, partite, hinni, ed arie Daniele Proni

• Girolamo Alessandro Frescobaldi (1583 - 1643): Toccate e partite d'intavolatura di cimbalo et organo, secondo libro:
• 1Toccata prima, F 3.0102:59
• 2Partite sopra passacagli, F 3.40 (Performed on Harpsichord)02:15
• 3Inno iste confessor, F 3.2103:15
• 4Partita sopra l'aria della Romanesca, F 2.1312:07
• 5Inno della domenica, F 3.1902:40
• 6Partita sopra l'aria di Ruggiero, F 2.1509:30
• 7Inno degli apostoli, F 3.2003:07
• 8Partita sopra l'aria di Monicha, F 2.1408:04
• 9Inno ave maris stella, F 3.2203:47
• 10Partita sopra l'aria di Follia, F 2.1608:21
• 11Partite sopra ciaccona, F 3.3901:35
• 12Aria detta la Frescobalda, F 3.3204:36
• 13Aria detta balletto, F 3.2607:22
• 14Partite sopra passacagli, F 3.40 (Performed on Organ)02:19
• Total Runtime01:11:57

Info for Frescobaldi: Toccate, partite, hinni, ed arie

Girolamo Frescobaldi (1583-1643) is without doubt the most influential figure in the field of harpsichord in the first half of the seventeenth century. He left a vast legacy of compositions for the harpsichord and the organ, and these works proved fundamental to the evolution of both instruments. His distinctive writing style incorporated new ideas with stylistic flair, giving the performer the ‘toccatistic’ and imaginative freedom typical of the Renaissance period. The works are imbued with a variety of musical expression, and it is in this art of variation that Frescobaldi excels, Frescobaldi excels, forging a path between the sacred and the profane.

Works for organ and harpsichord of the Italian Seventeenth Century. A portrait of the composer who, along with Monteverdi and Carissimi, is the basis of the music of the Italian Seventeenth Century.

Daniele Proni, harpsichord, organ

Daniele Proni
His musical carrier has put him together with singers such as José Carreras, Raina Kabaiwanska, Gianni Raimondi, Simone Alberghini, Patrizia Pace, Sara Mingardo, Anna Caterina Antonacci, instrumentalists such as Pavel Berman, Emanuele Segre, Massimo Mercelli, Mauro Valli, Domenico Nordio, Stefano Montanari and Giampaolo Bandini and the actors Arnoldo Foà, Ugo Pagliai, Paola Gasmann, Lucia Poli and Sandro Lombardi.

He has been a valued guest soloist for the Arad Philharmonic, the Camerata de France and the Philharmonische Camerata Berlin and prestigious venues like Berlin Konzerthaus, Palazzo del Quirinale in Rome, Grand Theatre de Bordeaux, Gent Bijloke Muziekcentrum and London Wigmore Hall.

With the Ensemble Respighi he recorded numerous CDs for Tactus with music of Vivaldi, Bononcini, Haim, Bellinzani, Tartini and Guarnieri and several of these have been played on BBC, Rai Radio 3, Vatican Radio, Radio Televisione Svizzera Italiana, Denmark DR, Estonia ERR, Norway NRK and Romania ROR.

In 2006 he began a project of critical edition of the instrumental works and the four intermezzos of Padre Martini for Suvini-Zerboni, which saw him also engaged as a soloist with the Accademia degli Astrusi in the six unpublished concertos for harpsichord. In October 2011 he made a co-production with the Teatro Comunale di Bologna for the staging of the unpublished "Don Chisciotte" and "Il Maestro di Musica" with scenes from original sketches by Dario Fo.

He regularly conducts choral music stages and is called on as judge in national and international competitions; he writes extensively and in particular he is the editor of critical musical editions and conference acts for Pizzicato Verlag, Armelin Editore, Corpus Musicum Franciscanum e Edizioni Suvini-Zerboni.

He has held seminars and concerts with the Choir of Teatro Comunale di Bologna, Euridice Choral Society and has been director of the Cappella Musicale dei Servi in Bologna and the Gaudeamus Chorus.

In 2001 he created the “Mariele Ventre” International Competition for Choral Directors of which he still is the artistic director. He began his musical studies with his father Walter Proni, later achieving his diploma in piano and then in harpsichord with Annaberta Conti. With further diplomas in choral music and direction and in composition, he studied with Tito Gotti, Pier Paolo Scattolin and Francesco Carluccio.

He studied orchestral conduction with Paolo Arrivabeni and Luciano Acocella and graduated at D.A.M.S. - University of Bologna. In 2010 he concluded with Federico Ferri the critical edition of instrumental works by Padre Martini, working also as a soloist with the Accademia degli Astrusi, performing the unpublished concertos for harpsichord written by Mozart’s teacher. He taught at the Conservatories of Venezia, Potenza, Bari and now teaches at "S. Giacomantonio" Conservatory of Cosenza.

Booklet for Frescobaldi: Toccate, partite, hinni, ed arie