Cover What Was Said

Album info

Album-Release:
2016

HRA-Release:
27.01.2016

Label: ECM

Genre: Jazz

Subgenre: Modern Jazz

Artist: Tord Gustavsen, Simin Tander & Jarle Vespestad

Composer: Tord Gustavsen, Simin Tander, Jarle Vespestad, Mathilda Montgomery-Cederhielm, Hans Leo Hassler

Album including Album cover Booklet (PDF)

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  • 1Your Grief02:45
  • 2I See You05:09
  • 3Imagine the Fog Disappearing06:23
  • 4A Castle in Heaven04:46
  • 5Journey of Life07:26
  • 6I Refuse05:42
  • 7What Was Said to the Rose / O Sacred Head05:35
  • 8The Way You Play My Heart03:03
  • 9Rull03:08
  • 10The Source of Now04:25
  • 11Sweet Melting03:23
  • 12Longing to Praise Thee04:26
  • 13Sweet Melting Afterglow03:39
  • Total Runtime59:50

Info for What Was Said

Mit What was said erweitert Tord Gustavsen einmal mehr sein Spektrum musikalischer Klangfarben. Sein neustes Trio-Projekt baut auf dem langjährigen, musikalisch fruchtbaren Austausch mit dem Schlagzeuger Jarle Vespestad auf und stellt gleichzeitig die bezaubernde deutsch-afghanische Sängerin Simin Tander vor. Gemeinsam erkunden sie die Tradition norwegischer Kirchenmusik auf sehr unorthodoxe Weise: „Für das Repertoire dieses neuen Projekts haben Simin und ich mit einem afghanischen Dichter/Lyriker zusammengearbeitet.

Gemeinsam übersetzten und formten wir eine Reihe norwegischer Hymnen, mit denen ich in Norwegen aufwuchs, ins Paschtu“, erklärt Gustavsen. „Dieser Prozess war genauso herausfordernd wie fruchtbar. Wir haben uns stark darauf konzentriert, die Texte in einem ganzheitlichen Sinne zu interpretieren und sind in einem Bereich gelandet, wo ich das Gefühl habe, dass Sufismus und Christentum zusammenkommen, gemeinsam mit anderen kontemplativen Traditionen. Die norwegischen Hymnen sind meine ‚Standards‘ – sie haben viel größeren Einfluss auf mein spirituelles und musikalisches Dasein als der typische Jazzkanon. Klang und Stimmung der norwegischen Hymnen in Paschtu sind wahrlich fesselnd.“ Simin Tander singt außerdem Verse des persischen Mystikers Jalaluddin Rumi (1207-73) und des US- amerikanischen Proto-Beat Lyrikers Kenneth Rexroth (1905-82) in englischer Sprache. Auch als reines Zusammenspiel von Klängen besitzt die Kombination von Tanders Stimme und Gustavsens Klavierspiel, gepaart mit diskreten Elektronikklängen eine ganz eigene emotionale Überzeugungskraft – fernab der Beschränkungen des rein sprachlichen Ausdrucks. In den ersten Monaten des Jahres 2016 trägt das Gustavsen/Tander/Vespestad-Trio sein Programm der „Hymnen und Visionen“ in die Konzertsäle und Clubs Europas.

What was said wurde im April 2015 im Rainbow Studio in Oslo aufgenommen und von Manfred Eicher produziert.

Tord Gustavsen, Klavier, Electronics, Synth Bass
Simin Tender, Gesang
Carle Vespestad, Schlagzeug

Zur Info: wir bieten dieses Album in der nativen Abtastrate von 44.1 kHz, 24-Bit an. Die uns zur Verfügung gestellte 96 kHz-Version wurde hochgerechnet und bietet keinen hörbaren Mehrwert!


Tord Gustavsen
Pianist Tord Gustavsen has released four albums on ECM Records with his ensemble and trio; 'Changing Places' (2003), 'The Ground' (2005), 'Being There' (2007) and 'Restored, Returned' (2009/2010). His music has been met by a huge volume of critical approval around the world (cf. Critics). The recent release also won the Norwegian Grammy Award (Spellemannsprisen).

After playing primarily in trio format for several years, Tord launched his new project, Tord Gustavsen Ensemble, in 2008 with a commissioned work for the Vossajazz Festival in Norway, followed by a few selected performances leading up to a new recording in 2009. Tord also plays in duo and trio formats with the musicians in the new ensemble.

Before starting his solo career, Tord had already been an important part of the Norwegian jazz scene for several years. His playing has formed a cornerstone in projects featuring some of the finest Norwegian singers, including Silje Nergaard, Siri Gjære, Kristin Asbjørnsen, Solveig Slettahjell and Live Maria Roggen. The urge for individual expression fuses with acutely attentive listening in creative interplay, making Tord a very special experience both as a soloist and as an ensemble player. While relating to fields like Scandinavian folk music, gospel, Caribbean music and cool jazz alike, Tord's ensembles present a unique universe of lyricism and subtle funkiness. His way of conversing jazz history with 'Nordic' reflective moods and lyrical beauty brings about an intriguing voice on today's music scene.

Tord tours extensively world-wide with his projects (cf. Live). He can be heard on several albums; in addition to his own releases there are releases with Kristin Asbjørnsen, Silje Nergaard, the Nymark Collective, the Ulrich Drechsler Quartet, Carl Petter Opsahl, and the duo aire & angels.

You can read more about Tord's biography, about his theoretical thesis 'The Dialectical Erotism of Improvisation', and about his other musical projects on his personal web site: www.tordg.no

She is one of the most amazing personalities in young European jazz. With her enchantingly tender and equally expressive, masterful voice Simin Tander builds bridges between occidental jazz and arabesque-like vocal flights, between song-writing experiment, chanson and intimate ballad. Along with her quartet, the German-Afghan singer draws a fascinating route to her Mid-Eastern heritage and into the depths of her soul in her second CD.

Simin Tender
“It is a journey – to myself, through the world of my emotions and thoughts and to my Afghan roots”, explains Simin Tander. Where Water Travels Home does not show us a conventional road movie: imaginative and labyrinthine, and therefore all the more compelling for the listener, are the sound routes which this water takes, and rather than the compass of the mind it follows the path of the heart.

“Where water travels home” – this is no abstract image. For the daughter of an Afghan journalist/poet and a German teacher, it rather means the actually experienced search for her identity. As a mature singer, she is now posing the question of the where from and where to in her second CD, which turns out to be a masterpiece of song-writing with an improvisational touch. Simin Tander and her marvellous quartet build dramatic tension over the course of 13 stations, traversing past and present in a free-flowing dramaturgy.

In the past few years Simin has become one of the rising stars of the Dutch and German jazz scene. Her performances at the North Sea Jazz Festival, the BIMHUIS, the prestigious Amsterdam Concertgebouw, Berlin Jazzmeeting, Women In Jazz Fesitval /Halle, JAZZAHEAD /Bremen and her concerts with Dutch Jazz star Eric Vloeimans have received rave reviews.

Beside the Netherlands and Germany Simin is developing an internationally recognized reputation with performances at the Bohemia Jazz Fest (Czech Republic), Catania Jazz Festival (Italy), Madrid Jazz Festival (Spain), OCT LOFT Festival (China), Hong Kong Jazz Festival, the Jarasum Jazzfestival (South Korea) and many more.

Her name is Persian and a beautiful promise for her future: “silvery shining”.

Jarle Vespestad
Jarle has been one of Scandinavia's most in-demand jazz musicians for several years. His range of experience covers projects like Farmers Market; Supersilent and the Silje Nergaard Band, as well as duo cooperation with saxophonist Tore Brunborg, trio with Petter Wettre, and appearances with Bugge Wesseltoft. Along with fierce technique and startling abilities in complex rhythmic landscapes, Jarle has a unique sense of expressive minimalism and quiet moods, which is really featured in Tord's ensemble.

Booklet for What Was Said

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