Turn It Up Steve Cole
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- 2Turn It Up!03:32
- 4She's the One04:13
- 5Bright Side04:15
- 6Woman's Gotta Have It04:04
- 7Laws of Attraction04:44
- 8Life Is a Groove04:23
Info for Turn It Up
Known for consistently cranking out chart-topping singles that deploy big vibrant pop hooks, contemporary jazz saxophonist Steve Cole conjures a sonic escapade with the hypnotic “Mirage,” the first single from his forthcoming eighth album, Turn It Up, which will be released July 15 by Artistry Music. Radio programmers were instantly spellbound, making the track from the David Mann-produced set of R&B grooves and soul-powered sojourns the No. 1 most added single on the Billboard BDS chart.
“I embarked on Turn It Up with the goal of making music with great musicians and great friends in great cities. This time around I wrote much of the music with Dave Mann in New York City. We recorded horns, guitars and vocals there as well." (Steve Cole)
Turn It Up is produced by David Mann. His specialty are fine horn arrangements giving every sax album a powerful background. Sidechain starts pumped up that way. Trevor Neumann on trumpet, Dan Levine on trombone and David Mann on sax flavor Cole's performance.
One sax is not enough. Steve Cole gives more gas and builds a chorus out of tenor and alto saxophones to create Turn It Up. In a tight crowd of smooth jazz saxophonists he is a master of soft and gentle sounds like on the mellifluous Reverence. She's the One makes romance to a nice simmer party.
Bright Side is a David Mann strong point. What does that mean? The song comes with a blistering horn arrangement, taking no prisoners and leaving only a little space for James Lloyd's piano solo. Woman's Gotta Have It was released as a single from Bobby Womack's 1972 album Understandin. Cole's rendition is a supreme flashback to good old Motown sound.
If there were Laws Of Attraction leading their compliance to success, who would disregard them? Let us follow instead Steve's musical guiding rule. Life Is a Groove is wisdom and positive attitude, which is particularly widespread among musicians. The whole is underscored by Cole's musical theme. The term Workhouse is often connected with unpleasant associations. In the present case the exact opposite applies. This song is an audible bang.
The best comes last. Mirage makes a brilliant transition to modern smooth jazz with sonic flow and finesse.
On Turn It Up there is tried and tested, but also pioneering music. Steve Cole has understood that one must not stop, but has to evolve conceptually to remain viable for the future.
Steve Cole, tenor saxophone
David Mann, saxophone, flute, keyboards, synth bass, programming
Ricky Peterson, Hammond B3
Nicholas Cole, keyboards, synth bass, programming
Khari Parker, drums
Bernd Schoenhart, guitar
Lamar Jones, bass
James Lloyd, piano
Keith Fluitt, vocals
is one of the most celebrated players in contemporary jazz.
The Chicago native exploded onto the scene in 1998 with the album “Stay Awhile” that was produced by fellow Chicagoan Brian Culbertson. The disc scored two #1 hits and earned Cole the Oasis Smooth Jazz Award for best new artist shortly before his sophomore set, “Between Us,” was released in 2000. His catchy singles made him an instant radio favorite and he cranked them out with regularity on subsequent albums “NY LA” (2003), “Spin” (2005, “True” (2006), "Moonlight" (2009), and "True" (2013).
In addition to his work as solo artist, Steve has performed/recorded, with Junior Wells, Buddy Guy, Boz Scaggs, Larry Carlton, Jeff Lorber, Jim Peterik, Freddie Cole, Cyrus Chestnut, and KMFDM, and has been a featured soloist with the City of Prague Orchestra, and The Chicago Symphony Orchestra. Steve is also a founding member of The Sax Pack, a stellar sax trio completed by Marcus Anderson and Jeff Kashiwa.
Known for consistently cranking out chart-topping singles that deploy big vibrant pop hooks, contemporary jazz saxophonist Steve Cole conjures a sonic escapade with the hypnotic “Mirage,” the first single from his forthcoming eighth album, “Turn It Up,” which will be released July 15 by Artistry Music. Radio programmers were instantly spellbound, making the track from the David Mann-produced set of R&B grooves and soul-powered sojourns the No. 1 most added single on the Billboard BDS chart.
The entrancing single on which electronic beats bombard the senses before chill tenor and soprano sax leads and a soothing trumpet undercurrent take command of the illusion is one of nine new songs on the session, eight of which were composed or co-composed by Cole. The tune reflects his hometown roots and ardor for Chicago’s dance music scene. It’s one of three major cities that helped shape the collection.
"I embarked on ‘Turn It Up’ with the goal of making music with great musicians and great friends in great cities. This time around I wrote much of the music with Dave Mann in New York City. We recorded horns, guitars and vocals there as well. The energy in that great city was truly inspiring and it really is reflected in the music. Next stop was Minneapolis, where I worked with the great keyboardist and producer Ricky Peterson. Ricky and I wrote the song ‘Workhouse’ together, a track influenced by our love of Chicago house music. Dave joined us later in Minneapolis to record Ricky on the Hammond B3 organ as well as to record my Chicago pals, bassist Lamar Jones and drummer Khari Parker. I decided to track all of the saxophone parts in Minneapolis as well,” explained Cole, who has a slate of festival and club dates running into mid-October to help support the album release.
Cole and Mann have been collaborating ever since Cole’s sophomore record, “Between Us” (2000). In addition to helming the production on “Turn It Up,” multi-instrumentalist Mann often shadows Cole on alto and soprano sax to add depth, thickness, volume and intensity to the layers upon layers of horns – alto, tenor and soprano saxophones, trumpet, trombone and flute. Aside from the back-to-back dance music workouts that close the album, Cole’s energizing pop melodies and hooky harmonies on the disc are presented as soulful R&B joints. The saxman dusted off Bobby Womack’s “Woman’s Gotta Have It,” teamed up with fresh-faced keyboardist Nicholas Cole on “Turn It Up!” and yielded the spotlight on “Bright Side” to Pieces of a Dream’s James Lloyd, the author of the sunny mid-tempo smile, who solos on piano.
“In the end, I really accomplished what I set out to do,” Cole surmised. “The music reflects all of the diverse backgrounds and personalities that brought it to life. There was a lot of laughter and good times throughout this journey. I think that's why I've got such a big smile on my face on the album cover. After all, it's supposed to be fun...and it sure was!”
Cole’s 1998 award-winning arrival onto the contemporary jazz scene was the Brian Culbertson-produced “Stay Awhile” that spawned a pair of No. 1 singles. Solo tours and prominent sideman gigs with Culbertson, Boz Scaggs, Rick Braun, Peter White, Jeff Lorber and Larry Carlton served to rapidly multiply his fervent fan base exponentially while successive albums and singles repeatedly took Cole to the top of the charts, establishing him as a radio playlist favorite. In addition to his own recordings, Cole records and performs regularly as a member of Sax Pack, an all-star sax combo consisting of rotating members Jeff Kashiwa, Kim Waters, Jackiem Joyner and Marcus Anderson.
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