J.S. Bach: Sonatas for Violin and Harpsichord Isabelle Faust & Kristian Bezuidenhout
- Johann Sebastian Bach (1685-1750): Sonata No. 1 in B Minor, BWV 1014:
- 1Sonata No. 1 in B Minor, BWV 1014: I. Adagio03:10
- 2Sonata No. 1 in B Minor, BWV 1014: II. Allegro02:56
- 3Sonata No. 1 in B Minor, BWV 1014: III. Andante02:50
- 4Sonata No. 1 in B Minor, BWV 1014: IV. Allegro03:08
- Sonata No. 2 in A Major, BWV 1015:
- 5Sonata No. 2 in A Major, BWV 1015: I. [Largo]02:58
- 6Sonata No. 2 in A Major, BWV 1015: II. Allegro02:56
- 7Sonata No. 2 in A Major, BWV 1015: III. Andante un poco02:42
- 8Sonata No. 2 in A Major, BWV 1015: IV. Presto04:12
- Sonata No. 3 in E Major, BWV 1016:
- 9Sonata No. 3 in E Major, BWV 1016: I. Adagio03:45
- 10Sonata No. 3 in E Major, BWV 1016: II. Allegro02:58
- 11Sonata No. 3 in E Major, BWV 1016: III. Adagio ma non tanto04:10
- 12Sonata No. 3 in E Major, BWV 1016: IV. Allegro03:40
- Sonata No. 4 in C Minor, BWV 1017:
- 13Sonata No. 4 in C Minor, BWV 1017: I. Largo04:01
- 14Sonata No. 4 in C Minor, BWV 1017: II. Allegro04:47
- 15Sonata No. 4 in C Minor, BWV 1017: III. Adagio02:43
- 16Sonata No. 4 in C Minor, BWV 1017: IV. Allegro04:44
- Sonata No. 5 in F Minor, BWV 1018:
- 17Sonata No. 5 in F Minor, BWV 1018: I. [Largo]06:23
- 18Sonata No. 5 in F Minor, BWV 1018: II. Allegro04:38
- 19Sonata No. 5 in F Minor, BWV 1018: III. Adagio02:22
- 20Sonata No. 5 in F Minor, BWV 1018: IV. Vivace02:30
- Sonata No. 6 in G Major, BWV 1019:
- 21Sonata No. 6 in G Major, BWV 1019: I. Allegro03:22
- 22Sonata No. 6 in G Major, BWV 1019: II. Largo01:32
- 23Sonata No. 6 in G Major, BWV 1019: III. Allegro04:37
- 24Sonata No. 6 in G Major, BWV 1019: IV. Adagio02:59
- 25Sonata No. 6 in G Major, BWV 1019: V. Allegro03:22
Info for J.S. Bach: Sonatas for Violin and Harpsichord
Duet for three voices: Trio writing enabled Baroque composers to test their ability to synthesise counterpoint, melody and harmony – a compositional ideal never so perfectly achieved as by Bach in these rare Sonatas for violin and obbligato harpsichord, which he constantly revised throughout his life.
"Isabelle Faust has never cultivated the whale-boned red-carpet glamour that many female soloists feel obliged to pursue. On stage and off, the German violinist's manner is relaxed, her style understated. She sports a gamine, Jeanne d'Arc crop and, save for the tell-tale violinist's love-bite just below her jaw, you might guess her to be an architect or an academic. In a way, she is both, for an appreciation of musical structure and an interest in historical research are integral to her work.
The stillness of focus and purity of sound that has distinguished her playing can be heard in a repertoire stretching from Beethoven and Schubert through to Hartmann and Ligeti, on modern and period strings. Where other violinists dazzle, Faust is a thinker. On the subject of her own individual sound, she is hesitant: "Of course, I'm trying to be me in whatever repertoire I'm playing, and I do think that my work is different from that of other violinists – but actually I'm never really trying to keep to this idea of an individual sound. It's always my goal to get a different interpretation and also a different kind of voice particular to the voice of the composer." (Anna Picard, The Guardian)
Isabelle Faust, violin
Kristian Bezuidenhout, harpsichord
captivates her listeners through her insightful and faithful interpretations, based on a thorough knowledge of the historical context of the works as well as her attention to current scholarship.
At an early age, Isabelle Faust won the prestigious Leopold Mozart and Paganini competitions and was soon invited to appear with the world's leading orchestras, including the Berlin Philharmonic, the Boston Symphony Orchestra, the NHK Symphony Orchestra Tokyo, the Freiburg Baroque Orchestra and the Chamber Orchestra of Europe. 2016 marks her first year as „Artistic Partner“ for the Mahler Chamber Orchestra.
Isabelle Faust performs a wide-ranging repertoire, from J.S Bach all the way through to contemporary composers such as Ligeti, Lachenmann and Widmann. To highlight this versatility, in addition to her mastery of the great symphonic violin concertos, Isabelle Faust also performs works such as Kurtág's "Kafka Fragments" with the soprano Anna Prohaska, or Schubert’s octet on historical instruments. She will premiere several new works for violin and orchestra during the next seasons, including concerti by the composers Ondrej Adamek, Marco Stroppa, Oscar Strasnoy and Beat Furrer.
Over the course of her career, Isabelle Faust has regularly performed or recorded with world-renowned conductors including John Eliot Gardiner, Philippe Herreweghe, Daniel Harding, Bernard Haitink and Andris Nelsons. During recent years Isabelle Faust developed a close relationship with the late Claudio Abbado and performed and recorded under his baton. Their recording of Beethoven's and Berg's violin concertos with the Orchestra Mozart received a "Diapason d'or" (France), "Echo Klassik" (Germany), "Gramophone Award 2012" (UK) as well as a "Record Academy Award" (Japan).
Faust has recorded many discs for harmonia mundi with her recital partner Alexander Melnikov. These include their latest album with the Brahms Sonatas for violin and piano, as well as Schumann’s piano trios. Both, her recording of Mozart’s violin concerti with Il Giardino Armonico and Giovanni Antonini, as well as Bach’s hapsichord sonatas with Kristian Bezuidenhout will be released in 2016/17.
is one of today’s most notable and exciting keyboard artists, equally at home on the fortepiano, harpsichord, and modern piano. Born in South Africa in 1979, he began his studies in Australia, completed them at the Eastman School of Music, and now lives in London. After initial training as a pianist with Rebecca Penneys, he explored early keyboards, studying harpsichord with Arthur Haas, fortepiano with Malcolm Bilson, and continuo playing and performance practice with Paul O’Dette. Kristian first gained international recognition at the age of 21 after winning the prestigious first prize, and audience prize in the Bruges Fortepiano Competition.
Kristian is a regular guest with the world’s leading ensembles including the Freiburger Barockorchester, Les Arts Florissants, Orchestra of the Age of Enlightenment, Orchestre des Champs Elysées, Koninklijk Concertgebouworkest, Chicago Symphony Orchestra & the Leipzig Gewandhausorchester; and has guest-directed (from the keyboard) the English Concert, Orchestra of the Eighteenth Century, Tafelmusik, Collegium Vocale, Juilliard 415 and the Kammerakademie Potsdam, & Dunedin Consort (Bach St. Matthew Passion).
He has performed with celebrated artists including John Eliot Gardiner, Philippe Herreweghe, Frans Brüggen, Trevor Pinnock, Giovanni Antonini, Jean-Guihen Queyras, Isabelle Faust, Alina Ibragimova, Rachel Podger, Carolyn Sampson, Anne Sofie von Otter, Mark Padmore & Matthias Goerne.
Kristian's rich and award-winning discography on Harmonia Mundi includes the complete keyboard music of Mozart (Diapason d’Or de L’année, Preis der Deutschen Schallplattenkritik, & Caecilia Prize); Mozart Violin Sonatas with Petra Müllejans; Mendelssohn and Mozart Piano Concertos with the Freiburger Barockorchester (ECHO Klassik); Beethoven, & Mozart Lieder, and Schumann Dichterliebe with Mark Padmore (Edison Award). In 2013 he was nominated as Gramophone Magazine’s Artist of the Year. Recent releases include Volume 2 of Mozart Piano Concertos with the Freiburger Barockorchester.
In the 2017/18 season, Kristian becomes an Artistic Director of the Freiburger Barockorchester and Principal Guest Conductor with the English Concert. He play-directs programmes with both orchestras and also with Camerata Salzburg, Tafelmusik Baroque Orchestra and Zürcher Kammerorchester . As a soloist he performs with Orchestre des Champs Elysees/Herreweghe, Les Violons du Roy/Cohen and Le Concert Olympique/Caeyers. Solo recitals and chamber music take him to London, Rome, Amsterdam, Stuttgart, Munich, Cologne, Berlin, USA and Japan.