Boccherini: Stabat Mater, G. 532, String Quartet, Op. 52 No. 3 & String Quintet, Op. 42 No. 1 Sarasa Ensemble
- Luigi Boccherini (1743 - 1805): String Quartet in G Major, Op. 52 No. 3, G. 234:
- 1String Quartet in G Major, Op. 52 No. 3, G. 234: I. Allegretto con moto08:14
- 2String Quartet in G Major, Op. 52 No. 3, G. 234: II. Minuetto03:10
- 3String Quartet in G Major, Op. 52 No. 3, G. 234: III. Adagio02:41
- 4String Quartet in G Major, Op. 52 No. 3, G. 234: IV. Allegro giusto05:09
- Stabat Mater, G. 532 (1781 Version):
- 5Stabat Mater, G. 532 (1781 Version): I. Stabat Mater Dolorosa04:41
- 6Stabat Mater, G. 532 (1781 Version): II. Cujus Animam Gementem02:22
- 7Stabat Mater, G. 532 (1781 Version): III. Quae Moerebat et Dolebat02:58
- 8Stabat Mater, G. 532 (1781 Version): IV. Quis Est Homo01:24
- 9Stabat Mater, G. 532 (1781 Version): V. Pro Peccatis Suae Gentis04:07
- 10Stabat Mater, G. 532 (1781 Version): VI. Eja, Mater, Fons Amoris06:31
- 11Stabat Mater, G. 532 (1781 Version): VII. Tui Nati Vulnerate04:37
- 12Stabat Mater, G. 532 (1781 Version): VIII. Virgo Virginum Praeclara04:38
- 13Stabat Mater, G. 532 (1781 Version): IX. Fac ut Portem Christi Mortem02:38
- 14Stabat Mater, G. 532 (1781 Version): X. Fac Me Plagis Vulnerari02:27
- 15Stabat Mater, G. 532 (1781 Version): XI. Quando Corpus Morietur03:39
- String Quintet in F Minor, Op. 42 No. 1, G. 348:
- 16String Quintet in F Minor, Op. 42 No. 1, G. 348: I. Allegro moderato assai06:08
- 17String Quintet in F Minor, Op. 42 No. 1, G. 348: II. Minuetto con moto03:04
- 18String Quintet in F Minor, Op. 42 No. 1, G. 348: III. Adagio cantabile05:18
- 19String Quintet in F Minor, Op. 42 No. 1, G. 348: IV. Rondeau. Allegro giusto05:06
Info for Boccherini: Stabat Mater, G. 532, String Quartet, Op. 52 No. 3 & String Quintet, Op. 42 No. 1
Luigi Boccherini famously championed his instrument, the violoncello, in his lifetime, composing over 120 cello quintets alone. Sarasa has had the fantastic opportunity to record one of his most moving and intimate works, his Stabat mater for soprano and cello quintet with the magnificent soprano, Dominique Labelle.
Boccherini enjoyed enormous popularity during his lifetime thanks to music that emphasized rich melody, instrumental vibrancy and disarming beauty. He chose the intimacy of a chamber music setting for his Stabat Mater, writing for a solo soprano and string quintet with the instrumental textures weaving the fabric of the text’s meaning. The result is passionate music with power, depth and pathos. As a virtuoso cellist, he was perfectly placed to write chamber music. In the Quartet, Op. 52, No. 3, a colourful tapestry of contrasting events frames moments of bucolic excitement and lyric interlude, while the expertly structured Quintet, Op. 42, No. 1 directly evokes the Stabat Mater in its themes.
“…it was interesting how, with only four players and two singers, it ranged from polished miniature to operatic extra-large.” (The Boston Globe)
Dominique Labelle, soprano
Elizabeth Blumenstock, violin
Christina Day Martinson, violin
Jenny Stirling, viola
Phoebe Carrai, violoncello
Timothy Merton, violoncello
The Sarasa Ensemble
has received critical acclaim for its "informed and impassioned music-making" and is hailed for its "great clarity" and "irresistible energy." Drawing on a pool of more than one hundred musicians from the United States and Europe, the ensemble varies in size according to the particular type of program with repertoire ranging from the 17th to the 21st centuries.
The ensemble produces the Sarasa Chamber Series in Cambridge and Lexington, Massachusetts and has toured throughout New England performing at the Frick Collection, the Morgan Library, the 92nd Street Y, the Boston Early Music Festival Series and the University of Vermont Lane Series. In 2007, Sarasa won the 'outstanding achievement award' from Early Music America in recognition of its invaluable work with incarcerated teens in the Greater Boston area.
The Sarasa Ensemble is a collective group of international instrumentalists and vocalists who perform classical music of outstanding quality, spanning the 17th to the 21st centuries, on both period and modern instruments, and bring this music to diverse communities. Through the ensemble's outreach program in adolescent detention facilities, it is dedicated to bridging cultural, aesthetic, and economic barriers and providing incarcerated teenagers with opportunities for growth and enrichment through music.
voice has been called “angelic,” “silvery,” and “vibrant,” and she could easily lay claim to the title “diva.” Instead, she simply calls herself a musician, and takes greatest pride not in her rave reviews, but in her work with colleagues and in her probing explorations of the repertoire from the Baroque to new music. Her passionate commitment to music-making has led to close and enduring collaborations with a number of the world’s most respected conductors and composers, such as Iván Fischer, Nicholas McGegan, Jos van Veldhoven, Jean-Marie Zeitouni, and the Pulitzer Prize winning composer Yehudi Wyner. She also treasures her long association with the late Robert Shaw.
Dominique’s many collaborations with Nicholas McGegan and his Philharmonia Baroque Orchestra include Handel’s Atalanta, Alexander’s Feast, and Teseo, which they recently revived at the 2014 Mostly Mozart Festival. Her appearances with Iván Fischer include the Countess Almaviva in Mozart’s Nozze di Figaro in Las Palmas and Budapest; a Bach B Minor Mass in Washington, DC, Bach, Matthew Passion with the Royal Concertgebouw Orchestra;as well as Mozart’s Requiem and a Bach St. Matthew Passion with the Orchestra of St. Luke’s. She has also sung Britten’s Les Illuminations with Jean-Marie Zeitouni and I Musici de Montréal; Beethoven’s Symphony No. 9, Brahms Requiem, and Mahler’s Symphony No. 2 with Zeitouni and the Columbus Symphony Orchestra.
Among her numerous recordings of opera and concert repertoire is Monsigny’s Le Déserteur with Opera Lafayette and Ryan Brown (Naxos). She can also be heard on recordings on the Virgin Veritas, Deutsche Harmonia Mundi, RCA Victor Red Seal, Koss, Denon, New World, Carus and Muisica Omnia labels. Her recording of Handel’s Arminio (Virgin Classics) won the 2002 Handel Prize. Her latest recording Moments of Love is her recital with pianist and composer Yehudi Wyner on a program of Britten, Hahn, Ravel, Saint-Saëns and Wyner.
Born in Montreal and trained at McGill and Boston Universities, Dominique enjoys sharing her technical and musical insights with young singers, and is Professor of Voice at the Schulich School of Music at McGill University. She has also taught master classes at The Classical Singers Convention in Boston, Harvard University, San Francisco Conservatory, Smith College, Vassar College, and the University of Massachusetts. In May of 2018, she was awarded the Schulich School of Music's Outstanding Teacher Award.