Mozart: Piano Concerto No. 24 in C Minor — Beethoven: Piano Concerto No. 3 in C Minor; 32 Variations in C Minor Rafał Blechacz, Dresdner Philharmonie & Kent Nagano

• Wolfgang Amadeus Mozart (1756 - 1791): Piano Concerto No. 24 in C Minor, K. 491:
• 1 Mozart: Piano Concerto No. 24 in C Minor, K. 491: I. Allegro 14:20
• 2 Mozart: Piano Concerto No. 24 in C Minor, K. 491: II. Larghetto 07:05
• 3 Mozart: Piano Concerto No. 24 in C Minor, K. 491: III. Allegretto 08:22
• Ludwig van Beethoven (1770 - 1827): Piano Concerto No. 3 in C Minor, Op. 37:
• 4 Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio 16:37
• 5 Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: II. Largo 08:56
• 6 Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro 09:12
• 32 Variations in C Minor, WoO 80:
• 7 Beethoven: 32 Variations in C Minor, WoO 80: Theme. Allegretto – Variations 1-2 00:53
• 8 Beethoven: 32 Variations in C Minor, WoO 80: Variations 3-5 00:39
• 9 Beethoven: 32 Variations in C Minor, WoO 80: Variations 6-8 00:42
• 10 Beethoven: 32 Variations in C Minor, WoO 80: Variations 9-11 00:54
• 11 Beethoven: 32 Variations in C Minor, WoO 80: Variations 12-13 00:37
• 12 Beethoven: 32 Variations in C Minor, WoO 80: Variations 14-16 00:44
• 13 Beethoven: 32 Variations in C Minor, WoO 80: Variations 17-18 00:40
• 14 Beethoven: 32 Variations in C Minor, WoO 80: Variations 19-21 00:41
• 15 Beethoven: 32 Variations in C Minor, WoO 80: Variations 22-24 00:44
• 16 Beethoven: 32 Variations in C Minor, WoO 80: Variations 25-27 00:45
• 17 Beethoven: 32 Variations in C Minor, WoO 80: Variations 28-30 00:59
• 18 Beethoven: 32 Variations in C Minor, WoO 80: Variations 31-32 02:02
• Total Runtime 01:14:52

Info for Mozart: Piano Concerto No. 24 in C Minor — Beethoven: Piano Concerto No. 3 in C Minor; 32 Variations in C Minor

On his upcoming album, pianist Rafał Blechacz lays his focus on the expressive power of C minor. Together with the Dresdner Philharmonie under Kent Nagano, he presents Mozart’s Piano Concerto No. 24 in C Minor, K. 491 and Beethoven’s Piano Concerto No. 3 in C Minor, Op. 37 – two landmark works that reveal the dramatic, introspective and visionary possibilities of the piano concerto.

The programme is completed by Beethoven’s 32 Variations in C Minor, WoO 80, placing Blechacz both in dialogue with the orchestra and alone at the keyboard. Bringing together major concerto repertoire and solo Beethoven, the album offers a focused musical narrative that connects Mozart and Beethoven through one of classical music’s most expressive tonalities.

Rafał Blechacz, piano
Dresdner Philharmonie
Kent Nagano, conductor

Rafał Blechacz
Polish pianist Rafał Blechacz’s artistry is recognised as rare by any measure and arises from his total command of the keyboard and ability to unlock his instrument’s full expressive range. Those qualities have supported his artistic and professional development in the years since he took first prize at the 2005 International Chopin Piano Competition. He stands today among the world’s finest pianists, in high demand for the honesty and vision he brings to performances of everything from Bach and Beethoven to Chopin and Szymanowski.

The eloquence and intensity of Blechacz’s Chopin Competition performances, delivered within months of his twentieth birthday, were rewarded not only with the winner’s medal but also with a clean sweep of the event’s four special prizes and the Audience Award. He signed an exclusive contract with Deutsche Grammophon in May 2006, following Krystian Zimerman to become the second Polish pianist to join the Yellow Label. The new relationship was launched in October 2007 with Blechacz’s debut solo album, a coupling of Chopin’s complete Preludes and the Two Nocturnes op. 62. His second release – a recital of piano sonatas by Haydn, Mozart and Beethoven – was issued in 2008, after which he returned to Chopin, recording the two piano concertos with the Royal Concertgebouw Orchestra and Jerzy Semkow for an album released in 2009 to herald the upcoming bicentenary of Chopin’s birth.

2012 saw the release of an album of solo works by Debussy and Szymanowski. This was followed in 2013 by Blechacz’s readings of Chopin’s mature Polonaises. The pianist’s sixth DG album, released in 2017, was devoted to works by Bach, the Partitas Nos.1 & 3 and Italian Concerto among them. He then joined forces with Korean violinist Bomsori Kim to record a selection of works by Fauré, Debussy, Szymanowski and Chopin. Released in 2019, this was his debut DG chamber music album.

Chopin, Blechacz’s next release, comprised that composer’s Second and Third Piano Sonatas, Nocturne Op. 48 No. 2 and Barcarolle Op. 60. The album came out to widespread acclaim in 2023 (“[Blechacz] gives you … his compatriot’s music in robust, intense and heartfelt performances that engage you as a great actor might in some dramatic monologue” – Gramophone).

His latest DG project is a two-volume release of Chopin’s complete mazurkas, works that captured his imagination many years ago. Released as a digital album on 17 October 2025, the first instalment presents Opp. 6, 17, 24, 41, 50, 56 and 63.

Forthcoming highlights of Blechacz’s schedule include Beethoven’s Piano Concerto No. 3 with the Dresdner Philharmonie and Kent Nagano in Dresden (26 October 2025); recitals of works by Mozart, Beethoven, Paderewski and Szymanowski with Bomsori in Barcelona, Santa Cruz de Tenerife, Alicante and Madrid (24, 27 November, 1, 2 December); and Chopin’s Piano Concerto No. 1 with the Deutsche Streicherphilharmonie and Wolfgang Hentrich at the Salzburg Mozarteum and Vienna Musikverein (9, 11 January 2026).

Rafał Blechacz was born in the small town of Nakło nad Notecią in northern Poland in June 1985. He showed early signs of musical talent and began piano lessons at the age of five. Having first enrolled at the Arthur Rubinstein State Music School in Bydgoszcz, he progressed to study at the city’s Feliks Nowowiejski Academy of Music, graduating in May 2007 from Katarzyna Popowa-Zydroń’s piano class. Blechacz’s outstanding technical and artistic attributes secured a sequence of competition successes, beginning in 2002 with second prize at the Arthur Rubinstein International Competition for Young Pianists in Bydgoszcz, continuing the following year with joint first prize at the Hamamatsu International Piano Competition, and culminating in outright victory at the 2005 International Chopin Piano Competition in Warsaw, where he became the first Polish musician to receive the top prize since Krystian Zimerman thirty years earlier.

He went on to win the 2010 Premio Internazionale Accademia Chigiana, awarded annually by the Accademia Musicale Chigiana in Siena to an outstanding pianist or violinist. In 2014 Blechacz received the Gilmore Artist Award, a prestigious prize conferred every four years in recognition of “extraordinary piano artistry”. In addition to formal prizes and awards, he has also garnered ringing endorsements from senior colleagues, with Martha Argerich, winner of the Chopin Competition in 1965, describing him as “a very honest, extraordinary and sensitive artist” and the Irish pianist and pedagogue John O’Conor as “one of the greatest artists I have ever heard in my life”.

Blechacz took a sabbatical from performing between 2016 and 2017 to complete a doctorate in philosophy at Nicolaus Copernicus University in Toruń, Poland. His thesis explored aspects of the metaphysics and aesthetics of music and, as he reflects, his studies have helped him “understand both the freedoms and limitations of musical interpretations”.

Booklet for Mozart: Piano Concerto No. 24 in C Minor — Beethoven: Piano Concerto No. 3 in C Minor; 32 Variations in C Minor