Come Away With Me (Remastered) Norah Jones
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- 1Don't Know Why03:07
- 2Seven Years02:26
- 3Cold Cold Heart03:39
- 4Feelin' The Same Way02:58
- 5Come Away With Me03:19
- 6Shoot The Moon03:57
- 7Turn Me On02:35
- 9I've Got To See You Again04:13
- 10Painter Song02:42
- 11One Flight Down03:06
- 13The Long Day Is Over02:45
- 14The Nearness Of You03:10
Info for Come Away With Me (Remastered)
„Come Away With Me“ won the 2003 Grammy Awards for Album Of The Year, Best Pop Vocal Album and Best Engineered Album (Non-Classical). 'Don't Know Why' won the 2003 Grammy Awards for Record Of The Year, Song Of The Year and Best Female Pop Vocal Performance. Arif Mardin won the 2003 Grammy Award for Producer Of The Year (Non-Classical).
A direct descendant from the pedigree of one of the 20th century's virtuosos, Norah Jones might not be on such a lofty artistic level as her dad Ravi Shankar, but certainly inherited some musical intuition from him. With nary a sitar nor raga within earshot, the young newcomer sounds very much an assimilated, western, 21st century pop-jazz singer.
One thing that separates her from the pack is Ms. Jones' own piano stylings--not flashy, but deftly doubling or echoing her voice--that discreetly act as the glue holding together these airy, delicate, and beautiful arrangements. But the centerpiece is certainly the 22-year-old's confident-beyond-her-years vocal delivery in addition to a precise diction and velvety tone. Shades of Nina Simone, vintage Phoebe Snow, and a less beatnik Rickie Lee Jones are evident throughout as the young siren coolly sashays through mostly new material by guitarist-songwriter Jesse Harris (formerly of Once Blue) and a few choice covers.
Veteran producer Arif Mardin frames a most notable debut with a translucent touch, and appearances by jazz heroes Bill Frisell and Brian Blade gild the lily. Norah Jones won the 2003 Grammy Award for Best New Artist.
'...Jones delivers...multigenre cross-cultural eclecticism....It is a voice containing seductive mysteries and also the most exposed human vulnerabilities...' (Down Beat)
'...A quietly captivating triumph of torch song[s]...' (Rolling Stone)
'...Jones' album has the lope of Western swing and the flow of a good live set....Her voice is supple and precise, her touch on piano lovely...' (Entertainment Weekly)
'...Jones' debut is a calming delight, a delicate acoustic dance that pulls country, blues and jazz into a gorgeous, soft-edged rootsy singer-songwriter world...Soothing and substantial.' (Mojo)
Norah Jones, vocals, piano, Wurlitzer piano
Jesse Harris, acoustic & electric guitars
Kevin Breit, acoustic & electric guitars
Tony Scherr, acoustic guitar, slide guitar
Adam Levy, electric guitar
Bill Frisell, electric guitar
Adam Rogers, guitar
Jenny Scheinman, violin
Sam Yahel, Hammond B-3 organ
Rob Burger, organ
Lee Alexander, bass
Brian Blade, drums, percussion
Dan Reiser, drums
Kenny Wollesen, drums
Recorded at Sorcerer Sound, New York, New York and Allaire Studios, Shokan, New York.
Engineered by Jay Newland
Produced by Arif Mardin, Norah Jones, Jay Newland, Craig Street.
Mastered by Bernie Grundman
2003 Grammy Winner
- Record of the Year, Don't Know Why
- Album of the Year, Come Away With Me
- Song of the Year, Don't Know Why
- Best New Artist, Norah Jones
- Best Female Pop Vocal Performance, Don't Know Why
- Best Pop Vocal Album, Come Away With Me
- Best Engineered Album, Non-Classical, S. Husky Höskulds & Jay Newland, engineers
- Producer of the Year, Non-Classical, Arif Mardin, producer
Sultry vocalist and pianist Norah Jones developed her unique blend of jazz and traditional vocal pop with hints of bluesy country and contemporary folk due in large part to her unique upbringing. Born March 30, 1979, in New York City, the daughter of Ravi Shankar quietly grew up in Texas with her mother. While she always found the music of Billie Holiday and Bill Evans both intriguing and comforting, she didn't really explore jazz until attending Dallas' Booker T. Washington High School for the Performing and Visual Arts. During high school, Jones won the Down Beat Student Music Awards for Best Jazz Vocalist and Best Original Composition in 1996, and earned a second Best Jazz Vocalist award in 1997. Putting her vocal talents on the back burner, Jones worked toward earning a degree in jazz piano at the University of North Texas for two years before accepting a friend's offer of a summer sublet in Greenwich Village during the summer of 1999.
Although she fully intended to return to college that fall, the lure of the folk coffeehouses and jazz clubs proved too strong and she was soon inspired to write her own songs. Jones appeared regularly with the trip-hop-electronica band Wax Poetic and assembled her own group around songwriters Jesse Harris (guitar) and Lee Alexander (bass), with Dan Rieser on drums. In October of 2000, the group recorded a handful of demos for Blue Note Records and on the strength of these recordings, Jones signed to the jazz label in early 2001. Following an appearance on Charlie Hunter's Songs from the Analog Playground, Jones spent much of 2001 performing live with Hunter's group and working on material for her debut.
Come Away with Me, recorded by Craig Street (Cassandra Wilson, Manhattan Transfer, k.d. lang) and legendary producer Arif Mardin (Aretha Franklin, Dusty Springfield, the Bee Gees), was released in early 2002 and garnered much public attention. The combination of her striking beauty and the fact that she was the daughter of an internationally renowned musician placed Jones in the awkward position of defending her music from those who dismissed her as another pretty face (the same argument used by those opposed to Diana Krall) and/or another riding the coattails of her musical royal heritage (see Natalie Cole, Miki Coltrane, Corey Parker). Although not by any stretch a "jazz" album (the label chose to call it "jazz-informed"), it featured jazz guitarist Bill Frisell and session drummer Brian Blade, and indicated a new direction for Blue Note combining jazz aesthetics and talent with a pop sensibility. Come Away with Me eventually went multi-platinum, selling 18 million copies worldwide and winning Jones eight Grammy Awards.
In 2004, Jones released her highly anticipated follow-up album, Feels Like Home. Pairing once again with producer Arif Mardin, Jones pursued a similar approach to Come Away with Me, mixing '70s singer/songwriter-style tracks with blues, country, and her own mellow take on piano jazz. In 2003, Jones played in a group called the Little Willies along with Lee Alexander (bass), Richard Julian (guitar/vocals), Dan Rieser (drums), and Jim Campilongo (guitar), playing covers of classic American music like Hank Williams, Willie Nelson, and Kris Kristofferson. This one-off performance ultimately turned into sporadic shows at the venue whenever their individual schedules would allow, slowly incorporating original songs into their set along the way. In time, the Little Willies began considering the release of a live album, but instead wound up documenting their sound in the recording studio. Milking Bull Records issued the resultant self-titled album in March 2006.
Late in 2006, the single "Thinking About You" announced a return to her solo career. It landed on the album Not Too Late, released in early 2007. The Fall arrived in 2009, followed in 2010 by ...Featuring Norah Jones, a collection of musical collaborations. The following year Jones was asked to provide some vocals for Danger Mouse (aka Brian Burton) and Italian composer Daniele Luppi's spaghetti Western project, Rome. Burton returned the favor in 2012 by producing and co-writing the songs on Jones' fifth studio album, Little Broken Hearts. She next teamed with Green Day's Billie Joe Armstrong in a project to re-create the classic 1958 Everly Brothers album Songs Our Daddy Taught Us. Recorded in nine days with bassist Tim Luntzel and drummer Dan Rieser, Foreverly was released in 2013.
This album contains no booklet.