R. Schumann: Complete Chamber Music & Violin Concerto (Live) Pierre Fouchenneret, Théo Fouchenneret, Orchestre Régional De Normandie & Jean Deroyer

• Robert Schumann (1810-1856): Fantasiestücke for Clarinet and Piano, Op. 73 (Version for Violin and Piano):
• 1 Schumann: Fantasiestücke for Clarinet and Piano, Op. 73 (Version for Violin and Piano): I. Zart mit Ausdruck (Live) 03:38
• 2 Schumann: Fantasiestücke for Clarinet and Piano, Op. 73 (Version for Violin and Piano): II. Lebhaft, leicht (Live) 03:01
• 3 Schumann: Fantasiestücke for Clarinet and Piano, Op. 73 (Version for Violin and Piano): III. Rasch mit Feuer (Live) 03:44
• Violin Sonata No. 3 in A Minor, WoO 2:
• 4 Schumann: Violin Sonata No. 3 in A Minor, WoO 2: I. Lebhaft (Live) 07:06
• 5 Schumann: Violin Sonata No. 3 in A Minor, WoO 2: II. Intermezzo (Live) 02:13
• 6 Schumann: Violin Sonata No. 3 in A Minor, WoO 2: III. Scherzo (Live) 02:44
• 7 Schumann: Violin Sonata No. 3 in A Minor, WoO 2: IV. Finale (Live) 07:02
• 3 Romances, Op. 94 (Version for Violin and Piano):
• 8 Schumann: 3 Romances, Op. 94 (Version for Violin and Piano): No. 1, Nicht schnell (Live) 02:54
• 9 Schumann: 3 Romances, Op. 94 (Version for Violin and Piano): No. 2, Einfach, innig (Live) 03:24
• 10 Schumann: 3 Romances, Op. 94 (Version for Violin and Piano): No. 3, Nicht schnell (Live) 03:39
• Violin Sonata No. 1 in A Minor, Op. 105:
• 11 Schumann: Violin Sonata No. 1 in A Minor, Op. 105: I. Mit leidenschaftlichem Ausdruck (Live) 07:46
• 12 Schumann: Violin Sonata No. 1 in A Minor, Op. 105: II. Allegretto (Live) 03:30
• 13 Schumann: Violin Sonata No. 1 in A Minor, Op. 105: III. Lebhaft (Live) 06:08
• Kinderszenen, Op. 15:
• 14 Schumann: Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Piano by Arthur Seybold) (Live) 02:25
• Clara Schumann (1819-1896): 3 Romances, Op. 22:
• 15 Schumann: 3 Romances, Op. 22: No. 1, Andante molto (Live) 02:55
• 16 Schumann: 3 Romances, Op. 22: No. 2, Allegretto (Live) 02:42
• 17 Schumann: 3 Romances, Op. 22: No. 3, Leidenschaftlich schnell (Live) 03:39
• Violin Sonata No. 2 in D Minor, Op. 121:
• 18 Schumann: Violin Sonata No. 2 in D Minor, Op. 121: I. Ziemlich langsam Lebhaft (Live) 14:07
• 19 Schumann: Violin Sonata No. 2 in D Minor, Op. 121: II. Sehr lebhaft (Live) 04:03
• 20 Schumann: Violin Sonata No. 2 in D Minor, Op. 121: III. Leise, einfach (Live) 05:15
• 21 Schumann: Violin Sonata No. 2 in D Minor, Op. 121: IV. Bewegt (Live) 09:38
• Violin Concerto in D Minor, WoO 23:
• 22 Schumann: Violin Concerto in D Minor, WoO 23: I. In kräftigem, nicht zu schnellem tempo (Live) 15:34
• 23 Schumann: Violin Concerto in D Minor, WoO 23: II. Langsam (Live) 06:04
• 24 Schumann: Violin Concerto in D Minor, WoO 23: III. Lebhaft, doch nicht schnell (Live) 10:50
• 3 Romanzen, Op. 94:
• 25 Schumann: 3 Romanzen, Op. 94: No. 1, Nicht schnell (Live) 02:57
• 26 Schumann: 3 Romanzen, Op. 94: No. 2, Einfach, innig (Live) 03:14
• 27 Schumann: 3 Romanzen, Op. 94: No. 3, Nicht schnell (Live) 03:28
• Fantasiestücke for Clarinet and Piano, Op. 73:
• 28 Schumann: Fantasiestücke for Clarinet and Piano, Op. 73: I. Zart und mit Ausdruck (Live) 03:29
• 29 Schumann: Fantasiestücke for Clarinet and Piano, Op. 73: II. Lebhaft, leicht (Live) 03:02
• 30 Schumann: Fantasiestücke for Clarinet and Piano, Op. 73: III. Rasch und mit Feuer (Live) 03:36
• Adagio and Allegro, Op. 70:
• 31 Schumann: Adagio and Allegro, Op. 70: I. Adagio (Live) 03:23
• 32 Schumann: Adagio and Allegro, Op. 70: II. Allegro (Live) 04:36
• Andante und Variationen, WoO 10,1:
• 33 Schumann: Andante und Variationen, WoO 10,1: I. Sostenuto - Andante espressivo (Live) 08:18
• 34 Schumann: Andante und Variationen, WoO 10,1: II. Piu lento - Animato (Live) 05:11
• 35 Schumann: Andante und Variationen, WoO 10,1: III. Doppio movimento (Live) 05:31
• Piano Trio No. 1 in D Minor, Op. 63:
• 36 Schumann: Piano Trio No. 1 in D Minor, Op. 63: I. Mit Energie und Leidenschaft (Live) 11:46
• 37 Schumann: Piano Trio No. 1 in D Minor, Op. 63: II. Lebhaft, doch nicht zu rasch (Live) 04:49
• 38 Schumann: Piano Trio No. 1 in D Minor, Op. 63: III. Langsam, mit inniger Empfindung (Live) 05:21
• 39 Schumann: Piano Trio No. 1 in D Minor, Op. 63: IV. Mit Feuer (Live) 08:19
• Piano Trio No. 2 in F Major, Op. 80:
• 40 Schumann: Piano Trio No. 2 in F Major, Op. 80: I. Sehr lebhaft (Live) 07:31
• 41 Schumann: Piano Trio No. 2 in F Major, Op. 80: II. Mit innigem Ausdruck (Live) 07:36
• 42 Schumann: Piano Trio No. 2 in F Major, Op. 80: III. In mässiger Bewegung (Live) 05:08
• 43 Schumann: Piano Trio No. 2 in F Major, Op. 80: IV. Nicht zu rasch (Live) 05:31
• Piano Trio No. 3 in G Minor, Op. 110:
• 44 Schumann: Piano Trio No. 3 in G Minor, Op. 110: I. Bewegt, doch nicht zu rasch (Live) 10:33
• 45 Schumann: Piano Trio No. 3 in G Minor, Op. 110: II. Ziemlich langsam (Live) 05:40
• 46 Schumann: Piano Trio No. 3 in G Minor, Op. 110: III. Rasch - Etwas Zuruckhaltend bis zum langsameren Tempo (Live) 04:18
• 47 Schumann: Piano Trio No. 3 in G Minor, Op. 110: IV. Kräftig, mit Humor (Live) 07:48
• Piano Quartet in E-Flat Major, Op. 47:
• 48 Schumann: Piano Quartet in E-Flat Major, Op. 47: I. Sostenuto assai - Allegro ma non troppo (Live) 08:29
• 49 Schumann: Piano Quartet in E-Flat Major, Op. 47: II. Scherzo. Molto vivace (Live) 03:31
• 50 Schumann: Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile (Live) 05:25
• 51 Schumann: Piano Quartet in E-Flat Major, Op. 47: IV. Finale. Vivace (Live) 07:41
• String Quartet No. 1 in A Minor, Op. 41 No. 1:
• 52 Schumann: String Quartet No. 1 in A Minor, Op. 41 No. 1: I. Introduzione. Andante espressivo - Allegro (Live) 08:36
• 53 Schumann: String Quartet No. 1 in A Minor, Op. 41 No. 1: II. Scherzo. Presto - Intermezzo (Live) 03:37
• 54 Schumann: String Quartet No. 1 in A Minor, Op. 41 No. 1: III. Adagio (Live) 05:05
• 55 Schumann: String Quartet No. 1 in A Minor, Op. 41 No. 1: IV. Presto (Live) 06:01
• String Quartet No. 2 in F Major, Op. 41 No. 2:
• 56 Schumann: String Quartet No. 2 in F Major, Op. 41 No. 2: I. Allegro vivace (Live) 04:51
• 57 Schumann: String Quartet No. 2 in F Major, Op. 41 No. 2: II. Andante quasi variazioni (Live) 07:23
• 58 Schumann: String Quartet No. 2 in F Major, Op. 41 No. 2: III. Scherzo. Presto (Live) 03:08
• 59 Schumann: String Quartet No. 2 in F Major, Op. 41 No. 2: IV. Allegro molto vivace (Live) 06:55
• String Quartet No. 3 in A Major, Op. 41 No. 3:
• 60 Schumann: String Quartet No. 3 in A Major, Op. 41 No. 3: I. Andante espressivo - Allegro molto moderato (Live) 06:46
• 61 Schumann: String Quartet No. 3 in A Major, Op. 41 No. 3: II. Assai agitato (Live) 05:56
• 62 Schumann: String Quartet No. 3 in A Major, Op. 41 No. 3: III. Adagio molto (Live) 06:57
• 63 Schumann: String Quartet No. 3 in A Major, Op. 41 No. 3: IV. Finale. Allegro molto vivace (Live) 06:57
• Piano Quintet in E-Flat Major, Op. 44:
• 64 Schumann: Piano Quintet in E-Flat Major, Op. 44: I. Allegro brillante (Live) 08:47
• 65 Schumann: Piano Quintet in E-Flat Major, Op. 44: II. In modo d'una marcia, un poco largamente (Live) 07:37
• 66 Schumann: Piano Quintet in E-Flat Major, Op. 44: III. Scherzo. Molto vivace (Live) 04:48
• 67 Schumann: Piano Quintet in E-Flat Major, Op. 44: IV. Finale. Allegro ma non troppo (Live) 07:28
• Fantasiestücke for Clarinet and Piano, Op. 73 (Version for Cello and Piano):
• 68 Schumann: Fantasiestücke for Clarinet and Piano, Op. 73 (Version for Cello and Piano): I. Zart und mit Ausdruck (Live) 03:24
• 69 Schumann: Fantasiestücke for Clarinet and Piano, Op. 73 (Version for Cello and Piano): II. Lebhaft, leicht (Live) 03:17
• 70 Schumann: Fantasiestücke for Clarinet and Piano, Op. 73 (Version for Cello and Piano): III. Rasch und mit Feuer (Live) 04:24
• 3 Romances for Clarinet and Piano, Op. 94:
• 71 Schumann: 3 Romances for Clarinet and Piano, Op. 94: No. 1, Nicht schnell (Live) 03:09
• 72 Schumann: 3 Romances for Clarinet and Piano, Op. 94: No. 2, Einfach, innig (Live) 03:38
• 73 Schumann: 3 Romances for Clarinet and Piano, Op. 94: No. 3, Nicht schnell (Live) 03:56
• Märchenbilder, Op. 113:
• 74 Schumann: Märchenbilder, Op. 113: No. 1, Nicht schnell (Live) 03:12
• 75 Schumann: Märchenbilder, Op. 113: No. 2, Lebhaft (Live) 03:50
• 76 Schumann: Märchenbilder, Op. 113: No. 3, Rasch (Live) 02:25
• 77 Schumann: Märchenbilder, Op. 113: No. 4, Langsam, mit melancholischem Ausdruck (Live) 04:34
• Märchenerzählungen, Op. 132:
• 78 Schumann: Märchenerzählungen, Op. 132: I. Lebhaft, nicht zu schnell (Live) 02:57
• 79 Schumann: Märchenerzählungen, Op. 132: II. Lebhaft und sehr markiert (Live) 03:33
• 80 Schumann: Märchenerzählungen, Op. 132: III. Ruhiges tempo, mit zartem Ausdruck (Live) 03:53
• 81 Schumann: Märchenerzählungen, Op. 132: IV. Lebhaft sehr markiert (Live) 05:15
• Fantasiestücke, Op. 88:
• 82 Schumann: Fantasiestücke, Op. 88: I. Romanze. Nicht schnell, mit innigem Ausdruck (Live) 02:15
• 83 Schumann: Fantasiestücke, Op. 88: II. Humoreske. Lebhaft (Live) 06:22
• 84 Schumann: Fantasiestücke, Op. 88: III. Duett. Langsam und mit Ausdruck (Live) 03:10
• 85 Schumann: Fantasiestücke, Op. 88: IV. Finale. In Marsch-Tempo (Live) 05:36
• 5 Stücke im Volkston, Op. 102:
• 86 Schumann: 5 Stücke im Volkston, Op. 102: No. 1, Mit Humor (Live) 02:54
• 87 Schumann: 5 Stücke im Volkston, Op. 102: No. 2, Langsam (Live) 03:05
• 88 Schumann: 5 Stücke im Volkston, Op. 102: No. 3, Nicht schnell, mit viel Ton zu spielen (Live) 04:00
• 89 Schumann: 5 Stücke im Volkston, Op. 102: No. 4, Nicht zu rasch (Live) 02:06
• 90 Schumann: 5 Stücke im Volkston, Op. 102: No. 5, Stark und markiert (Live) 03:11
• Piano Quartet in C Minor, WoO 32:
• 91 Schumann: Piano Quartet in C Minor, WoO 32: I. Allegro molto affettuoso (Live) 14:23
• 92 Schumann: Piano Quartet in C Minor, WoO 32: II. Menuetto. Presto (Live) 04:18
• 93 Schumann: Piano Quartet in C Minor, WoO 32: III. Andante (Live) 06:47
• 94 Schumann: Piano Quartet in C Minor, WoO 32: IV. Allegro giusto. Presto (Live) 08:24
• Total Runtime 08:29:02

Info for R. Schumann: Complete Chamber Music & Violin Concerto (Live)

The idea for a series of recordings devoted to the music of Robert Schumann arose from Pierre and Theo Fouchenneret's work on the Sonatas for violin and piano, and from a desire to expand the project by exploring the rest of his chamber music as well as his concertos - for Schumann treats the orchestra in a very chamber-music-like manner in his concertante works. Following the complete chamber music of Johannes Brahms, recorded on the same label, Pierre and Theo decided to launch this Schumann Collection, with the support of their long-standing collaborators in the field of chamber music: the Strada Quartet, Victor Julien-Laferriere, Florent Pujuila, Philibert Perrine, Felix Roth, Caroline Sypniewski, Sarah Fouchenneret, and Hortense Cartier-Bresson. All are soloists, quartet players and chamber musicians who also perform with orchestras, driven by a shared passion for Schumann's music, which lends itself particularly well to a series of live albums: there is a warmth, an urgency and a passion in the concert experience that are essential to performing this music well. Each concert was recorded by the b. records team with a view to this ambitious complete collection that you now hold in your hands.

Pierre Fouchenneret, violin
Theo Fouchenneret, piano
Philibert Perrine, clarinet
Florent Pujuila, clarinet
Felix Roth, cello
Hortense Cartier-Bresson, cello
Caroline Sypniewski, cello
Sarah Fouchenneret, viola
Lise Berthaud, viola
Francois Salque, cello
Anna Sypniewski, viola
Orchestre Regional de Normandie
Victor Julien-Laferriere, conductor
Quatuor Strada
Jean Deroyer, conductor

Please Note: This album consists of different sampling rates. See track list - behind each track you'll find the sampling rate.

Pierre Fourchenneret
one of the associated artists of the Foundation Singer Polignac, has enjoyed a strong recognition right back to his tender years. Thus as soon as his twelfth year he was granted the first prize for violin at the CNR - National Regional Conservatory - in Nice; then at sixteen the first prize for violin and chamber music at the CNSM - National Superior Conservatory of Music - in Paris; and he was a prize winner for Nataxis, and for the Grand Prize of the International Competition of chamber music in Bordeaux.Enriched by the exceptional teachings he benefited from Alain Babouchian at the CNR in Nice, Olivier Chartier at the CNSM in Paris and Devy Erlih, Pierre Fourchenneret has wished to transmit as well and has become a teacher in the Superior Pole of Bordeaux.

This recognition also gives him the pleasure to collaborate with the most gifted musicians of his generation and to give performances on the greatest national and international stages. This is how in 2013 he founds the quartet Strada with François Salque, Sarah Nemtanu and Lise Berthaud.

His virtuosity, "his intense, precise and colourful playing" (Classica) and his buoyancy are appreciated by French and international orchestras as the ones in Bordeaux Aquitaine, Dijon, the philharmonic in Nice, Brno, the Baltic in St Petersburg. With a passion for chamber music, he is also the violinist of the string trio 71 together with Eric Picard and Nicolas Bone.

In the course of his career as a soloist and as a chamber musician, his first record devoted to Mendelssohn trios comes out in 2007. It will be followed by a series of records, all of them unanimously praised by the critics. Thus he is awarded the Choc Classica for a record devoted to the French composer George Louis Onslow. In 2015 he publishes no less than three opus; the first one is dedicated to the quartet with piano no. 3 opus 3 by Mendelssohn; in the second one "Bohème", he interprets the Bach Chaconne, the Kodaly Duo with François Salque and the second Bartok sonata for violin and piano with Romain Descharmes. Finally for the third one, again with Romain Descharmes he records Beethoven's complete sonatas for violin and piano. Driven by his absolute passion for this composer, he deepens his work and at the beginning of this year 2016 he releases a record of his last two quartets. The year 2016 will be marked by numerous projects among which a record featuring the complete music for violin of Fauré. In 2017 he will start a cycle of the complete Brahms chamber music alongside Eric Lesage.

The work done by Pierre Fourchenneret which we can discover in particular with his different recordings, reflects his perpetual search for an aesthetic that is pure and free of affect, but also his deep love and respect of the text.

Wonderful on stage, Pierre Fourchenneret can also take risks and surprise his audience: "It was so revealing to listen to the quality of the silence of the public absolutely seized […] Overwhelming is the word that was on the music lovers' lips, in a state of shock"; "a large public had come and was conscious of their privilege in attending a rare concert" (Ouest France).

Théo Fouchenneret
won the first prize at the Geneva International Competition in November 2018 before being named "revelation instrumental soloist" at the Victoires de la Musique Classique. The same year he won the 1st prize as well as five special prizes at the Lyon International Chamber Music Competition with the Messiaen Trio.

Applauded by great halls and international festivals, he also performs with internationally renowned musicians: Victor Julien-Laferrière, Renaud Capuçon, François Salque, Lise Berthaud, Svetlin Roussev...

In March 2020, he released his first solo CD with La Dolce Volta, a recording devoted to Beethoven's great Waldstein and Hammerklavier sonatas. Theo is also a great chamber musician, as evidenced by his extensive discography with musicians such as Eric Le Sage, Tatsuki Narita, the Messiaen Trio and Raphaël Sévère, the Xenakis Trio and Philippe Hattat.

The young pianist will dedicate his next solo recording to Gabriel Fauré.

In addition, Théo is at the initiative of the recording project of the complete chamber music of Robert Schumann, which will begin with the opuses for violin and piano, alongside his brother Pierre Fouchenneret. ​

"One is struck by a presence and a full and intense sound. Quickly, the contrasts seize us. Fouchenneret invites us to a true interpretation." - Diapason

Normandy Regional Orchestra
The artistic vision of theNormandy Regional Orchestra is unique in France due to the distinctive nature of its instrumental line-up, the diversity of its artistic programme and the artistic generosity of its musicians.

Since its inception, this orchestra has become a key musical ensemble in its region and an ambassador for Normandy throughout France. The Normandy Regional Orchestra was founded in December 1982 on the initiative of the Basse-Normandie Region and the Ministry of Culture and Communication under the name: the Basse-Normandie Instrumental Ensemble. Its offices were then located in Coutances, at the Centre culturel les Unelles in the Manche department. From July 1983, the Ensemble was based at the Château de Fresney-le-Puceux (Calvados) until 1990, when it moved to the Abbaye aux Dames in Caen, the seat of the Basse-Normandie Region. Since 2008, it has been hosted in residence by the town of Mondeville at ‘L’Hôtellerie’, a Neo-Norman-style building situated on the former site of the Société Métallurgique de Normandie, close to the La Renaissance theatre.

At the time of its formation, the ORN comprised twelve permanent members (a string quintet, a wind quintet, a piano and a harpsichord-organ) and was conducted by Dominique Debart from 1984 onwards. In 1989, the ensemble expanded to eighteen musicians (twelve strings, a wind quintet and a piano). Francine Trachier was then appointed first violin until 2017.

From 2009, Guillaume Lamas was appointed chief executive until 2017. Under his leadership, the ensemble changed its name, becoming the Ensemble Orchestre de Basse-Normandie in 2010, before becoming the Orchestre Régional de Basse-Normandie in 2013 and then, in 2015, following the merger of the regions, the Orchestre Régional de Normandie.

Since January 2019, the Orchestre Régional de Normandie has been led by Pierre-François Roussillon. Florian Maviel was appointed concertmaster in May 2019.

On the initiative of the Normandy Region and the State, the ORN is involved in setting up the ‘Normandie Lyrique et Symphonique’ platform, which brings together the Théâtre de Caen, the Opéra de Rouen Normandie and the Normandy Regional Orchestra. This platform promotes events bringing the two orchestras together.

The musical direction of the Regional Orchestra was held successively by Dominique Debart from 1984 to 2010, Jean-Pierre Wallez and Jean Deroyer, associate conductors from 2010 to 2014, and by Jean Deroyer, principal conductor since 2014.

Since 2005, the Normandy Regional Orchestra has been in residence with the City of Mondeville and La Renaissance as a preferred artistic partner, and has been regularly invited by the Théâtre de Caen as part of its programme since 2006.

The orchestra presents numerous performances throughout the Normandy region and beyond. It engages an ever-growing audience with high-quality projects that are both ambitious and accessible to all.

Presenting nearly 300 concerts and cultural events each year across the region and the country to tens of thousands of spectators, the Normandy Regional Orchestra plays a vital role in the region’s development and appeal, and contributes to its cultural and social fabric.

The Normandy Regional Orchestra is supported and funded by the Normandy Regional Council and the Ministry of Culture and Communication — the Normandy Regional Directorate for Cultural Affairs — with the participation of the Departmental Councils of La Manche, Calvados and Orne.

Since 2005, the Normandy Regional Orchestra has been in residence with the Town of Mondeville and La Renaissance, which acts as its preferred artistic partner.

Jean Deroyer
The French conductor Jean Deroyer was born in 1979. At the age of fifteen he enrolled at the Conservatoire National Supérieur de Musique in Paris where he was awarded five first prizes.

Jean Deroyer has been invited to conduct the following orchestras: NHK Symphony Orchestra, Radio Symphonie Orchester Wien, SWR Orchester Baden-Baden, RSO Orchester Stuttgart, Deutsche Symphonie Orchester, Sinfonia Varsovia, Orchestre Philharmonique du Luxembourg, Orchestre Philharmonique de Monte-Carlo, Orchestre de Paris, Orchestre national de France, Orchestre Philharmonique de Radio-France, Orchestre National de Lille, Orchestre National de Lyon, Ensemble Intercontemporain and Klangforum Wien in halls like Wien Konzerthaus, Berlin Philharmonie, salle Pleyel, Luzern Hall, Tokyo Opera City and Lincoln Center in New-York.

Over several years Deroyer has built a close and privileged relationship with Ensemble Intercontemporain that he conducted several times.

Alongside Pierre Boulez and Peter Eötvös he conducted Stockhausen’s Gruppen for three orchestras at the 2007 Lucerne Festival. In September 2007, he made his debut with the Orchestre de Paris and he will work again with this orchestra during forthcoming seasons. Besides he has recorded numerous CDs with the Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Monte-Carlo or Orchestre National d’île-de-France for such labels as EMI Music and Naïve or for Radio-France.

In 2010, he gave the premiere of Les Boulingrin, opera composed by Georges Aperghis, staged by Jérôme Deschamps at the Opera Comique in Paris, with the Klangforum Wien. Then he conducted Pelléas et Mélisande at the Opera de Rouen and the Orchestre Philharmonique de Radio-France in Paul Dukas' Ariane et Barbe Bleue. In 2012 he gave the premiere of JJR by Phillipe Fénelon at Grand Théâtre de Genève, staged by Robert Carsen. Recently he conducted Cassandre composed by Michael Jarrell at the Avignon Festival with Fanny Ardant, as well as Reigen of Philippe Boesmans at the Opéra national de Paris.

Notable forthcoming engagements include concerts with BBC Symphony Orchestra, Orchestre Philharmonique de Monte-Carlo, Opera National de Paris, Ensemble Modern, Auckland Philharmonia and RTE National Symphony Orchestra Dublin.

Booklet for R. Schumann: Complete Chamber Music & Violin Concerto (Live)