The Story of Michael and Tanya The War and Treaty

• 1 Litty (feat. Whoopi Goldberg) 04:02
• 2 Don't Say Goodbye 04:33
• 3 You Can't Hurt Me Anymore 03:50
• 4 Shouldn’t Have 05:02
• 5 Darlene and Gene 04:09
• 6 Reclaim All Of Your Time (feat. Valerie June and Wynonna) 04:08
• 7 Lay This Bottle Down 04:13
• 8 Don’t Give Up Now 04:22
• 9 Holy Ghost Fire 04:33
• 10 High Heels 04:08
• Total Runtime 43:00

Info zu The Story of Michael and Tanya

Das gefeierte Ehepaar-Duo The War And Treaty hat seine Vertragsunterzeichnung bei Atlantic Outpost sowie Details zu seinem kommenden Album *The Story Of Michael And Tanya* bekannt gegeben, das am 19. Juni erscheinen soll.

Das zweifach für einen GRAMMY® nominierte Paar eröffnet dieses neue Kapitel mit der mitreißenden Lead-Single „Don’t Say Goodbye“ – einem zutiefst emotionalen Vorgeschmack auf das, was eines der bisher ehrgeizigsten und persönlichsten Alben des Duos zu werden verspricht. Der Song vereint ihre charakteristische Mischung aus Americana, Soul, Gospel und Country und unterstreicht die magnetische Chemie sowie die stimmliche Kraft, die sie zu einem der fesselndsten Acts der modernen Roots-Musik gemacht haben.

Das neue Album folgt auf *Plus One* (2025) und zeigt The War And Treaty in einer musikalischen und emotionalen Weiterentwicklung: Sie erschließen sich eine breitere Klangpalette und setzen sich zugleich weiterhin mit Themen wie Resilienz, Glauben, Liebeskummer und Erlösung auseinander. Zudem wartet die Platte mit einer beeindruckenden Liste an Gastkünstlern auf, darunter Whoopi Goldberg, Valerie June, Wynonna und der legendäre Produzent Kenneth „Babyface“ Edmonds.

Zu den Höhepunkten zählt der Song „Reclaim All Of Your Time“ (feat. Valerie June und Wynonna), der Berichten zufolge den Geist der zentralen Botschaft des Albums einfängt: die Rückgewinnung von Identität, Stärke und Verbundenheit durch ehrliches Storytelling und zutiefst menschliches Songwriting.

Auf dem gesamten Album lassen Michael und Tanya Trotter die Grenzen zwischen sakraler und weltlicher Musik verschwimmen; sie schöpfen dabei aus Gospel-Traditionen, Southern Soul, Country-Erzählkunst und ungefilterten emotionalen Bekenntnissen. Titel wie „Holy Ghost Fire“ und „Darlene And Gene“ demonstrieren die Fähigkeit des Duos, mühelos zwischen explosiver Leidenschaft und intimer Verletzlichkeit zu wechseln.

Über das Album sprechend erklärt Michael Trotter, dass das Paar nun in jedem Song, den es erschafft, eine tiefere emotionale Verbindung anstrebt, während Tanya den Entstehungsprozess als eine Auseinandersetzung mit schwierigen Wahrheiten beschreibt, bei der die Emotionen durch die Musik voll zur Geltung kommen dürfen.

Im vergangenen Jahrzehnt haben sich The War And Treaty sowohl durch ihre Studioaufnahmen als auch durch elektrisierende Live-Auftritte einen hervorragenden Ruf erarbeitet. Ihr Aufstieg brachte ihnen mehrere GRAMMY®-Nominierungen ein – darunter in der Kategorie „Best New Artist“ – und bescherte ihnen in der Americana- und Country-Szene große Anerkennung für ihre emotional aufgeladenen Auftritte und ihr genreübergreifendes Songwriting.

Insbesondere ihre Live-Auftritte haben maßgeblich zum wachsenden Ruf der Band beigetragen. Ob bei reduzierten Balladen oder kraftvollen Soul-Hymnen – das Duo überzeugt stets mit Darbietungen, die von Leidenschaft, der Chemie zwischen den beiden und ungefilterter emotionaler Ehrlichkeit geprägt sind.

The War and Treaty

The War And Treaty
Since forming in 2014, The War And Treaty have amassed a following as eclectic as their sound itself, a bluesy but joyful fusion of Southern soul, gospel, country, and rock-and-roll. Known for a live show nearly revival-like in intensity, the husband-and-wife team of Michael Trotter Jr. and Tanya Blount-Trotter endlessly create an exhilarating exchange of energy with their audience, a dynamic they’ve brought to the stage in opening for the legendary Al Green and touring with the likes of Brandi Carlile and Jason Isbell. So when it came time to choose a title for their forthcoming sophomore album, The War And Treaty quickly landed on Hearts Town—the Nashville duo’s adoring nickname for their ardently devoted fanbase.

“Hearts Town is a neighborhood strictly made up of people who all share the same kind of heart: hearts that love, hearts that heal, hearts that don’t see division,” says Michael. “There’s all different types of people within that neighborhood, but they’re still somehow all working together—which is exactly the kind of town we want to live in.”

Their full-length debut for Rounder Records, Hearts Town arrives as the follow-up to 2018’s Healing Tide, a widely acclaimed effort that recently saw The War And Treaty named Emerging Act of the Year by Americana Music Association. Mainly recorded at Blackbird Studio and featuring appearances by such esteemed musicians as Jason Isbell, Jerry Douglas, and Punch Brothers guitarist Chris Eldridge, Hearts Town was produced by Michael and co-produced by Tanya and the duo’s longtime guitarist Max Brown. And while the album unfailingly harnesses the thrilling vitality of their live set, each song spotlights The War And Treaty’s heart-on-sleeve storytelling and poetic simplicity with greater impact than ever before.

True to the unbridled spirit of The War And Treaty, Hearts Town opens on “Yearning,” a powerful introduction to the album’s narrative of loving without limit. Driven by a particularly stunning vocal performance from Michael, the track speaks to the tremendous struggle in overcoming emotional baggage. “‘Yearning’ is about me and Tanya trying to break free from the drama of past relationships,” says Michael. “When we got together, we both were divorced, so we had to make that decision to wake up every day and say to each other, ‘I’m going to love you,’ instead of just holding onto that old hurt.”

In its tender reflection on life’s most urgent questions, Hearts Town turns to the subject of death on the darkly charged but undeniably hopeful “Beautiful.” Graced with Tanya’s operatic vocal work and a smoldering guitar solo from Isbell, “Beautiful” looks back on the final days of Tanya’s mother, Judith May Blount. “One day I was by her hospital bed and I noticed that her legs and feet were ashy, so I decided to lotion them up,” Michael recalls. “She was a very private lady and ordinarily would never have let me do that, but in that moment she told me all these beautiful stories about her feet and why they looked the way they looked. It made me realize that death can be beautiful in its own way, because now the suffering’s over.”

On “Five More Minutes,” Hearts Town shifts into a much brighter mood, bringing the stomp and swing of classic soul to a carefree celebration of surrendering to love. “That song’s saying, ‘If I just have five more minutes to love you, it’s going to be the best damn five minutes of my life,’” Michael explains. Though that lighthearted tone returns on tracks like “Jubilee” (a stripped-back bit of romantic reverie), Hearts Town achieves a pensive complexity on its title track, a sprawling and symphonic piece partly sparked from Michael’s experience as a wounded warrior who served in the Iraqi War. “Writing that song, I was thinking about all the times I was dealing with my PTSD and my depression and thought I was all alone, and how calming it is now just to know that Tanya’s there beside me,” he notes. With its lilting string arrangement and cascading guitar work, “Hearts Town” ultimately transforms that personal story into a universal sentiment, attesting to the extraordinary power in lifting one another up in difficult times.

In songs like “Hearts Town,” Michael and Tanya’s vocal interplay takes on an intimacy that’s often sweetly akin to listening in on a private conversation. But despite the deep sense of communion that infuses their music, the two hail from wildly different backgrounds. Originally from just outside Washington, D.C., Tanya discovered her exceptional vocal skills at a young age and pursued a career in music and acting. Meanwhile, Michael grew up in Cleveland and D.C., spending part of his childhood in homeless shelters and later enlisting in the U.S. Army. While stationed in one of Saddam Hussein’s palaces several years after 9/11, he gained access to a piano and instantly captivated his fellow troops with his formidable vocal presence. Promptly tasked with writing and performing songs in memoriam to his unit’s fallen soldiers, Michael cultivated a distinct songwriting voice that he further developed upon returning home.

Soon after sharing the stage at a music festival, Michael and Tanya began making music together, eventually marrying and forming The War And Treaty. With their debut EP Down to the River arriving in 2017, they released Healing Tide in August 2018 and earned immediate praise from outlets like NPR, later landing on Rolling Stone’s list of the 40 Best Country and Americana Albums of 2018. The following year, The War And Treaty bolstered their reputation as a phenomenal live act by appearing at leading festivals around the country, in addition to inking their deal with Rounder. And at the start of 2020, the duo won over new fans by taking the stage at the 62nd Annual Grammy Awards, performing alongside icons like Cyndi Lauper, John Legend, Gary Clark Jr., and Common in a tribute to Grammy executive producer Ken Ehrlich.

As their fanbase continues to expand exponentially, The War And Treaty feel more and more inspired by the Hearts Town community and its boundless potential for mutual uplift. “This is a place where everything that is broken can be fixed,” says Michael. “It’s a world where racism can be erased and where we don’t live in our selfishness, but instead always empathize with others. A world where we encourage one another and pick each other up, and we feed the hungry and we clothe the naked. Hearts Town is a place where you can come broken and open, regardless of your past, and find love just like we have.”

On the final track to Hearts Town—a slow-building, piano-fueled epic titled “Take Me In”—The War And Treaty drive home their impassioned plea for unity in times of division. “We were seeing so much anger in the world as we were making this album, so we wanted to give people something that told them, ‘Stop looking for the next Dr. King or Malcolm or Mother Teresa, and start looking for the first you,’” says Michael. Along with delivering a potent message of empowerment, “Take Me In” closes out Hearts Town on a beautifully warm and generous note. “Right now a lot of people are feeling so deeply engulfed in pain and surrounded by negativity, and sometimes you just need to hear that you’re good,” says Tanya. “That’s the whole idea behind Hearts Town: no one’s trying to change what you think or how you talk or anything else about you. You’re just fine the way you are.”

Dieses Album enthält kein Booklet