Smile With Your Heart: The Best of Bill Evans on Resonance Records Bill Evans

• 1 Someday My Prince Will Come (Live) 05:13
• 2 Yesterdays (Live) 05:07
• 3 Mother of Earl (Live) 04:21
• 4 You're Gonna Hear from Me 03:32
• 5 Baubles, Bangles and Beads 04:51
• 6 My Funny Valentine 06:58
• 7 Nardis (Live) 08:34
• 8 Very Early (Live) 05:13
• 9 Turn out the Stars (Live) 04:53
• 10 Polka Dots and Moonbeams (Live) 03:53
• 11 RE: Person I Know (Live) 08:49
• 12 Waltz for Debby (Live) 07:57
• Total Runtime 01:09:21

Info zu Smile With Your Heart: The Best of Bill Evans on Resonance Records

Smile With Your Heart: The Best of Bill Evans on Resonance brings together standout tracks from the company’s four sets of hitherto unheard material by the lyrical keyboard master: Live at Art D’Lugoff’s Top of the Gate (2012); Some Other Time: The Lost Session from the Black Forest (2016); Another Time: The Hilversum Concert (2017); and Evans in England (2019). Evans in England was issued for the first time as limited edition two-LP set on Record Store Day 2019, and 3 tracks from the album appear on Smile With Your Heart.

The Los Angeles label’s collections of rare, unheard music by Evans and Montgomery have garnered international acclaim. Evans’ Some Other Time, a stunning Dutch radio date featuring a short-lived trio with bassist Eddie Gomez and drummer Jack DeJohnette, was named one of the year’s top historical releases by DownBeat, JazzTimes, the U.K.’s Jazzwise, and the NPR Music Jazz Critics Poll and topped Billboard’s Jazz Albums chart.

All of Resonance’s albums devoted to Evans and Montgomery have been released with the full cooperation of the musicians’ estates. Zev Feldman, Resonance co-president and producer, says, “It’s been an honor to work so closely with Evan and Robert of the Evans and Montgomery estates over the course of the last 9 years to bring these incredible, unearthed treasures to light. These artists are really in the bedrock of our label, and it’s been remarkable to see the kind of excitement our releases generate in the press and with our fans.” In his liner notes to Smile With Your Heart, Bill Evans’ son Evan Evans writes, “The lovely work that Zev Feldman, George Klabin and everyone at Resonance Records have done in finding these treasure troves of beauty from my father’s legacy is beyond words…Resonance has accomplished something very admirable with this release; they’ve created a compilation album with its own soul and authenticity. It’s as tender and divine as it is brilliant and swinging.”

Like Resonance’s first two compilations in the Takao Fujioka Collection – Sing a Song of Jazz: The Best of Vocal Jazz on Resonance and Jazz Piano Panorama: The Best of Piano Jazz on Resonance, released in May – the newly released Evans and Montgomery samplers features the eye-catching artwork and design of Fujioka, editor of the Japanese jazz journal Way Out West; he supplied the cover art for Resonance’s 2016 Stan Getz release Moments in Time.

Bill Evans

Digitally remastered

Please Note: We offer this album in its native sampling rate of 48kHz, 24-bit. The provided 96kHz version was up-sampled and offers no audible value!

Bill Evans
is an internationally recognized five-string banjo life force. As a performer, teacher, writer and composer, he brings a deep knowledge, intense virtuosity and contagious passion to all things banjo, with thousands of music fans and banjo students from all over the world in a music career that now spans over thirty-five years.

Bill's banjo artistry is best experienced in live performance and on his recordings Fine Times At Fletcher's House with Fletcher Bright (2013), In Good Company (2012), let's do something with Megan Lynch (2009), Bill Evans Plays Banjo (2001) and Native and Fine (1995). Bill successfully bridges traditional and contemporary sounds and playing techniques, creating a new music that is firmly within the bluegrass tradition but draws upon a broad knowledge of classical, jazz and world music, drawing upon his experiences as a graduate student in Music at the University of California, Berkeley and as the associate director of the International Bluegrass Music Museum.

Bill is also an expert player of mid-19th century minstrel banjo and late 19th and early 20th century classic banjo styles, authentically performing these styles on historical instruments. He brings all of these diverse musical performing interests together in his solo concert The Banjo in America.

In the last two years, Bill has toured throughout the United States, Canada, England, and Germany and toured Russia for the U. S. State Department. Recent appearances include A Prairie Home Companion with Garrison Keillor and performances with the San Francisco Symphony. From festival to folk society stages, to universities and performing arts centers, The Banjo in America has earned standing with a dazzling display of banjo artistry of unparalleled historical depth geared towards entertaining general audiences.

Bill is the author of Banjo For Dummies, the most popular banjo book in the world. Banjo For Dummies is now in its second edition and has been translated into French and Portuguese. This year, Bill is preparing a companion volume Bluegrass Banjo For Dummies. In addition, Bill hosts six critically acclaimed instructional DVDs for AcuTab Publications, Homespun Tapes and the Murphy Method and he is also the co-author of Mel Bay’s best-selling Parking Lot Pickers Songbook: Banjo Edition.

With banjo legend Sonny Osborne, Bill hosts the NashCamp Banjo Camp each fall in Fairview, Tennessee. Now in its 13th year, this camp is the premiere bluegrass banjo camp in the world and has featured J. D. Crowe, Jens Kruger, Bill Emerson, Ron Block, Kristin Scott Benson, Rob McCoury, Tony Trischka, Alan Munde, Ned Luberecki, Charlie Cushman, Pete Wernick and Frank Neat, among others.

Bill has also been a mainstay at many other banjo and bluegrass music camps over the last fifteen years, including multiple appearances at Sore Fingers Bluegrass Week (England), Bluegrass Camp Munich (Germany), the Midwest Banjo Camp (Michigan), Steve Kaufman’s Acoustic Music Camp (Tennessee) and the California Bluegrass Association’s Music Camp.

Bill has probably taught more one-on-one banjo lessons than anyone else in the world. His list of students is impressive: Chris Pandolfi (The Infamous Stringdusters), Jayme Stone, Greg Liszt (Crooked Still, the Deadly Gentlemen), Wes Corbett and Erik Yates (Hot Buttered Rum.) However, Bill is equally adept at instructing the older adult learner whose goal is to have fun in a jam session or local band.

At any one time in his home near Richmond, California, Bill teaches between forty and sixty students, in addition to maintaining a steady international touring schedule. In addition, Bill teaches the most popular bluegrass ensemble classes in the San Francisco Bay Area at the Freight and Salvage Coffeehouse and he is on the faculty of the California Jazz Conservatory.

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