d'Indy Istar, Choral varié, Symphony No. 3 & Diptyque Méditerranéen Iceland Symphony Orchestra & Rumon Gamba

• Vincent d’Indy (1851 - 1931): Istar, Op. 42:
• 1d'Indy: Istar, Op. 4213:12
• 2d'Indy: Choral varie, Op. 55: Choral varié, Op. 5509:40
• Symphony No. 3, Op. 70:
• 3d'Indy: Symphony No. 3, Op. 70: I. Lent et calme10:15
• 4d'Indy: Symphony No. 3, Op. 70: II. Assez vite04:33
• 5d'Indy: Symphony No. 3, Op. 70: III. Lent08:43
• 6d'Indy: Symphony No. 3, Op. 70: IV. Très animé08:23
• Diptyque Méditerranéen, Op. 87:
• 7d'Indy: Diptyque Méditerranéen, Op. 87: I. Soleil matinal07:27
• 8d'Indy: Diptyque Méditerranéen, Op. 87: II. Soleil vespéral08:06
• Total Runtime01:10:19

Info zu d'Indy Istar, Choral varié, Symphony No. 3 & Diptyque Méditerranéen

Rumon Gamba and the Iceland Symphony Orchestra follow their Grammy-nominated volume 1 and Editor’s Choice winning Volume 2 with four rare orchestral works from Vincent D’Indy’s legacy. The previous volumes have obtained such comments as ‘…superbly realised by the excellent Iceland Symphony Orchestra under Rumon Gamba and the state-of-the-art Chandos recording; definitely a key record of d’Indy’s orchestra output’ (Gramophone) and ‘this series is going to be virtually definitive’ Musical Opinion

Composed in 1916-18 at the climax of the Great War, d’Indy’s last symphony is a valid reflection of his intense patriotism. In its dramatic theatric and tonal conflicts it well portrays the heightened emotions of exaltation and terror experienced by the French nation. D’Indy’s seven-variation programmatic work, Istar, Op.42 is a beautiful, flowing work set in the underworld and inspired by the sixth canto of an ancient Assyrian epic poem called Izdubar that was probably written around 2000 B.C.

The unconventionally conceived yet well integrated work Choral Varie for Saxophone Solo ans orchestra, Op.55 employs an eclectic variety of styles. Like certain other French composers such as Bizet, D’Indy well understood the saxophone’s expressive potential. The solo role is taken by one of Iceland’s most prominent musicians, Sigurður Flosason, who has twice been nominated for the Nordic Music Prize, and four time winner of the Icelandic Music Awards.

Volume 3 is completed by D’Indy’s last orchestral work, Diptyque Mediterraneen, Op.87. It reflects the Indian summer which his happy second marriage brought him in his final decade. There is a certain similarity with the earlier Ardeche-inspired Jour d’ete a la montagne in its illustration of the sacred rhythms of nature during the course of the day, but here the influence of Debussy is clearly apparent in its superb Mediterranean-like clarity of texture.

Following their first two much-praised discs, Rumon Gamba and the Iceland Symphony further champion the lushly colourful and impressionistic orchestral music of Vincent d’Indy. The core of this programme is a clearly argued and well-paced performance of the composer’s Third Symphony. It’s a fascinating work that mixes straighforward militaristic passages with a high-Romantic, 20th century language that’s part Expressionist, part Impressionist. It’s framed by three delicious tone-poems.' (Classic FM Magazine)

Indy Smphony No. 3 'Sinfonia Brevis de Bello Gallico', Op, 70
Diptyque Méditerranéen, Op. 87
Istar
Choral varié, Op. 55/strong>


Sigurður Flosason
(saxophone)
Iceland Symphony Orchestra
Rumon Gamba


Istar, Op. 42
Variations symphoniques
À la Société symphonique des concerts Ysaye
Très lent - Un peu plus animé - Plus vite - Mouvement initial -
Choral varie, Op. 55
pour Saxophone solo et Orchestre
À Madame Elise Hall, Présidente de l'Orchestral Club de Boston
Mouvement de Passacaille - Un peu plus animé -
Sigurdur Flosason saxophone
Symphony No. 3, Op. 70
Sinfonia brevis de Bello Gallico
Au Commandant E. de Pampelonne
I Lent et calme - Animé (Premier Mouvement) - Moins vite -
II Assez vite - Un peu moins vite (très peu)
III Lent - Plus animé - Mouvement initial (un peu animé) -
IV Très animé - Animé, mais un peu plus calme (Premier Mouvement) -
Diptyque mediterraneen, Op. 87
À René et Claire de Castéra
I Soleil matinal. Modéré - Un peu animé - Au Mouvement - Calme
II Soleil vespéral. Modéré et solennel - Avec un peu plus d'animation -

Iceland Symphony Orchestra
Founded in 1950, the Iceland Symphony Orchestra is the national orchestra of Iceland and one of the leading institutions on the country's cultural scene. Widely praised for its performances and recordings, the orchestra presents a full season each year of subscription series, school and family concerts, and concerts devoted to modern music. The majority of the orchestra's concerts are broadcast live on radio by the National Broadcasting Service, and selected concerts are televised and streamed live online. The Iceland Symphony is the resident orchestra in Reykjavík's award-winning Harpa Concert Hall.

In September 2020, Eva Ollikainen assumes the post of Chief Conductor and Artistic Director, a role previously held by conductors such as Yan Pascal Tortelier, Ilan Volkov, Rumon Gamba, Petri Sakari, Jean-Pierre Jacquillat and Osmo Vänskä, who currently holds the title of Honorary Conductor. Vladimir Ashkenazy has conducted the orchestra regularly since the 1970s and now holds the position of Conductor Laureate. Icelandic composer Anna Thorvaldsdottir is the orchestra's Composer-in-Residence, and Icelandic composer-conductor Daníel Bjarnason is Principal Guest Conductor.

The Iceland Symphony Orchestra has recorded for Deutsche Grammophon, BIS, Chandos, Naxos, and Sono Luminus. Its wide-ranging international discography includes highly praised cycles of the symphonies of Sibelius and orchestral works by Jón Leifs. The orchestra has also recorded the complete orchestral works of Vincent d'Indy with Rumon Gamba for Chandos. The first volume of the series was nominated for a Grammy Award for Best Orchestral Performance. One of its most recent releases, of symphonies by Charles Gounod with conductor Yan Pascal Tortelier, was an Editor's Choice in Gramophone and CD of the week in The Sunday Times.

The Iceland Symphony Orchestra has appeared widely throughout Europe and beyond, including performances at the BBC Proms, the Wiener Musikverein, and the Kennedy Center. In 2018 it embarked on a highly successful three-week tour of Japan with Ashkenazy and most recently the orchestra toured Germany and Austria with conductor Daníel Bjarnason and Víkingur Ólafsson. It has also appeared twice in New York's Carnegie Hall. Writing in The New York Times, the critic Alex Ross described the orchestra's performance under Osmo Vänskä as “sensational… one of the finest Sibelius performances I have encountered.”

Rumon Gamba
British conductor Rumon Gamba is Chief Conductor of the Oulu Symphony Orchestra, a post he has held since January 2022. Previous positions included Principal Conductor and Music Director of NorrlandsOperan (2008-2015); Chief Conductor of the Aalborg Symfoniorkester (2011-2015), and Chief Conductor and Music Director of Iceland Symphony Orchestra (2002-2010). He regularly leads the BBC orchestras and has appeared at the BBC Proms on a number of occasions. ​

A champion of new music, Gamba has given several high profile premieres including the world premieres of Nico Muhly’s Two Boys at English National Opera, Brett Dean’s Viola Concerto with the composer and BBC Symphony Orchestra; national premieres of Poul Ruders’ Dancer in the Dark and Mark-Anthony Turnage’s Blood on the Floor and Scherzoid with NorrlandsOperan and the Australian premiere of the original version of Sibelius’ Symphony No.5 with Queensland Symphony Orchestra. In 2016 he conducted Larsson Gothe’s The African Prophetess with the orchestra of NorrlandsOperan and Cape Town Opera Chorus as part of the Royal Stockholm Orchestras’ composer week. He appeared at the 2017 Enescu Festival with works by Sven Helbig and Rolf Martinsson. Rumon returned to the BBC Proms in 2017 to conduct a BBC commission by Michael Gordon for the jazz ensemble ‘Bang on a Can All-Stars’ together with the Proms Youth Ensemble. He has also collaborated with Ittai Shapira and Lotta Wennäkoski with BBC National Orchestra of Wales and Kymi Sinfonietta respectively. ​

Highlights of Gamba’s recent and future seasons include Orquesta Sinfonica de Galicia, Rotterdam Philharmonic, Brussels Philharmonic, Helsingborg Philharmonic, Romanian Radio Symphony, Madeconian Phiharmonic, Goteborgs Symfoniker, Ulster Orchestra and WDR Funkhausorchester; a concert performance with Wermland Opera in Karlstad, and several concerts and recordings with the BBC Philharmonic Orchestra. ​

Rumon Gamba has conducted a number of operatic titles including Rigoletto at Scottish Opera, Carmen, La bohème, Otello, and Candide. In celebration of Umeå’s status as European Capital of Culture 2014, he conducted NorrlandsOperan in an epic outdoor production of Elektra with La Fura dels Baus which was critically acclaimed. With both NorrlandsOperan and Aalborg Symfoniorkester, Gamba continued his popular late night concerts aimed at young adults which he first introduced whilst at Iceland Symphony Orchestra. Next season he will conduct The Magic Flute for Oulu Opera, and future projects include a ballet double bill for Finnish National Opera.

Rumon Gamba has recorded exclusively with Chandos Records for over 20 years. His projects include a series of D’Indy’s orchestral works with the Iceland Symphony, the first of which was nominated for a Grammy Award. Other recordings include works by the Swedish composer Dag Wirén: British Overtures and Tone Poems with the BBC National Orchestra of Wales, as well as works by Malcolm Williamson, Malcom Arnold and Milòs Ròzsa. Recent projects include a Ruth Gipps recording with the BBC Philharmonic Orchestra and a recording of Finnish overtures with the Oulu Symphony Orchestra. ​

Gamba studied with Colin Metters at the Royal Academy of Music and became the first conducting student to receive the DipRAM. He won the Lloyds Bank BBC Young Musicians Conductors Workshop in February 1998, and then became Assistant and then Associate Conductor to the BBC Philharmonic, a post he held until 2002. The Royal Academy of Music recognised his contribution to music when they made him an Associate that same year. In 2017, he became a Fellow of the Royal Academy of Music.

Dieses Album enthält kein Booklet