Anspruchsvolle Musik

Dreamhouse is a soaringly beautiful blend of piano, bass and drums, played with the laid-back ease synonymous with true jazz musicians. Fred Simon, Kelly Sill and Sarah Allen have pooled their formidable talents to record this, their aptly titled first album as a trio.

Fred Simon's passion manifests itself in this album; he has written all the tracks himself except one. He has been making music for nearly thirty years, composing for records, live performance, film, dance and television. He has collaborated with the likes of Ralph Towner, Larry Coryell, Lyle Mays, Kurt Elling and Paul Wertico to name but a very few. Kelly and Sarah have likewise worked with many highly regarded musicians including Ernie Watts, Mose Allison, Bobbi Wilsyn and Bobby Conn.


Live to two-track recordings are always a challenge. There are no opportunities to 'fix' things; what you hear is pretty much what you get. While pianist Fred Simon professes to be a composer first and player second, by largely eschewing pyrotechnical displays of virtuosity and, instead, concentrating on the songs themselves, Fred and his trio deliver Dreamhouse, a fine album of contemporary piano jazz . Simon has been on the scene for about thirty years, working and recording with artists including Paul McCandless, Lyle Mays, Steve Rodby and Paul Wertico. With the last three being current and past members of the Pat Metheny Group, it’s no surprise that Simon shares certain characteristics, most notably a writing style that focuses on accessible songs which are, at the same time, harmonically rich, resulting in music that reveals new things with repeated listens.

The music runs the gamut of emotions. From the uplifting and hopeful 'Anytime, Valentine', to the more poignant 'Love Comes Quietly', inspired by a Robert Creeley poem, there is an underlying lyricism and sense of romance to Simon’s writing. Simon creates memorable melodies which are new, and yet strangely familiar. They stay in the memory long after the album has finished.

Bassist Kelly Sill and drummer Sarah Allen are sensitive accompanists, light and lithe one moment; pulsing and driving the next. Sill’s Haden-like solo on 'Yes I Said Yes I Will Yes' has an almost composed feeling of construction.

As a pianist, Simon exhibits the influences that most contemporary pianists have, most notably Jarrett and Evans, but there is also a certain richness that brings to mind Steve Kuhn and Art Lande. Simon has a deft touch and keen sense of adventure that is always tempered with a refreshing ability to expand on the riches found within each song.

Dreamhouse is a beautifully conceived and well-crafted album of piano jazz which will appeal to listeners looking for beauty in simplicity; this is a recording that stays with you and compels you to put it on again and again. (David Binder, Jazzreview.com)

Fred Simon, Piano
Kelly Sill, Bass
Sarah Allen, Drums

Composed (except track 7) and produced by Fred Simon.
Recorded at Union Church, Hinsdale Illinois (7th June 1999)
Recorded by True Stereo analogue by Ken Christianson, Pro Musica, Chicago